© Mayte Piera

(Mayte Piera)

架构师提供的文本描述。山上的一块地。对景观的看法。完美的方向，无论是在视野(海和阿尔比尔的顶端)，如在阳光下(南方)。这些都是我们开始创造这个项目的基础，这个项目的想法正是基于这样一个事实，那就是房子理解为一个观察站，一个完美地标志着设计景观的意愿的作品。它的主要形式，棱镜，出现在电影框架的概念。

Text description provided by the architects. A plot in the mountain. A viewpoint towards the landscape. The perfect orientation, both in  views (sea and tip of Albir), as in sunlight (South). These are the bases with which we start to generate this project, whose idea is based precisely on the fact that the house understand as a lookout, a piece that perfectly marks the will to frame the landscape. Its main form, prismatic, appears by that cinematographic framing concept.

Text description provided by the architects. A plot in the mountain. A viewpoint towards the landscape. The perfect orientation, both in  views (sea and tip of Albir), as in sunlight (South). These are the bases with which we start to generate this project, whose idea is based precisely on the fact that the house understand as a lookout, a piece that perfectly marks the will to frame the landscape. Its main form, prismatic, appears by that cinematographic framing concept.

 © Mayte Piera

(Mayte Piera)

房子的一般体积由三层组成：最高的一层，也就是入口和车库所在的最高一层，被进一步移除，中间一层微妙地连接到另一层，中间一层是卧室，用来配置框架的真实感，也就是运用真正的棱镜盒设计的那一层。最后，底层，也是为了加强上层空间的飞行，其中包含白天空间，与主露台、游泳池和室外空间有关，经过仔细细致的处理(其中的主导作用非常明显地标志着这块地方的石头，除此之外，还以一种特殊的形式，非常几何的形式来处理)，对真正缩小了的房子的空间扩展做出了显著的贡献。正是这一事实促使我们选择了一种与目前的趋势相反的60x60型的地板，以帮助标识和识别每个房间、每件家具、木工外部的界限和相遇。路面的调制是以一种全面、近乎强迫性的方式进行的。这种材料选用的色调是金属灰色，与金属木匠的颜色形成了柔和的对比(人们很少看到它，它是最小线条和嵌入轮廓的模型)，而房子的颜色是白色，从一开始就是一个明确的选择，因为它是靠近地中海的一座建筑。考虑到与外层空间和地形的关系，在房子内部也使用了用来容纳山阶的部分石头，创造了一种非常独特的内外关系，主要是由于这块石头的特殊几何切割，它把细节和材料在不同的瓦中的使用总结得完美无缺，这是一项非常受客户推动的行动。

The general volume of the house is made up of three floors: the highest one, which houses the access and the garage, is further removed, subtly linked on one of its sides to the next floor, the middle one, destined for bedrooms, which is the that configures the reality of the framing, the one that exerts of true PRISMATIC BOX. Finally, the ground floor, also removed to enhance the flight of the upper floor, which contains the day spaces and is related to the main terrace, the pool and outdoor spaces, treated with much care and detail, (with a leading role very marked of the  stone of the place, that in addition was treated of a special form, very geometric), contributing remarkably to the spatial expansion of a house that really is reduced in size. And it is precisely this fact, which contributed to the choice of a floor, against the current trend, of small format, a 60x60, to help mark and recognize the boundaries and the encounters between each room, each piece of furniture, the carpentry external ... the modulation of the pavement was carried out in a comprehensive, almost obsessive manner. The tone chosen for this material was a metallic gray, to generate a soft contrast with the color of the metallic carpentry (what little is seen of it, being a model of minimum lines and embedded profiles), and with the color white of the house, a clear choice from the beginning as it is a construction next to the Mediterranean Sea. In a nod to the relationship with the outer space and the terrain, part of the  stone used to contain the terraces of the mountain, is also used inside the house, creating a very unique interior-exterior relationship, mainly due to the particular geometric cut of this stone, which sums up to perfection the work for the detail and for using the materials in a different wa, an action that was very driven by the clients of the house.

The general volume of the house is made up of three floors: the highest one, which houses the access and the garage, is further removed, subtly linked on one of its sides to the next floor, the middle one, destined for bedrooms, which is the that configures the reality of the framing, the one that exerts of true PRISMATIC BOX. Finally, the ground floor, also removed to enhance the flight of the upper floor, which contains the day spaces and is related to the main terrace, the pool and outdoor spaces, treated with much care and detail, (with a leading role very marked of the  stone of the place, that in addition was treated of a special form, very geometric), contributing remarkably to the spatial expansion of a house that really is reduced in size. And it is precisely this fact, which contributed to the choice of a floor, against the current trend, of small format, a 60x60, to help mark and recognize the boundaries and the encounters between each room, each piece of furniture, the carpentry external ... the modulation of the pavement was carried out in a comprehensive, almost obsessive manner. The tone chosen for this material was a metallic gray, to generate a soft contrast with the color of the metallic carpentry (what little is seen of it, being a model of minimum lines and embedded profiles), and with the color white of the house, a clear choice from the beginning as it is a construction next to the Mediterranean Sea. In a nod to the relationship with the outer space and the terrain, part of the  stone used to contain the terraces of the mountain, is also used inside the house, creating a very unique interior-exterior relationship, mainly due to the particular geometric cut of this stone, which sums up to perfection the work for the detail and for using the materials in a different wa, an action that was very driven by the clients of the house.

 © Mayte Piera

(Mayte Piera)

 First floor plan

一楼平面图

 © Mayte Piera

(Mayte Piera)

就像我们的项目一样，人工照明被用来为空间提供动力，在外面，对房子的毫米组成进行解读，在这种情况下，它所得到的是完美地定义一个棱镜件的想法，使一个观点向景观的方向延伸。

As is usual in our projects, artificial lighting is used to provide dynamism to the set of spaces and, outside, to make a reading of the millimeter composition of the house, in this case, what it gets is to define to perfection that idea of a prismatic piece exerting a viewpoint towards the landscape.

As is usual in our projects, artificial lighting is used to provide dynamism to the set of spaces and, outside, to make a reading of the millimeter composition of the house, in this case, what it gets is to define to perfection that idea of a prismatic piece exerting a viewpoint towards the landscape.

 © Mayte Piera

(Mayte Piera)

Architects RGB arquitectos

Location Calpe, Spain

Architect in Charge Ramón Gandía Brull

Project Year 2017

Photographs Mayte Piera

Category Houses Interiors

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