© Adrià Goula

(AdriàGoula)

架构师提供的文本描述。该项目旨在修复圣萨杜尔尼·达诺亚(Sant Sadurni d‘Anoia)的现代主义学校，以便建立一个有图书馆和档案馆的文化中心。这座历史建筑位于四条街之间的长方形地块上。这座历史建筑位于情节的西部，以安U的形式发展，这是二十世纪初的一种常见的学校类型学，围绕着一个院子向东延伸。拟议的计划超越了历史建筑的建筑表面，不得不提议扩建，新的建筑占据了旧学校的庭院。

Text description provided by the architects. The project aims the rehabilitation of the old Sant Sadurni d'Anoia's modernist schools in order to host a cultural center with library and archive. The historic building is located on a rectangular plot bounded by four streets. The historic building is located in the western part of the plot, and develops in the form of an U, a frequent school typology of the early twentieth century, around a courtyard, that stretches eastward. The proposed program surpassed the constructed surface of the historic building and obliged to propose an extension with a new body occupying the old school courtyard.

Text description provided by the architects. The project aims the rehabilitation of the old Sant Sadurni d'Anoia's modernist schools in order to host a cultural center with library and archive. The historic building is located on a rectangular plot bounded by four streets. The historic building is located in the western part of the plot, and develops in the form of an U, a frequent school typology of the early twentieth century, around a courtyard, that stretches eastward. The proposed program surpassed the constructed surface of the historic building and obliged to propose an extension with a new body occupying the old school courtyard.

 © Adrià Goula

(AdriàGoula)

作出的第一项决定是尊重立面和所设想的历史建筑，利用来自广场的原始通道作为新设备的主要入口。第二个赌注是利用场地界限之间的斜坡，建造一座大石头，作为半埋植物，取代围墙的旧栅栏。该基座统一新旧，并允许总结一个重要的建筑表面，而不改变视觉和体积做作的集合。

The first decision taken was to respect the façade and the historic building as it was conceived, taking advantage of the original access from the square as the main entrance of the new equipment. The second bet was to build a large stone basing taking advantage of the slope between the limits of the site, as a semi-buried plant, replacing the old fence of the enclosure. The base unifies new and old and allows to sum an important built surface without altering the visual and volumetric affectation of the set.

The first decision taken was to respect the façade and the historic building as it was conceived, taking advantage of the original access from the square as the main entrance of the new equipment. The second bet was to build a large stone basing taking advantage of the slope between the limits of the site, as a semi-buried plant, replacing the old fence of the enclosure. The base unifies new and old and allows to sum an important built surface without altering the visual and volumetric affectation of the set.

 Ground Floor Plan

这个程序是用一个长方形的音量来完成的，它位于基础上，在历史建筑的后面，没有接触它，在它们之间留下了两个庭院，使得光线可以到达较低的楼层。最后，在原有建筑的后立面旁边放置了第二个新的车身，以解决这三个层次之间的垂直通信，并赋予一个经过很大修改的外观的价值。这两个物体的位置允许将中央庭院作为建筑群的连接空间，这是一个受保护的空间，允许在露天进行受控制的活动。

The program is completed with a rectangular volume that rests on the basing, behind the historical building, without touching it, leaving between them two courtyards that allow the light to reach the lower floor. Finally, a second new body is placed next to the rear façade of the pre-existing building to resolve the vertical communication between the three levels, and to give value to a very modified façade. The position of the two bodies allows to mantain the central courtyard as the articulating space of the complex, a protected space that will allow controlled activities to be held in the open air.

The program is completed with a rectangular volume that rests on the basing, behind the historical building, without touching it, leaving between them two courtyards that allow the light to reach the lower floor. Finally, a second new body is placed next to the rear façade of the pre-existing building to resolve the vertical communication between the three levels, and to give value to a very modified façade. The position of the two bodies allows to mantain the central courtyard as the articulating space of the complex, a protected space that will allow controlled activities to be held in the open air.

