© Richard John Seymour

理查德·约翰·西摩

在CervalHouseTime和Space中的时间、空间和位置不是单独的尺寸，而是相互依赖的。存在与自然循环相对应的时间，其不习惯地的时间，并且存在被其形状和影响的空间。

TIME, SPACE AND PLACE In Cercal  House time and space are not separate dimensions but rather interdependent. There is the time that corresponds to the cycles of nature, the time of who inhabits the place and there is the space that is shaped and influenced by it.

TIME, SPACE AND PLACE In Cercal  House time and space are not separate dimensions but rather interdependent. There is the time that corresponds to the cycles of nature, the time of who inhabits the place and there is the space that is shaped and influenced by it.

 © Richard John Seymour

理查德·约翰·西摩

 © Richard John Seymour

理查德·约翰·西摩

AltEnjo-房子所在的地方-也是一个挑战。正如MiguelTorga说的，AltEnjo代表“最大的和最小的我们可以渴望：一个无限的梦想的荒野和一个疲惫的土壤的现实。”

Alentejo – the place where the house is located – is also a challenge. As Miguel Torga says, Alentejo represents “the maximum and the minimum we can aspire to: the wilderness of an infinite dream and the reality of an exhausted soil.”

Alentejo – the place where the house is located – is also a challenge. As Miguel Torga says, Alentejo represents “the maximum and the minimum we can aspire to: the wilderness of an infinite dream and the reality of an exhausted soil.”

因此，CervalHouse是一个提案，探讨了一个新的时间和空间在一个地方的可能性，这种新的时间和空间也被房子的新奇所标记和改变，希望最终在人与景观之间建立新的承诺。

The Cercal House is thus a proposal that explores the possibilities of a new time and space in a place also marked and altered by the novelty of the house, wishing ultimately to build a renewed commitment between man and landscape.

The Cercal House is thus a proposal that explores the possibilities of a new time and space in a place also marked and altered by the novelty of the house, wishing ultimately to build a renewed commitment between man and landscape.

 © Richard John Seymour

理查德·约翰·西摩

干预策略位于一个地形上，其半管道形态是由穿过它的一条输水线驱动的，房子被植入河流分隔的斜坡之一，旁边是一座旧建筑的遗骸。

INTERVENTION STRATEGY Located on a terrain whose halfpipe morphology is motivated by a water line that crosses it, the house is implanted in one of the slopes that the river divides, next to the remains of an old construction.

INTERVENTION STRATEGY Located on a terrain whose halfpipe morphology is motivated by a water line that crosses it, the house is implanted in one of the slopes that the river divides, next to the remains of an old construction.

在寻找正确的位置和太阳方向的同时，在体积法的同时，寻找与坡度的巧妙对话，并追求最佳的视觉视界，综合主要的干预战略指导方针。

The search for the right position  and solar orientation, in parallel with a volumetry  that searches for a skillful dialogue with the slope and also the pursuit of the best visual horizon, synthesize the main intervention strategy guidelines.

The search for the right position  and solar orientation, in parallel with a volumetry  that searches for a skillful dialogue with the slope and also the pursuit of the best visual horizon, synthesize the main intervention strategy guidelines.

 © Richard John Seymour

理查德·约翰·西摩

 © Richard John Seymour

理查德·约翰·西摩

此外，该项目力求满足我们强调的其他原则：呼吁传统的房屋原型作为一种结构，THA具有坚实的记忆，并作为对新的正式操作和空间解释的支持；引入天井作为增强光线的元素和在内部的反射，使外部空间与更亲密的职业加倍；功能节目的分配以社会小区为中心，围绕着组织其余节目的更有限制的访问。

In addition, the project sought to meet other principles of which we highlight: Appeal to the traditional house archetype as a structure tha carries a solid memory and as a support for new formal manipulations and spatial interpretations; Introduction of patios as light-enhancing element and reflection in the interior, doubling the exterior spaces with a more intimate vocation; Functional program distribution considers the social area as the centre of the house, around wich is organized the remaining program of more restricted acess.

In addition, the project sought to meet other principles of which we highlight: Appeal to the traditional house archetype as a structure tha carries a solid memory and as a support for new formal manipulations and spatial interpretations; Introduction of patios as light-enhancing element and reflection in the interior, doubling the exterior spaces with a more intimate vocation; Functional program distribution considers the social area as the centre of the house, around wich is organized the remaining program of more restricted acess.

 © Richard John Seymour

理查德·约翰·西摩

加强内外关系，扩大屋顶，突出一个来自社会地区的平台，上面有一个水平面-建造平台边界的水箱；通过引入过渡空间在内外空间之间进行调解-门廊。这一空间是通过引入滑动板来加强的，而滑动板的扩张限制了房屋的边界和地平线；使用了当地的建筑系统和传统材料，重新解释了当代的逻辑。

Intensification of the relationship between interior and exterior by extending the roof and projecting a platform that comes from the social area and is topped by a water plan - a tank that builds the platform boundary; Mediation between interior and exterior space through the introduction of a transition space - the porch. This space is reinforced by the introduction of sliding panels that expando r confine the house boundaries and the horizon; The use of local constructive systems and traditional materials reinterpreted in the logic of a contemporary

Intensification of the relationship between interior and exterior by extending the roof and projecting a platform that comes from the social area and is topped by a water plan - a tank that builds the platform boundary; Mediation between interior and exterior space through the introduction of a transition space - the porch. This space is reinforced by the introduction of sliding panels that expando r confine the house boundaries and the horizon; The use of local constructive systems and traditional materials reinterpreted in the logic of a contemporary

在墙壁和地板上普遍使用白色，而“阿伦太约蓝色”则被用作进入房屋的通道。

Prevailing use of white color in walls and floors in contrast to the "Alentejo blue" used in transitory and light elements as the access door to the house.

Prevailing use of white color in walls and floors in contrast to the "Alentejo blue" used in transitory and light elements as the access door to the house.

 © Richard John Seymour

理查德·约翰·西摩

Architects Atelier Data

Location Cercal do Alentejo, Portugal

Team Filipe Rodrigues, Inês Vicente, Marta Frazão, Filipa Neiva, Joana Matos, Ricardo Carvalho

Area 250.0 m2

Project Year 2018

Photographs Richard John Seymour

Category Houses