White House ARRCC

2018-11-20 03:00
 © James Silverman
·詹姆斯·西尔弗曼
架构师提供的文本描述。位于开普敦君士坦蒂亚山谷的豪华住宅区,通过极简主义的方法,这个家散发出自信的成熟。最初由Vivid建筑师构思的建筑是由南非领先的建筑公司SAOTA改进和开发的。它展示了一个戏剧性的立面,一块磨练过的石板和墙板使自己更符合大胆的审美。任务是创造一个内部,可以自信地适应这一主导环境,并与业主,马克雷利,室内设计工作室ARRCC,陶醉在这一挑战。
Text description provided by the architects. Located in a luxury residential estate in Cape Town’s Constantia Valley, this home exudes self‐assured sophistication through a minimalist approach. The initial architecture conceptualized by Vivid Architects was refined and developed by leading South African Architecture firm SAOTA. It reveals a dramatic façade, with a honed stone floor and wall slabs lending themselves to the bold aesthetic. Tasked to create an interior that could confidently fit into this dominant setting, and working closely with the owners, Mark Rielly, of interior design studio ARRCC, reveled in the challenge.
Text description provided by the architects. Located in a luxury residential estate in Cape Town’s Constantia Valley, this home exudes self‐assured sophistication through a minimalist approach. The initial architecture conceptualized by Vivid Architects was refined and developed by leading South African Architecture firm SAOTA. It reveals a dramatic façade, with a honed stone floor and wall slabs lending themselves to the bold aesthetic. Tasked to create an interior that could confidently fit into this dominant setting, and working closely with the owners, Mark Rielly, of interior design studio ARRCC, reveled in the challenge.
 © James Silverman
·詹姆斯·西尔弗曼
“我意识到没有让家具与建筑竞争,但我也不想让他们坐后座。”马克说,他选择了一个中性调色板来实现他的目标。充分利用无数的玻璃窗格和打开的音量,使日光能够流经家庭,Mark允许在阳光下选择自然色调,通过超大窗口视图强调Stark白色墙和绿色室外过滤。
‘I was conscious of not letting the furnishings compete with the architecture, but I also didn’t want them to take a back seat,’ says Mark, who selected a neutral palette to achieve his objective. Taking full advantage of the myriad glass panes and open volumes allowing daylight to stream through the home, Mark allowed this choice of natural hues to be engulfed in the sunshine, accentuating the stark white walls and the green outdoors filtering through the oversized‐window views.
‘I was conscious of not letting the furnishings compete with the architecture, but I also didn’t want them to take a back seat,’ says Mark, who selected a neutral palette to achieve his objective. Taking full advantage of the myriad glass panes and open volumes allowing daylight to stream through the home, Mark allowed this choice of natural hues to be engulfed in the sunshine, accentuating the stark white walls and the green outdoors filtering through the oversized‐window views.
 © James Silverman
·詹姆斯·西尔弗曼
 Ground Floor Plan

                            
 © James Silverman
·詹姆斯·西尔弗曼
 First Floor Plan
一层平面图
在像画廊一样的走廊里,客户的个人艺术作品成为焦点口音。在上层,一座桥将通道连接到卧室和浴室,这些房间以静音提供了喘息的避难所。温暖的木质墙板,豚鼠羽毛灯罩和图案的大理石定义了这种和平的奢华。在休闲的生活空间里,非洲的极简主义也是如此,棕色的皮革沙发和客户现有的用斑马条纹装饰的脚凳保持着引人入胜的兴趣。
In the gallery‐like corridor, the client’s personal art pieces become focal accents. On the upper level, a bridge links the passageway to bedrooms and bathrooms that provide sanctuaries of respite in their muted tones. Warm wooden wall paneling, guinea fowl‐feather lampshades, and patterned marble define this peaceful luxury. In the casual living space, a touch of African minimalism presides, too, with brown leather sofas and the Client’s existing ottomans decorated with zebra stripes maintaining eye‐catching intrigue.
In the gallery‐like corridor, the client’s personal art pieces become focal accents. On the upper level, a bridge links the passageway to bedrooms and bathrooms that provide sanctuaries of respite in their muted tones. Warm wooden wall paneling, guinea fowl‐feather lampshades, and patterned marble define this peaceful luxury. In the casual living space, a touch of African minimalism presides, too, with brown leather sofas and the Client’s existing ottomans decorated with zebra stripes maintaining eye‐catching intrigue.