 © Adrià Goula

(AdriàGoula)

现有的不均匀的网站允许创建一个独立的入口，通过半底层的档案。图书馆占地两层，整合了一系列空间(多用途房、庭院、书房等)。可在图书馆开放时间外自动使用。

The existing unevenness in the site allows to create an independent entrance to the archive through the semi-ground floor. The library occupies the two upper floors and integrates a series of spaces (a multi-purpose room, the courtyard, study-support rooms, etc.) that, by means of a system of doors, can be used autonomously outside library opening hours.

The existing unevenness in the site allows to create an independent entrance to the archive through the semi-ground floor. The library occupies the two upper floors and integrates a series of spaces (a multi-purpose room, the courtyard, study-support rooms, etc.) that, by means of a system of doors, can be used autonomously outside library opening hours.

 © Adrià Goula

(AdriàGoula)

在对历史建筑进行整体、尊重的修复的同时，通过与现存建筑在声调、韵律、构图系统化等方面的对话，用现代语言将新的主体正式化。新卷被设想为一个门廊，其中包括旧庭院的一部分，图书馆的主要项目是在那里开发，有不透明的侧面和透明的主要正面，以促进空间之间的连续性。新旧之间的必要联系是用玻璃元素解决的。

While the historic building is restored in an integral and respectful way, the new bodies are formalized with a contemporary language from the dialogue with the existing one in terms of tones, rhythms and compositional systematization. The new volume is conceived as a porch that shelters part of the old courtyard, where the library's main programme is developed, with opaque side facades and diaphanous main facades, in order to promote continuity between spaces. The necessary connection between new and old is resolved with glass elements.

While the historic building is restored in an integral and respectful way, the new bodies are formalized with a contemporary language from the dialogue with the existing one in terms of tones, rhythms and compositional systematization. The new volume is conceived as a porch that shelters part of the old courtyard, where the library's main programme is developed, with opaque side facades and diaphanous main facades, in order to promote continuity between spaces. The necessary connection between new and old is resolved with glass elements.

 © Adrià Goula

(AdriàGoula)

传统建筑系统（通风的Catalan屋顶，透气灰泥法，CatalanVault板）的翻新赌注……(2)延长现有溶液和材料的寿命周期，利用其特点，完成对新用途的反应，达到安全、节能等目的。新的机构设想有工业化的系统，其目的是将干预的能源和环境影响降至最低。绿色屋顶，可回收的橡胶地板，金属板……设计有必要的目标。

The refurbishment bets on  traditional construction systems (ventilated Catalan roof, breathable stucco façade, Catalan vault slabs...), extending the life cycle of the existing solutions and materials, taking advantage of their features and completing them to respond to the new use and to safety features, energy efficiency, etc... The new bodies are conceived with pre-industrialised systems with the same objective of minimising the energy and environmental impact of the intervention. Green roofs, recyclable rubber flooring, metal panels... are designed with this necessary objective.

The refurbishment bets on  traditional construction systems (ventilated Catalan roof, breathable stucco façade, Catalan vault slabs...), extending the life cycle of the existing solutions and materials, taking advantage of their features and completing them to respond to the new use and to safety features, energy efficiency, etc... The new bodies are conceived with pre-industrialised systems with the same objective of minimising the energy and environmental impact of the intervention. Green roofs, recyclable rubber flooring, metal panels... are designed with this necessary objective.

 © Adrià Goula

(AdriàGoula)

Architects taller 9s arquitectes

Location Plaça Ajuntament, 1, 08770 Sant Sadurní d'Anoia, Barcelona, Spain

Architects in Charge Oriol Cusidó + Irene Marzo

Design Team Brisa Martínez, Núria Serrano

Area 2.325 m2

Project Year 2018

Photographs Adrià Goula

Category Cultural Center

Manufacturers Loading...