79-PARK BIG
2018-11-08 15:00
建筑师提供的文字说明。Kullen位于G.Rdet的边缘,是一个珍贵的国家公园,他有意识地做出决定,提供一个敏感的、恭敬的形式,同时允许同样的选择同时表现为具有壮观景色的特殊住宅。在对环境的直接响应中,西北角和东南角占据了他们的近邻的高度;而东北角,离公园最远,名义上是最糟糕的景色,被向上拉,以授予它公园和港口最壮观的景色。
Text description provided by the architects. Located on the edge of Gärdet, a treasured national park, Kullen makes conscious decisions to provide a sensitive, respectful form while allowing the same choices to simultaneously manifest as exceptional residences with spectacular views. In direct response to the context, the northwest and southeast corners take the heights of their immediate neighbors; while the northeast corner, farthest from the park and nominally with the worst view, is pulled upwards to grant it the most spectacular views of park and port.
Text description provided by the architects. Located on the edge of Gärdet, a treasured national park, Kullen makes conscious decisions to provide a sensitive, respectful form while allowing the same choices to simultaneously manifest as exceptional residences with spectacular views. In direct response to the context, the northwest and southeast corners take the heights of their immediate neighbors; while the northeast corner, farthest from the park and nominally with the worst view, is pulled upwards to grant it the most spectacular views of park and port.
建筑物的西南点延伸到格拉姆河的最远点;为了在建筑物和自然之间创造一个人道的边缘,将其向下推到最低的轮廓,将其转换为具有270度的公园景观的公共平台,同时将大多数住宅单元释放到公园的视图中。同样的举动也确保了中央庭院总是能接收大量的阳光。在进一步遵循格拉姆·罗特的情况下,通过按比例缩放成人形的像素的语言,视觉上减少了体量。
The southwest point of the building extends farthest into Gärdet; and to create a humane edge between building and nature, is pushed down to the lowest profile, transforming it into a public platform with a 270 degree view of parkscape and simultaneously freeing the majority of the residential units to views of the park. The same move also ensures that the central courtyard will always receive copious amounts of sunlight. In further deference to Gärdet, the massing is visually reduced through a language of pixels, scaled to the human form.
The southwest point of the building extends farthest into Gärdet; and to create a humane edge between building and nature, is pushed down to the lowest profile, transforming it into a public platform with a 270 degree view of parkscape and simultaneously freeing the majority of the residential units to views of the park. The same move also ensures that the central courtyard will always receive copious amounts of sunlight. In further deference to Gärdet, the massing is visually reduced through a language of pixels, scaled to the human form.
这种操作不仅允许更有机的表达,完美地反映周围的景观,而且还提供了一种通过使用标准化尺寸的预制单元,以控制和廉价的方式完成建筑地形的方法。
This manipulation not only allows for a more organic expression, perfectly reflecting the surrounding landscape, but also provides a way to accomplish the building topography in a controlled and inexpensive way through the use of prefabricated units of standardized sizes.
This manipulation not only allows for a more organic expression, perfectly reflecting the surrounding landscape, but also provides a way to accomplish the building topography in a controlled and inexpensive way through the use of prefabricated units of standardized sizes.
Architects Bjarke Ingels Group
Location Ladugårdsgärdet, Stockholm, Sweden
Partners in Charge Bjarke Ingels, Jakob Lange, Finn Nørkjær
Project Manager Per Bo Madsen
Photographs Laurian Ghinitoiu
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