Águeda Arts Center AND

2018-11-20 06:00

 © Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。CAA/GUEDA艺术中心的设计是为了应对这样的挑战，即在创造世界级的文化平台的同时，创造一个与环境相适应的解决方案(不仅是物理上的，也包括文化、经济和政治方面的)。对程序的一种合理的方法被转换成一个旨在最大化功能的系统。

Text description provided by the architects. The design of the CAA / Águeda Arts Center responds to the challenge of creating a solution well adapted to the context (not only physical but also cultural, economic and political) while creating a world-class cultural platform. A rational approach to the program was translated into a system designed to maximize functionality.

Text description provided by the architects. The design of the CAA / Águeda Arts Center responds to the challenge of creating a solution well adapted to the context (not only physical but also cultural, economic and political) while creating a world-class cultural platform. A rational approach to the program was translated into a system designed to maximize functionality.

 Ground Floor Plan

 © Fernando Guerra | FG+SG

费尔南多·格拉

 © Fernando Guerra | FG+SG

费尔南多·格拉

这栋建筑占地4,500平方米，由三个动态的物理力量组成，其中有三个主要的室内节目：一个礼堂，有600个座位，展厅，音乐厅-从一个中央的配送中心向外扩展。除了主程序外，该建筑还容纳一个工作室、书店/商店、养护、行政/生产以及许多其他支助空间。

The building, with 4,500sqm, consists in three dynamic physical forces, which house and organize the three major valences of the indoor program – an auditorium with 600 seats, exhibition hall, and concert-cafe – spreading out from a central distribution core. In addition to the main program, the building also houses a studio room, bookstore/shop, conservation, administration/production, among many other support spaces.

The building, with 4,500sqm, consists in three dynamic physical forces, which house and organize the three major valences of the indoor program – an auditorium with 600 seats, exhibition hall, and concert-cafe – spreading out from a central distribution core. In addition to the main program, the building also houses a studio room, bookstore/shop, conservation, administration/production, among many other support spaces.

 © Fernando Guerra | FG+SG

费尔南多·格拉

外部建筑形象的特点是体积暴露的混凝土覆盖地形，并创造了一个新的公共广场，有资格的城市。体积似乎悬浮在一个透明的玻璃质量，渗透和邀请公众。

The exterior architectural image is characterized by a volume of exposed concrete that embraces the terrain and creates a new public square that qualifies the city. The volume seems to levitate on a transparent glass mass, permeable and inviting to the public.

The exterior architectural image is characterized by a volume of exposed concrete that embraces the terrain and creates a new public square that qualifies the city. The volume seems to levitate on a transparent glass mass, permeable and inviting to the public.

 © Fernando Guerra | FG+SG

费尔南多·格拉

使建筑正规化的建筑被剥夺了标志性的人造性，同时又不失去设备应有的制度相关性。它试图在执行和语境反应的语用技巧与空间诗学之间达成一种融合，这将游客带着以身体为标志的旅行，身体是文化的容器和创造者。

The architecture that formalizes the building is stripped of iconic artificiality, without losing the institutional relevance that the equipment deserves. It tries to reach a fusion between the pragmatic technique of execution and context response, and the poetical of space, which takes the visitor on a journey marked by the body built as a receptacle and generator of culture.

The architecture that formalizes the building is stripped of iconic artificiality, without losing the institutional relevance that the equipment deserves. It tries to reach a fusion between the pragmatic technique of execution and context response, and the poetical of space, which takes the visitor on a journey marked by the body built as a receptacle and generator of culture.