© Nelson Kon

(Kon)

 © Nelson Kon

(Kon)

架构师提供的文本描述。极简主义的形状和直线的设计是显而易见的这个住宅。这一前提来自于客户本人，一个建筑和当代艺术的崇拜者。作为这一极简主义和视觉清洗的连续性，项目的关闭和开放是以一种轻描淡写的方式提出的，说明了所采用的部门划分、循环和观点的合理性和构成。主要的体积特征是由一个连续的白线，它与木头和玻璃，并建立在一个摇动的混凝土块。

Text description provided by the architects. The minimalism of shapes and the straight lines of the design are evident in this residence. This premise came from the client himself, an admirer of architecture and contemporary art. As a continuity to this minimalism and visual cleaning, the closures and openings of the project are presented in a light way, justifying and composing the sectorizations, circulations and perspectives adopted. The main volume featured is drawn by a continuous white line, which merges with the wood and glass and rests on a rocking concrete block.

Text description provided by the architects. The minimalism of shapes and the straight lines of the design are evident in this residence. This premise came from the client himself, an admirer of architecture and contemporary art. As a continuity to this minimalism and visual cleaning, the closures and openings of the project are presented in a light way, justifying and composing the sectorizations, circulations and perspectives adopted. The main volume featured is drawn by a continuous white line, which merges with the wood and glass and rests on a rocking concrete block.

 Ground Floor Plan

具体标志着住宅的私人社会功能，以及一楼连续的白色房屋、服务区和休闲区。由于这两卷书的连接而产生的空白处是房间，位于战略和中心位置，完全向休闲区开放。同样的混凝土块在南北方向穿过地面，在后面的立面上有一个很大的水平开口。在这个立面上，房间朝北，俯瞰着一个很好的保护区，这也是这块土地不可分割的一部分。

The concrete marks the private social functions of the house and the continuous white volume houses the service and leisure areas on the ground floor. In the void resulting from the joining of these two volumes are the rooms, located in strategic and central position and that open totally to the leisure area. This same block of concrete crosses the ground in a north / south direction and presents itself on the rear façade with a large horizontal opening. On this façade the rooms are facing north and overlooking a generous preservation area which is also an integral part of the land.

The concrete marks the private social functions of the house and the continuous white volume houses the service and leisure areas on the ground floor. In the void resulting from the joining of these two volumes are the rooms, located in strategic and central position and that open totally to the leisure area. This same block of concrete crosses the ground in a north / south direction and presents itself on the rear façade with a large horizontal opening. On this façade the rooms are facing north and overlooking a generous preservation area which is also an integral part of the land.

 © Nelson Kon

(Kon)

本项目专为5人（夫妇和3名儿童）的家庭设计，旨在提出一个实用的家庭，审美地反映了客户对艺术和设计的钦佩。作为雕塑，番石榴在地面上优雅地居住，利用地形来创造内部和外部的空间。住宅的整个正面由一个大的Uglass玻璃平面覆盖，该平面产生水平和垂直的视角。在人接近的情况下，FaherAde揭示了一个与粗钢筋混凝土结构相连的长摆动金属楼梯。混凝土随着金属模板的标记而变得明显，用作结构山墙，也是房屋装修的极简背景-也是由帕多瓦尼·阿奎托斯办事处(PadovaniArquitos)办公室签署的。

This project, designed for a family of 5 people (couple and 3 children), intended to propose a practical home that aesthetically reflects the client's admiration for art and design. As a sculpture, the Guaicá Residence lands elegantly on the ground, taking advantage of the topography to create the internal and external spaces. The entire front face of the residence is covered by a large Uglass glass plane, which creates horizontal and vertical perspectives. As the person approaches, the façade reveals a long swinging metal staircase attached to a crude reinforced concrete structure. The concrete, kept apparent with the markings of the metallic formwork - works as a structural gable and also as a minimalist backdrop of the house decoration - also signed by the Padovani Arquitetos office.

This project, designed for a family of 5 people (couple and 3 children), intended to propose a practical home that aesthetically reflects the client's admiration for art and design. As a sculpture, the Guaicá Residence lands elegantly on the ground, taking advantage of the topography to create the internal and external spaces. The entire front face of the residence is covered by a large Uglass glass plane, which creates horizontal and vertical perspectives. As the person approaches, the façade reveals a long swinging metal staircase attached to a crude reinforced concrete structure. The concrete, kept apparent with the markings of the metallic formwork - works as a structural gable and also as a minimalist backdrop of the house decoration - also signed by the Padovani Arquitetos office.

装饰的目的是存放从阿尔弗雷多·塞西亚蒂到马丁斯·德·波兰加巴，从杰拉尔多·泰尔斯·德奥里维拉到威廉·德·库宁的艺术品。国家石灰华大理石适用于底层的所有内部和外部环境。在顶层，木头似乎给周围的环境带来了舒适。一个大的，连续滑动板在撕裂的孜然木(垂直)出现在后面的正面，作为房间的外部锁定。

The decoration was directed to house the works of art that go from Alfredo Ceschiatti to Martins de Porangaba; from Geraldo Teles de Oliveira to Willem de Kooning. The national travertine marble is applied in all internal and external environments of the ground floor. On the top floor, the wood appears to give comfort to the intimate surroundings. A large, continuous sliding panel in ripped cumaru wood (vertically) appears on the rear facade as external locking of the rooms.

The decoration was directed to house the works of art that go from Alfredo Ceschiatti to Martins de Porangaba; from Geraldo Teles de Oliveira to Willem de Kooning. The national travertine marble is applied in all internal and external environments of the ground floor. On the top floor, the wood appears to give comfort to the intimate surroundings. A large, continuous sliding panel in ripped cumaru wood (vertically) appears on the rear facade as external locking of the rooms.

 © Nelson Kon

(Kon)

室内材料和自然照明之间的对话是在白天进行的，产生光和影的效果，精确地控制每个空间的强度。在地形的底部是设置在较高海拔的游泳池，无限边被认为是倒置的。而不是转向景观，它是在相反的方向。从而，从​​休闲区的住宅水框中不断地反映出建筑的线条。

The dialogue between indoor materials and natural lighting takes place throughout the day, creating light and shadow effects, precisely controlling the intensity for each space. At the bottom of the terrain is the pool that was set at a higher elevation, with the infinity edge being thought of inverted. Instead of turning to the landscape, it is done in the opposite direction. Thus, from the leisure area of ​​the house the water frames and continuously reflects the lines of architecture.

The dialogue between indoor materials and natural lighting takes place throughout the day, creating light and shadow effects, precisely controlling the intensity for each space. At the bottom of the terrain is the pool that was set at a higher elevation, with the infinity edge being thought of inverted. Instead of turning to the landscape, it is done in the opposite direction. Thus, from the leisure area of ​​the house the water frames and continuously reflects the lines of architecture.

 © Nelson Kon

(Kon)

Architects Padovani Arquitetos Associados

Location Brazil

Responsible Architect Lucas Padovani

Area 8072.9 ft2

Project Year 2016

Photographs Nelson Kon

Category Houses

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