© Frans Hanswijk

C.FransHanswijk

架构师提供的文本描述。斯特培总部的城市环境具有不同的范围和不同的规模层次：东面是阿姆斯特丹南轴的延续，而北侧则以A10高速公路为主。在西侧，贝多芬街是通往市中心的主要路线，而东侧则位于比阿特丽克斯公园。

Text description provided by the architects. Stibbe headquarter’s urban context is characterized by the variety of spheres and different scale levels: to the east, the location is a continuation of Amsterdam’s South Axis, whereas the north side is mainly characterized by the A10 highway. On the west side the Beethoven Street is the main route to the city centre while the east side is situated in the Beatrix Park.

Text description provided by the architects. Stibbe headquarter’s urban context is characterized by the variety of spheres and different scale levels: to the east, the location is a continuation of Amsterdam’s South Axis, whereas the north side is mainly characterized by the A10 highway. On the west side the Beethoven Street is the main route to the city centre while the east side is situated in the Beatrix Park.

 © Frans Hanswijk

C.FransHanswijk

城市设计的特点是有机的足迹。这种视觉语言使公园可以在建筑物周围找到延续，并且可以从贝多芬街看到和触觉到。流线型的浪漫，经典的英国花园，如碧翠公园，在建筑外观上找到了延续。

Characteristic of the urban design are the organic footprints. This visual language allows for the park to find continuation around the buildings and to be visible and palpable from the Beethoven Street. The flowing lines of the romantic, classic English garden like Beatrixpark, find continuation in the architectural appearance.

Characteristic of the urban design are the organic footprints. This visual language allows for the park to find continuation around the buildings and to be visible and palpable from the Beethoven Street. The flowing lines of the romantic, classic English garden like Beatrixpark, find continuation in the architectural appearance.

 © Frans Hanswijk

C.FransHanswijk

其面积为14.500平方米，其中9层相当高，其规模参与了阿姆斯特丹祖达斯的天际线的定义。观察者还能迅速认识到在直言不讳的透明平台中的人类规模，那里天然的石头和玻璃是主要的材料，但在看地板时也会发现，当一个人往上爬、消失、偏转或遇到挫折时。建筑物的皇冠是椭圆形的会议室，它通过一个钢框架和一个天篷被额外的铰接和提升。

The volume of 14.500m2, with its 9, rather high, levels, has a scale that participates in the definition of the skyline of Amsterdam’s Zuidas. The observant viewer also quickly recognizes the human scale in the outspoken transparent plinth, where natural stone and glass are the dominating materials, but also when looking at the floors which, while one goes up, disappear, deflect or are provided with setbacks. Crown to the building is the oval conference room which has been extra articulated and lifted by means of a steel frame and a canopy.

The volume of 14.500m2, with its 9, rather high, levels, has a scale that participates in the definition of the skyline of Amsterdam’s Zuidas. The observant viewer also quickly recognizes the human scale in the outspoken transparent plinth, where natural stone and glass are the dominating materials, but also when looking at the floors which, while one goes up, disappear, deflect or are provided with setbacks. Crown to the building is the oval conference room which has been extra articulated and lifted by means of a steel frame and a canopy.

大部分的公共活动都位于较低的楼层。一家咖啡厅位于西南角，100座观众席位于公园一侧，使游客有可能踩上露台，从地势略高。大楼的餐厅位于一楼，与露台和礼堂联系紧密。

The most public functions are located on the lower floors. A café is placed at the south west corner, a 100 seat auditorium is located at the park side, giving visitors the possibility to step on the terrace, slightly elevated from the terrain. The building’s restaurant is placed on the first floor, in close communication with the terrace and the auditorium.

The most public functions are located on the lower floors. A café is placed at the south west corner, a 100 seat auditorium is located at the park side, giving visitors the possibility to step on the terrace, slightly elevated from the terrain. The building’s restaurant is placed on the first floor, in close communication with the terrace and the auditorium.

