© Tali Kimelman

Tali Kimelman

架构师提供的文本描述。萨克蒙特是风景。这是一个关系力量的领域，具有古老的强度和新的动力，共同创造了一个新的，前所未有的实体。因此，自然，生产，基础设施和现场的可感知的能量配置一个领域的刺激被发现；一个领域的经验。在这种特殊的环境中，萨克罗蒙特教堂位于葡萄园、泻湖、山丘和避难所之间。作为一个景观放大器，它与周围环境融合，将大自然的感官体验提升到一个全新的水平。它位于萨克罗蒙特的最高和畅通无阻的地方之一，从远处可以看到。

Text description provided by the architects. Sacromonte is landscape. It is a field of relational forces, of ancient intensity and new impulses that jointly create a new, unprecedented entity. Thus, nature, production, infrastructure and the palpable energy of the site configure a field of stimuli to be discovered; a field of experiences. In this particular setting, the Sacromonte Chapel finds its place among vineyards, lagoons, hills, and shelters. Conceived as a landscape amplifier, it blends with its surroundings taking the sensorial experience of nature to a whole new level. Located in one of the highest and unobstructed places of Sacromonte, it can be seen from afar.

Text description provided by the architects. Sacromonte is landscape. It is a field of relational forces, of ancient intensity and new impulses that jointly create a new, unprecedented entity. Thus, nature, production, infrastructure and the palpable energy of the site configure a field of stimuli to be discovered; a field of experiences. In this particular setting, the Sacromonte Chapel finds its place among vineyards, lagoons, hills, and shelters. Conceived as a landscape amplifier, it blends with its surroundings taking the sensorial experience of nature to a whole new level. Located in one of the highest and unobstructed places of Sacromonte, it can be seen from afar.

 © Leonardo Finotti

(c)莱昂纳多·芬奥蒂

21世纪的神圣空间应该是怎样的呢？礼拜堂通过它与物质、空间和时间的模糊关系来思考这个问题和其他问题的可能解释。与之接触时，和平的紧张局势占主导地位。重量与轻盈、存在与消失、技术与自然之间的张力。令人费解的是，它给游客留下了更多的问题而不是答案。

How should the sacred spaces of the 21st century be? The chapel ponders possible interpretations of this and other questions through its ambiguous relationship with matter, space and time. A peaceful tension reigns when in contact with it. A tension between weight and lightness, presence and disappearance, technology and nature. Enigmatic and mystifying, it leaves its visitors with more questions than answers.

How should the sacred spaces of the 21st century be? The chapel ponders possible interpretations of this and other questions through its ambiguous relationship with matter, space and time. A peaceful tension reigns when in contact with it. A tension between weight and lightness, presence and disappearance, technology and nature. Enigmatic and mystifying, it leaves its visitors with more questions than answers.

 © Leonardo Finotti

(c)莱昂纳多·芬奥蒂

两个9x6米的木制平面彼此巧妙地放置在一起，但不接触。从这个简单而独特的姿态，一个新的外壳诞生了。它既不是封闭的也不是完全开放的，它本身就是一个空间，但同时也是其环境的一部分。在里面，飞机试图保护和保护一小部分景观，但恭敬地否认其限制。因此，在漫漫和模糊的空间体验中，内部和外部的概念。

Two 9x6 meter wooden planes rest subtly on one another but without touching. From this simple and unique gesture, a new enclosure is born. Neither closed nor completely open, it is a space in itself but it is part of its environment at the same time. Inside, the planes try to protect and sanctify a small portion of the landscape but respectfully deny its confinement. Thus, the concepts of interior and exterior, in a diffuse and ambiguous spatial experience.

Two 9x6 meter wooden planes rest subtly on one another but without touching. From this simple and unique gesture, a new enclosure is born. Neither closed nor completely open, it is a space in itself but it is part of its environment at the same time. Inside, the planes try to protect and sanctify a small portion of the landscape but respectfully deny its confinement. Thus, the concepts of interior and exterior, in a diffuse and ambiguous spatial experience.

 Exploded Axonometry

爆炸轴测

 © Tali Kimelman

Tali Kimelman

 © Tali Kimelman

Tali Kimelman

这个礼拜堂是在葡萄牙的一家工厂开始的。一旦预制的交叉层合木材和钢，它被直接运输到萨克罗蒙特的景观，并在一天内组装。它的设计简单而朴实，它承担了使用尽可能少的资源传递强大消息的挑战。

The chapel started in a factory in Portugal. Once prefabricated in cross-laminated timber and steel, it was transported directly to the landscape of Sacromonte to be assembled in one day. Simple and austere, its design assumes the challenge of conveying a powerful message using the lowest amount of resources possible.

The chapel started in a factory in Portugal. Once prefabricated in cross-laminated timber and steel, it was transported directly to the landscape of Sacromonte to be assembled in one day. Simple and austere, its design assumes the challenge of conveying a powerful message using the lowest amount of resources possible.

 © Leonardo Finotti

(c)莱昂纳多·芬奥蒂

几乎神奇的是，一个漂浮的黑色金属盒子破坏了超然行为的对称性。光从它的外部进入，一片半透明的红玛瑙。在里面，“La Carrodilla”的处女找到了庇护和保护。礼拜堂与大自然和谐共存，风风雨雨。在某种程度上，它让人联想到最原始的建筑。使人类、景观和物质与永恒重聚在一起的人。

Almost magically, a floating black metallic box breaks the symmetry in a transcendental act. Light enters through its outer face, a sheet of translucent onyx. Inside it, the Virgin of “La Carrodilla” finds shelter and protection. The chapel coexists harmoniously with nature, letting in winds and storms. In some way, there is a reminiscence of the most primitive of architectures. One that reunites humans, landscape, and matter with the eternal.

Almost magically, a floating black metallic box breaks the symmetry in a transcendental act. Light enters through its outer face, a sheet of translucent onyx. Inside it, the Virgin of “La Carrodilla” finds shelter and protection. The chapel coexists harmoniously with nature, letting in winds and storms. In some way, there is a reminiscence of the most primitive of architectures. One that reunites humans, landscape, and matter with the eternal.

 © Leonardo Finotti

(c)莱昂纳多·芬奥蒂

Architects MAPA Arquitetos

Location Sierra de Carape, Maldonado, Uruguay

Architects in Charge Luciano Andrades, Matías Carballal, Andrés Gobba, Mauricio López, Silvio Machado

Team Pablo Courreges, Diego Morera, Emiliano Lago, Fabián Sarubbi, Sandra Rodríguez, Rafael Solano, Agustín Dieste, Alba Álvarez, Miquel Castellà, Marcos Gómara, Victoria Reibakas, Sebastián Lambert, Lucy Braunstein, Marie-Lise Hofstetter, Claire Gardan, Helena Utzig, Joao Bernardi

Area 27.0 m2

Project Year 2017

Photographs Tali Kimelman, Leonardo Finotti

Category Chapel