架构师提供的文本描述。该项目的目标是在葡萄牙北部巴塞罗斯县农村内陆的一个小庄园，那里有一所农民的房子和一座亚塞罗(一种用来干燥和储存谷物的乡土建筑结构)。这个几乎没有窗户的立面描述了一条沿着街道形状的长曲线，这条曲线就像一只卷起来的猫一样，关闭在房产的内部。经过编号和拆卸后，现有的石头砖石的元素被重新组合，创造了一个新的海拔，面向花园的几何。在这个记忆之谜的背后，构思了一个第二层玻璃立面，赋予了与自然景观的联系。

Text description provided by the architects. The object of this project is a small estate in the rural interior of the county of Barcelos, in the north of Portugal, where there was a farmer's house and a sequeiro (a vernacular architectural structure used to dry and store cereals). The facade, almost without windows, describes a long curve following the shape of the street, which closes over the interior of the property, like a rolled-up cat. After being numbered and disassembled, the elements of the existing stone masonry were recombined, creating the geometry of a new elevation, facing the garden. Behind this puzzle of built memory, a secondary glazed facade was conceived, privileging the connection with the natural landscape.

Text description provided by the architects. The object of this project is a small estate in the rural interior of the county of Barcelos, in the north of Portugal, where there was a farmer's house and a sequeiro (a vernacular architectural structure used to dry and store cereals). The facade, almost without windows, describes a long curve following the shape of the street, which closes over the interior of the property, like a rolled-up cat. After being numbered and disassembled, the elements of the existing stone masonry were recombined, creating the geometry of a new elevation, facing the garden. Behind this puzzle of built memory, a secondary glazed facade was conceived, privileging the connection with the natural landscape.

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷

 Ground Floor Plan

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷

私人和服务领域面向东方，而面对南方的社会领域则建议自由和探索性地利用一系列的Mezzanines。在房子的北端，一个悬挂的身体-绘画工作室-摆到了原始结构的旧石头之外，对周围的风景充满了挑战。

The private and service areas are facing east, while the social area, facing south, proposes the free and exploratory use of a succession of mezzanines. At the northern end of the house, a suspended body - the painting studio - swings beyond the old stones of the primitive structure, challenging the surrounding landscape.

The private and service areas are facing east, while the social area, facing south, proposes the free and exploratory use of a succession of mezzanines. At the northern end of the house, a suspended body - the painting studio - swings beyond the old stones of the primitive structure, challenging the surrounding landscape.

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷

房子面对街道就像一张空白的画布，简洁而抽象，归还了附近建筑物的阴影。

The house faces the street like a blank canvas, laconic and abstract, returning the shadows of the neighboring buildings. 

The house faces the street like a blank canvas, laconic and abstract, returning the shadows of the neighboring buildings. 

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷

我问业主，在这个过程中建立了一个强有力的辩证关系："你要给你的房子什么名字？"他们的答案是荣誉之一，在没有离开花园的情况下，每一天都会进入“柿树房”

 I asked the owners, with whom a strong dialectical relationship had been established during the process: "what name would you give to your house?". Their answer honors one of the trees that, without leaving the garden, enters the “Persimmon tree house” 

 I asked the owners, with whom a strong dialectical relationship had been established during the process: "what name would you give to your house?". Their answer honors one of the trees that, without leaving the garden, enters the “Persimmon tree house” 

 © Carlos Eduardo Vinagre

卡洛斯·爱德华多·维纳格雷