© Nabil Qutteneh

纳比勒·库特涅赫

架构师提供的文本描述。“首都选择”位于约旦首都阿曼Abdoun的一个居民区。创建一个“精品银行”的经验触发了该分行的设计理念，引入了归属感和受自然影响的欢迎设计。

Text description provided by the architects. Capital Select is located in a residential area in one of the most exclusive neighborhoods of Jordan’s capital Amman in Abdoun. Creating a "boutique bank" experience triggered the design concept of this branch introducing a sense of belonging and a welcoming design influenced by nature.

Text description provided by the architects. Capital Select is located in a residential area in one of the most exclusive neighborhoods of Jordan’s capital Amman in Abdoun. Creating a "boutique bank" experience triggered the design concept of this branch introducing a sense of belonging and a welcoming design influenced by nature.

 © Nabil Qutteneh

纳比勒·库特涅赫

为了创造一种“精品”体验，传统的银行体验必须被一种私人、奢华和迎合客户需求的方法所取代。采用传统排队方式的出纳员柜台和等候区被个别的办公室“包厢”、大堂和接待处所取代，这些区域的设计是为了满足所有顾客的需要。自然主题被纳入设计中，首先在建筑主体内为办公室设置单独的群众，围绕着一个包含受日本禅宗花园影响的内庭的双卷空隙。一盏水晶吊灯流过一棵雕刻的橄榄树，除了艺术品层外，它也是整个空间的焦点。然后，办公人群被个别地从彼此转移，以使虚空变得更加流畅，并在用户走过流通走廊时，创造出独特的内部景观和空间。

To create a “boutique” experience, the traditional bank experience had to be replaced with an approach that is private, luxurious and catered to the customer’s needs. The teller counters and waiting areas with traditional queuing approach, were replaced with individual office "boxes", lobby and reception areas which were designed to accommodate for all the customer's needs. Nature theme was incorporated in the design by first placing separate masses for the offices within the main mass of the building around a double volume void that contained an inner court which was influenced by Japanese Zen gardens. It was emphasized by a crystal chandelier flowing above a sculptural olive tree that acts as a focal point for the entire space, in addition to the artwork layer. The office masses were then individually shifted from each other in order for the void to become more fluid and thusly create unique interior views and spaces as the user walks through the circulation corridor.

To create a “boutique” experience, the traditional bank experience had to be replaced with an approach that is private, luxurious and catered to the customer’s needs. The teller counters and waiting areas with traditional queuing approach, were replaced with individual office "boxes", lobby and reception areas which were designed to accommodate for all the customer's needs. Nature theme was incorporated in the design by first placing separate masses for the offices within the main mass of the building around a double volume void that contained an inner court which was influenced by Japanese Zen gardens. It was emphasized by a crystal chandelier flowing above a sculptural olive tree that acts as a focal point for the entire space, in addition to the artwork layer. The office masses were then individually shifted from each other in order for the void to become more fluid and thusly create unique interior views and spaces as the user walks through the circulation corridor.

 © Nabil Qutteneh

纳比勒·库特涅赫

 Ground floor plan

前面提到的移动的办公室的质量转化为移动的平面和外部主要正面和侧面外观的质量。剩下的一边

The previously mentioned shifting masses of the offices translated into shifted planes and masses of the exterior main front and side façades. The remaining side & back facades had minimal treatment with minimal openings and were cladded with Taffouh Stone, this was to respect the adjacent neighbors’ privacy as well as the branch users’ privacy maintaining the alignment with the local vernacular stone architecture. However, the main side elevation’s transparent glass curtain wall opens to the inner court, further enhancing the continuation of space from the exterior to the interior and vice versa.

The previously mentioned shifting masses of the offices translated into shifted planes and masses of the exterior main front and side façades. The remaining side & back facades had minimal treatment with minimal openings and were cladded with Taffouh Stone, this was to respect the adjacent neighbors’ privacy as well as the branch users’ privacy maintaining the alignment with the local vernacular stone architecture. However, the main side elevation’s transparent glass curtain wall opens to the inner court, further enhancing the continuation of space from the exterior to the interior and vice versa.