 © James Silverman
·詹姆斯·西尔弗曼
在体积可能看上去势不可挡的地方,它们已经被驯服了-双卷入口内的板条木天花板将头顶的空间隔开,同时允许光线碎片从上面的天窗中穿透。这种皮影戏继续在餐厅,在那里威尼斯的玻璃照明功能,就像一个瀑布,反射和折射彩虹的照明在开放式的居住区域。
Where volumes could appear overwhelming, they have been cozied up – the slatted timber ceiling within the double‐volume entrance divides the overhead space while allowing shards of light to penetrate it from the skylight above. Such shadow play continues in the dining room, where a Venetian glass lighting feature, resembling a cascading waterfall, reflects and refracts rainbows of illumination across the open‐plan living area.
Where volumes could appear overwhelming, they have been cozied up – the slatted timber ceiling within the double‐volume entrance divides the overhead space while allowing shards of light to penetrate it from the skylight above. Such shadow play continues in the dining room, where a Venetian glass lighting feature, resembling a cascading waterfall, reflects and refracts rainbows of illumination across the open‐plan living area.
 © James Silverman
·詹姆斯·西尔弗曼
马克在谈到整洁的起居室内部时解释道:“目的是创造一个在极简主义中舒适的当代空间。”大型的、棱角分明的皮革沙发被圆圆实木咖啡桌和一张里瓦雪松转椅所抵消,而被磨光的石头壁炉的荆棘般的柔韧却能在飘逸的亚麻布窗帘和毛绒地毯的柔软中找到慰藉。这种质感的吸引力继续在餐厅周围,在那里西萨尔壁纸补充了法国橡木桌由大师皮埃尔克隆杰。
‘The aim was to create a contemporary space that was comfortable in its minimalism,’ explains Mark of the uncluttered living room interior that is at once chic and welcoming. Large, angular leather sofas are offset by rounded solid‐timber coffee tables and a Riva cedarwood swivel chair, while the brazenness of the clad honed stone fireplace finds solace in the softness of flowing linen curtains and plush woolen rugs. Such textural appeal continues around the dining area, where Sisal wallpaper complements a French oak table by master craftsman Pierre Cronje.
‘The aim was to create a contemporary space that was comfortable in its minimalism,’ explains Mark of the uncluttered living room interior that is at once chic and welcoming. Large, angular leather sofas are offset by rounded solid‐timber coffee tables and a Riva cedarwood swivel chair, while the brazenness of the clad honed stone fireplace finds solace in the softness of flowing linen curtains and plush woolen rugs. Such textural appeal continues around the dining area, where Sisal wallpaper complements a French oak table by master craftsman Pierre Cronje.
 © James Silverman
·詹姆斯·西尔弗曼
这个中心的有机边缘与米诺蒂的线性绒面座椅形成对比,通过每件家具的曲率来保持视觉的吸引力。通过在室内增加植物的生命,室内和室外之间的流动是不受胁迫的,这得益于两个空间中木材的回响-生活区的深色橡木地板和室外的Iroko木材桌子和长凳。“当走出卧底露台时,休闲度假的感觉就会产生,”马克说,该地区提供了餐饮、娱乐和放松的替代选择。在这里,人们可以充分享受游泳池和翠绿的花园,也就是在这里,人们再次欣赏到了明显的建筑和同样自信的室内装饰的结合。
The organic edges of this centerpiece are contrasted by linear suede seating by Minotti, maintaining visual appeal through the curvature of each piece of furniture. By adding plant life indoors, the flow between inside and out is uncoerced, aided by the echoing of wood in both spaces – the living area’s dark stained oak flooring and the iroko timber tables and benches outdoors. ‘A casual holiday feeling is aroused when stepping out onto the undercover patio,’ says Mark of the area that offers alternative options for dining, entertaining and relaxing. Positioned in such a way as to fully enjoy the swimming pool and verdant garden beyond, it’s here that one again appreciates the marriage of pronounced architecture and equally assertive interiors.
The organic edges of this centerpiece are contrasted by linear suede seating by Minotti, maintaining visual appeal through the curvature of each piece of furniture. By adding plant life indoors, the flow between inside and out is uncoerced, aided by the echoing of wood in both spaces – the living area’s dark stained oak flooring and the iroko timber tables and benches outdoors. ‘A casual holiday feeling is aroused when stepping out onto the undercover patio,’ says Mark of the area that offers alternative options for dining, entertaining and relaxing. Positioned in such a way as to fully enjoy the swimming pool and verdant garden beyond, it’s here that one again appreciates the marriage of pronounced architecture and equally assertive interiors.
 © James Silverman
·詹姆斯·西尔弗曼
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Interiors Designers ARRCC
Location Cape Town, South Africa
Lead Architects SAOTA
Project Team Philip Olmesdahl
Photographs James Silverman
Category Houses
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