 © Frans Hanswijk

C.FransHanswijk

立面的中间部分是由弯曲的幕墙组成，玻璃幕墙上有垂直的铝元素来遮阳，这取决于你所站的地方，它总是以一种稍微不同的方式显示建筑。

The middle part of the façade is made of curved curtain glass walls with vertical aluminium elements for shading which, depending on where one stands, show the building in always a slightly different way.

The middle part of the façade is made of curved curtain glass walls with vertical aluminium elements for shading which, depending on where one stands, show the building in always a slightly different way.

上层，其中设置了设置，预留给外部会议区域，并在顶层，椭圆形伙伴会议室。

The upper levels, in which set backs are created, are reserved for external meeting areas and, on the top floor of the building, the oval partners meeting room.

The upper levels, in which set backs are created, are reserved for external meeting areas and, on the top floor of the building, the oval partners meeting room.

 © Frans Hanswijk

C.FransHanswijk

从内部看，建筑是围绕一个三角形的8层高中庭组织起来的。开放的办公空间，以及公共区域被组织在这个中庭周围，提供了壮观的观点和透明度，象征着律师现在的工作方式。天然石、玻璃、木材和钢是中庭的主要材料，其中钢结构是主要的引人注目的元素。

From the inside, the building is organized around a triangular 8 floor high atrium. Open office spaces, as well as communal areas are organized around this atrium, providing spectacular views and transparency, symbolic for the way lawyers nowadays work. Natural stone, glass, wood and steel are the dominating materials for this atrium in which the steel structure is the main, eye-catching element.

From the inside, the building is organized around a triangular 8 floor high atrium. Open office spaces, as well as communal areas are organized around this atrium, providing spectacular views and transparency, symbolic for the way lawyers nowadays work. Natural stone, glass, wood and steel are the dominating materials for this atrium in which the steel structure is the main, eye-catching element.

 © Frans Hanswijk

C.FransHanswijk

高端内饰由Fokkema设计。

The high-end interior is designed by Fokkema & Partners. An inviting signature was developed for the lobby, the auditorium, the coffee bar, the company restaurant, the library and the full-service meeting facilities. For the central atrium, special acoustic panels were designed. The pattern that was developed emphasizes and reflects the buildings impressive steel structure.

The high-end interior is designed by Fokkema & Partners. An inviting signature was developed for the lobby, the auditorium, the coffee bar, the company restaurant, the library and the full-service meeting facilities. For the central atrium, special acoustic panels were designed. The pattern that was developed emphasizes and reflects the buildings impressive steel structure.

 © Frans Hanswijk

C.FransHanswijk

增加的空洞，楼梯和设计，注重景观归因于开放的感觉。正因为如此，游客的体验已经成为一次穿越建筑的旅程，在这一过程中，中央中庭的景色是惊人的。斯特培总部被WAN评选为2018年最佳商业建筑奖，并被列入年度最佳商业建筑入围名单。

The addition of voids, stairs and design with attention to vistas attributed to the sense of openness. Due to this, the visitors experience has become a journey through the building in which the view of the central atrium, is phenomenal. Stibbe Headquarters got selected by the WAN Awards 2018 and is put on the shortlist for best Commercial building of the year.

The addition of voids, stairs and design with attention to vistas attributed to the sense of openness. Due to this, the visitors experience has become a journey through the building in which the view of the central atrium, is phenomenal. Stibbe Headquarters got selected by the WAN Awards 2018 and is put on the shortlist for best Commercial building of the year.

 Ground floor plan

Architects JCAU B.V.

Location Beethovenplein 10, Zuidas Amsterdam, The Netherlands

Lead Architects Thomas Offermans, Jo Coenen

Design Team DWA, Royal Haskoning, Fokkema en Partners, Henning Larsens

Area 14500.0 m2

Project Year 2016

Photographs Frans Hanswijk

Category Office Buildings

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