 © Nabil Qutteneh

纳比勒·库特涅赫

至于主要的立面模型，DH团队决定使用透明半透明混凝土面板，作为外墙上的一种墙，这种混凝土板是用光纤制成的，光线可以通过。这种材料是第一次使用这种技术的资本选择，没有任何边界，尽可能不透明。除了使用半透明混凝土面板外，PDH还决定使用不带光纤的普通混凝土面板，使用相同的水泥/沙子混合物覆盖外墙的非半透明部分，同时保持类似的表面光洁度，与外墙上使用的石头的颜色相匹配，以保持其与住宅环境的和谐。

As for the main elevation Paradigm DH Team has decided to use LUCEM translucent concrete panels, as self-Supporting panels, one of a kind walls on the external façade, these concrete panels are made with fiber optics where light can pass through. This material was used for the first time using this technique in Capital Select, free of any boundaries and as opaque as it could be. In addition to the use of translucent concrete panels, PDH decided to use Plain concrete panels without fiber-optics to cover non-translucent parts of the façade using the same cement / sand mixture while maintaining similar surface finish matching the color of the stone used on the facades to maintain its harmony with the residential surroundings.

As for the main elevation Paradigm DH Team has decided to use LUCEM translucent concrete panels, as self-Supporting panels, one of a kind walls on the external façade, these concrete panels are made with fiber optics where light can pass through. This material was used for the first time using this technique in Capital Select, free of any boundaries and as opaque as it could be. In addition to the use of translucent concrete panels, PDH decided to use Plain concrete panels without fiber-optics to cover non-translucent parts of the façade using the same cement / sand mixture while maintaining similar surface finish matching the color of the stone used on the facades to maintain its harmony with the residential surroundings.

 © Nabil Qutteneh

纳比勒·库特涅赫

 © Nabil Qutteneh

纳比勒·库特涅赫

 © Nabil Qutteneh

纳比勒·库特涅赫

其结果是用机械固定的半透明混凝土板覆盖14米高的楼梯井，使支撑结构与照亮半透明混凝土的灯一起从内部暴露，PDH选择了横跨楼梯井全高度的垂直灯，同时将这30毫米厚的透光板安装在钢/木柱上，并将其纳入扶手的设计中。接待柜台和自动取款机区域也是由背光半透明混凝土面板制成的。

The result was achieved by cladding a 14-meter-high stairwell with translucent concrete panels that are mechanically fixed, keeping the supporting structure exposed from the inside with the lights that illuminate the translucent concrete, PDH opted for vertical lights that span the full height of the stairwell while having this 30mm thick LUCEM panels mounted on steel/wood columns and incorporated into the design of the handrail. The reception counters and ATM areas were also made with a backlit translucent concrete Panels.

The result was achieved by cladding a 14-meter-high stairwell with translucent concrete panels that are mechanically fixed, keeping the supporting structure exposed from the inside with the lights that illuminate the translucent concrete, PDH opted for vertical lights that span the full height of the stairwell while having this 30mm thick LUCEM panels mounted on steel/wood columns and incorporated into the design of the handrail. The reception counters and ATM areas were also made with a backlit translucent concrete Panels.

 © Nabil Qutteneh

纳比勒·库特涅赫

设计的主要理念是以光和皮影戏的形式流经楼梯的自然观念。随着半透明混凝土的使用，建筑师和照明工程师们为外墙如何通过半透明来解决体积和亮度之间的矛盾树立了一个引人注目的榜样。

The idea of nature that flows through the staircase in the form of light and shadow plays was the main idea of the design. With the use of translucent concrete, the architects and lighting engineers are setting a striking example of how external walls can solve the contradiction between massiveness and lightness through translucency.

The idea of nature that flows through the staircase in the form of light and shadow plays was the main idea of the design. With the use of translucent concrete, the architects and lighting engineers are setting a striking example of how external walls can solve the contradiction between massiveness and lightness through translucency.

Architects Paradigm DH

Location Capital Bank, Queen Rania Al Abdullah St 317, Amman, Jordan

Lead Architects Principal Architect Saja Nashashibi

Area 1100.0 m2

Project Year 2018

Photographs Nabil Qutteneh, Sireen Khateeb

Category Bank

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