Sá da Bandeira PF Architecture Studio

2018-11-07 06:00

 © João Morgado

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架构师提供的文本描述。Sáda Bandeira的建筑是我们在波尔图市中心的第一个项目，在等待了几年之后，它的建设在项目开始后五年开始。这一等待期被证明是项目结果的根本，因为它有助于思考如何在预先存在的情况下进行预测。最初的项目以一种非常激进的方式肯定了存在和新的意图之间的关系，这种意图随着建筑的继续而失去力量，最终以一种更明智和更分散的方式结束，几乎取消了建筑师在最终结果中的存在。

Text description provided by the architects. Sá da Bandeira’s building was our first project in the Porto downtown context, having been in standby for several years, its construction began five years after the project was started. This waiting period proved to be fundamental in the outcome of the project since it contributed to a reflection on how to project in a preexistence. The initial project affirmed in a very radical way the relationship between the existent and the new, intention that lost force as the construction moved on, ending in a much more sensible and discrete exercise that almost annuls the presence of the architect in the final result.

Text description provided by the architects. Sá da Bandeira’s building was our first project in the Porto downtown context, having been in standby for several years, its construction began five years after the project was started. This waiting period proved to be fundamental in the outcome of the project since it contributed to a reflection on how to project in a preexistence. The initial project affirmed in a very radical way the relationship between the existent and the new, intention that lost force as the construction moved on, ending in a much more sensible and discrete exercise that almost annuls the presence of the architect in the final result.

 © João Morgado

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 Floor Plans

平面图

 © João Morgado

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Sáda Bandeira的建筑虽然具有19世纪波尔图市中心住宅的所有类型特征，但从未真正有人居住过，而且一直作为商业和服务建筑发挥作用。这就解释了内部空间被细分和改变的方式。尽管如此，它仍然完整地保存了原始建筑的建设性和装饰性元素，木结构(地板和屋顶)，椭圆形的天窗，大部分的木匠，如围裙、栏杆、内门和门道。

Sá da Bandeira’s building, although having all the typological characteristics of the 19th-century Porto downtown residential buildings, has never really been inhabited, and has always functioned as a commercial and service building. That explains the way the interior space was subdivided and changed. Still, it preserved intact the constructive and decorative elements of the original construction, the wooden structure (floors and roof), the skylight with an oval shape, most of the carpentries like skirtings, banisters, interior doors, and doorways.

Sá da Bandeira’s building, although having all the typological characteristics of the 19th-century Porto downtown residential buildings, has never really been inhabited, and has always functioned as a commercial and service building. That explains the way the interior space was subdivided and changed. Still, it preserved intact the constructive and decorative elements of the original construction, the wooden structure (floors and roof), the skylight with an oval shape, most of the carpentries like skirtings, banisters, interior doors, and doorways.

 © João Morgado

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目前的挑战是对大楼内部进行改造，并在另一层扩建，安装6套公寓，4套类型T1和2套类型T2复式公寓，将商业空间保留在底层。良好的垂直循环状态，结构和楼层，是干预类型的起点，这种干预更多的是恢复而不是重建。因此，一旦楼梯位于工厂的中心，设计了一个“前/后”解决方案，创造了每层两套公寓。

The challenge was to remodel the building inwardly and expand it on one extra floor, enabling the installation of six apartments, four of typology t1 and two of typology t2 duplex, keeping the commercial space on the ground floor. The excellent state of the vertical circulations, of the structures and the floors, was the starting point for the type of intervention that was more of restoration than remodeling. So, once the staircase is in the center of the plant, a "front/rear" solution was designed, creating two apartments per floor.

The challenge was to remodel the building inwardly and expand it on one extra floor, enabling the installation of six apartments, four of typology t1 and two of typology t2 duplex, keeping the commercial space on the ground floor. The excellent state of the vertical circulations, of the structures and the floors, was the starting point for the type of intervention that was more of restoration than remodeling. So, once the staircase is in the center of the plant, a "front/rear" solution was designed, creating two apartments per floor.

 © João Morgado

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内部布局改造了这种类型中常见的壁龛，以整合新的部件、厨房和卫生设施。对于这个建筑家族中的建筑和装修等级，空间和细节随着我们在室内的上升而被简化。从19世纪的浪漫主义，明显地在第一层和第二层，一种简单得多的语言被成功地在三楼(扩大)。装饰和家具元素强化了建筑的浪漫视觉，创造了一个意味深长的现代的、语境化的、折中的和强烈的情绪化的整体。

The interior distribution reinvents the alcoves common in this typology, in order to integrate the new parts, kitchens, and sanitary facilities. Regarding the constructive and finishing hierarchy present in this family of buildings, the spaces and details are simplified as we go up in the interior. From the romanticism of the 19th century evident in the 1st and 2nd floors a much simpler language is succeeded on the 3rd floor (enlargement). Decorating and furniture elements reinforce the romantic vision of the building, creating a whole that is intended contemporary, contextualized, eclectic and strongly emotional.

The interior distribution reinvents the alcoves common in this typology, in order to integrate the new parts, kitchens, and sanitary facilities. Regarding the constructive and finishing hierarchy present in this family of buildings, the spaces and details are simplified as we go up in the interior. From the romanticism of the 19th century evident in the 1st and 2nd floors a much simpler language is succeeded on the 3rd floor (enlargement). Decorating and furniture elements reinforce the romantic vision of the building, creating a whole that is intended contemporary, contextualized, eclectic and strongly emotional.