Casa MD Andrés Alonso

2018-11-02 17:00

 © Gonzalo Viramonte

c Gonzalo Viramonte

Los MIRADORES los Miradores是一座由4栋房屋组成的建筑群，临时使用，位于科尔多瓦市Allende市最高地区2 368平方米的陡坡地带。

LOS MIRADORES Los Miradores is a complex of 4 houses made for temporary use, placed in a 2,368 m2 steep-sloped plot, in the highest area of the city of Villa Allende, Córdoba.

LOS MIRADORES Los Miradores is a complex of 4 houses made for temporary use, placed in a 2,368 m2 steep-sloped plot, in the highest area of the city of Villa Allende, Córdoba.

 © Gonzalo Viramonte

c Gonzalo Viramonte

 Ground floor plan

 © Gonzalo Viramonte

c Gonzalo Viramonte

由于没有明确的用户，舞台的中心是全球化世界中的男人和女人，这个世界已经失去了每个地区的特点，给出身份和人的建造之处的奇点。从这一范式中，本作品试图将建筑精神恢复为艺术，这是一种超越了人类作为一种刻板印象的对象的基本需求的建筑。

By not having a defined user, center stage is given to the man and the woman of a globalized world, which has been losing the singularity that characterizes each region, that which gives identity and from where man is built. From this paradigm, this work tries to recover the architectural spirit as art, an architecture that goes beyond solving the basic needs of man as a stereotyped object.

By not having a defined user, center stage is given to the man and the woman of a globalized world, which has been losing the singularity that characterizes each region, that which gives identity and from where man is built. From this paradigm, this work tries to recover the architectural spirit as art, an architecture that goes beyond solving the basic needs of man as a stereotyped object.

 © Gonzalo Viramonte

c Gonzalo Viramonte

 Upper Floor plan

上层平面图

 © Gonzalo Viramonte

c Gonzalo Viramonte

在一个令人眩晕的世界中，洛斯米拉多尔寻求鼓励平静的简单性，在这个问题之前寻求必要的休息；这个问题挑战既定的惯例，引起被当时独白所贯穿的主题的独特反应，这个问题是通过思考空虚作为认识真正愿望的唯一途径来回答自己的，这应该是所有存在的原因。

In a vertiginous world, Los Miradores seek the simplicity that encourages calm, the necessary rest that precedes the question; that question that challenges the established conventions, giving rise to a singular response from the subject pierced by the monologue of the time, that question that answers itself by contemplating the emptiness as the only way to recognize real desire, which should be the cause of all existence.

In a vertiginous world, Los Miradores seek the simplicity that encourages calm, the necessary rest that precedes the question; that question that challenges the established conventions, giving rise to a singular response from the subject pierced by the monologue of the time, that question that answers itself by contemplating the emptiness as the only way to recognize real desire, which should be the cause of all existence.

 © Gonzalo Viramonte

c Gonzalo Viramonte

一种使用与受电弓相同的观察原理的装置，但这一次是为了服务于居住在其中的主体的奇异性。建筑作为艺术，作为进步的象征，有助于人类从观察对象向观察主体的转变，从其症状的起因和时代的症状，即支撑这一工作的理念。

A device that uses the same principle of observance as the panopticon, but this time, at the service of the singularity of the subject that inhabits it. Architecture as art, as a symbol of progress, which contributes to the transformation of man from observed object to observing subject, from the cause of his symptom and the symptom of his time, that is the idea sustaining this work.

A device that uses the same principle of observance as the panopticon, but this time, at the service of the singularity of the subject that inhabits it. Architecture as art, as a symbol of progress, which contributes to the transformation of man from observed object to observing subject, from the cause of his symptom and the symptom of his time, that is the idea sustaining this work.

 © Gonzalo Viramonte

c Gonzalo Viramonte

 © Gonzalo Viramonte

c Gonzalo Viramonte

由此而来的是一座450平方米的建筑，一座连续的半埋地下室，覆盖着砖墙，覆盖着卧室的区域，重新树立了地域传统，作为我们身份的基础。在它上面的是白天地带，由四个白色和纯正矩形棱镜构成，其比例与基底相同，但在服务核上方旋转，向面向东方的地平线突出。

From this reflection originates a 450 m2scopic building, with a continuous semi-buried basement housing the bedroom area, covered in brick, retaking the regional tradition as the foundation of our identity. Above it rests the diurnal zone, materialized by four white and pure rectangular prisms of the same proportions as the base, but rotated over the service nucleus, projecting towards the horizon facing east.

From this reflection originates a 450 m2scopic building, with a continuous semi-buried basement housing the bedroom area, covered in brick, retaking the regional tradition as the foundation of our identity. Above it rests the diurnal zone, materialized by four white and pure rectangular prisms of the same proportions as the base, but rotated over the service nucleus, projecting towards the horizon facing east.