The Garden of Framed Scenes The Open Workshop
2018-12-09 10:00
架构师提供的文本描述。框架景观花园扩大了公共艺术和雕塑的概念,为城市居民创造了一个空间。它位于丰泰罗公园内的一个基础设施十字路口-把流动的空间转变为聚集的空间。三角形的外部几何图形出现在场地的路径上,而内部的方形几何图形则是集体表演的剧场框架。受当地文艺复兴画家格罗·瓦斯科(Grao Vasco)将背景环境框架化和折叠成前景的集体场景的启发,该项目使用了一系列的框架开口来重新描述周围的环境。在作品中,前景和背景是折叠的,但框架,而观众和表演者的位置也是振荡的。
Text description provided by the architects. The Garden of Framed Scenes expands the notion of pubic art and sculpture to create a space for the inhabitants of the city. It is situated at an infrastructural crossroads within Fontelo Park—transforming a space of flows into a space of gathering. The outer geometry of the triangle emerges from the site’s paths, while the internal square geometry frames a theatre for collective performance. Inspired by local Renaissance painter Grao Vasco’s technique of framing and collapsing the background environment into the collective scene of the foreground, the project uses a series of framed openings to recontextualize the surrounding environment. Within the piece, foreground and background are collapsed yet framed, while the position of audience and performer is also oscillating.
Text description provided by the architects. The Garden of Framed Scenes expands the notion of pubic art and sculpture to create a space for the inhabitants of the city. It is situated at an infrastructural crossroads within Fontelo Park—transforming a space of flows into a space of gathering. The outer geometry of the triangle emerges from the site’s paths, while the internal square geometry frames a theatre for collective performance. Inspired by local Renaissance painter Grao Vasco’s technique of framing and collapsing the background environment into the collective scene of the foreground, the project uses a series of framed openings to recontextualize the surrounding environment. Within the piece, foreground and background are collapsed yet framed, while the position of audience and performer is also oscillating.
© Luis Belo
路易斯·贝洛
Axonometry
© Luis Belo
路易斯·贝洛
© Luis Belo
路易斯·贝洛
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