© Onnis Luque

欧尼斯·卢克

架构师提供的文本描述。该地区是与同一领土上的一群人生活和互动的结果，成为该空间的前提。我们的关注点被确定为墨西哥城的一项活动，受到数百万人的启发，他们从不同的地方搬到其他目的地，通过该国最包容和流动最快的交通工具，在那里，一群不知名的人每天生活几分钟。

Text description provided by the architects. The locality is the result of living and interacting with a group of people in the same territory, becoming the premises of that space. Our focus was set as an exercise for Mexico City, inspired by the millions of people who move from different places to other destinations, through the most inclusive and fastest-flowing means of transportation in the country, and where a group of people unknown lives for a few minutes every day.

Text description provided by the architects. The locality is the result of living and interacting with a group of people in the same territory, becoming the premises of that space. Our focus was set as an exercise for Mexico City, inspired by the millions of people who move from different places to other destinations, through the most inclusive and fastest-flowing means of transportation in the country, and where a group of people unknown lives for a few minutes every day.

 Planta y Elevación

Planta y 11 ación

 © Onnis Luque

欧尼斯·卢克

该项目位于曼努埃尔·托拉广场，是一个由12个门组成的互动过程，每个门都有不同的颜色，用户可以选择自己识别的通道，这些颜色是由集体交通系统地铁的12条线路决定的。当用户进门时，他们会受到一个冷漠的室内的欢迎，在那里，他们开始以一种无限的方式观察自己，强化​​归属的观念，然后每个人作为一个群体，实现独特的协同作用，并无限制地平等共存。

Located in Plaza Manuel Tolsá, the project is an interactive process in a delimited space, consisting of twelve doors, each with a different color that allows the user to choose the access with which he identifies, these colors were determined by the twelve lines of the collective transport system metro. When users go through the door, they are greeted by an indifferent interior, where initially they observe themselves in an infinite way, strengthening the idea of ​​belonging and then everyone as a group, achieving a unique synergy and coexisting as equals without limits.

Located in Plaza Manuel Tolsá, the project is an interactive process in a delimited space, consisting of twelve doors, each with a different color that allows the user to choose the access with which he identifies, these colors were determined by the twelve lines of the collective transport system metro. When users go through the door, they are greeted by an indifferent interior, where initially they observe themselves in an infinite way, strengthening the idea of ​​belonging and then everyone as a group, achieving a unique synergy and coexisting as equals without limits.

 © Onnis Luque

欧尼斯·卢克

室内空间充满了一组临时的前提，居住在它和自由互动，创造了一个独特的领域，为那一刻，并鼓励​​的想法，使一个地点。安装是基于胶合板和胶合板的外边，而内部是内衬回收玻璃，产生无限的反射。为了优化材料的使用，采用了模块化系统，避免了废物的产生，保证了废物的再利用。

The interior space is filled with a group of temporary premises that inhabit it and interact freely creating a unique territory for that moment and encouraging the idea of ​​making a location. The installation is based on plywood and plywood sheets on the outside of the circumference, while the interior was lined with recycled glass, generating an infinite reflection. To optimize the use of the materials, a modular system was used, avoiding the generation of waste and guaranteeing the reuse of the same.

The interior space is filled with a group of temporary premises that inhabit it and interact freely creating a unique territory for that moment and encouraging the idea of ​​making a location. The installation is based on plywood and plywood sheets on the outside of the circumference, while the interior was lined with recycled glass, generating an infinite reflection. To optimize the use of the materials, a modular system was used, avoiding the generation of waste and guaranteeing the reuse of the same.

 Render Interior y Exterior

渲染内部Y外部

 © Onnis Luque

欧尼斯·卢克

 © Onnis Luque

欧尼斯·卢克

Architects MRD Arquitectos

Location Plaza Manuel Tolsá, Calle de Tacuba 8, Centro Histórico, Centro, 06000 Mexico City, CDMX, Mexico

Area 105.0 m2

Project Year 2018

Photography Onnis Luque

Category Temporal Installations