建筑师提供的文字说明。我们设计别墅的男人和女人都有来自以前的关系的年轻孩子。我们的当事人的愿望是建立一个能促进这两个家庭团聚的房子。这导致了针对每个家庭的单独功能和两个家庭的共同会议地点的设计。每个家庭都有自己的入口大厅、客厅、浴室和厕所和卧室区域。大厅和宽敞的厨房设置为公共空间，计划为别墅的中心。

Text description provided by the architects. Both man and woman for whom we designed the villa have young children from a previous relationship. Our client's desire was to build a house that would facilitate the coming together of those two families. This resulted in a design with separate functions for each family and common meeting places for both families. Each family has its own entrance hall, living room, bathroom and toilet and bedroom area. The main hall and spacious kitchen are set up as common spaces and planned as the heart of Villa Montfoort.

Text description provided by the architects. Both man and woman for whom we designed the villa have young children from a previous relationship. Our client's desire was to build a house that would facilitate the coming together of those two families. This resulted in a design with separate functions for each family and common meeting places for both families. Each family has its own entrance hall, living room, bathroom and toilet and bedroom area. The main hall and spacious kitchen are set up as common spaces and planned as the heart of Villa Montfoort.

 © Stijn Poelstra

(Stijn Poelstra)

 Ground Floor Plan

 © Stijn Poelstra

(Stijn Poelstra)

 First Floor Plan

一层平面图

粗糙的构图、粗糙的材料、建筑的构图和物化突出了蒙福特别墅的布局平面图。入口处采用预制混凝土构件。在入口处，我们设计了一个半沉的地下室。伴随着这个地下室的垂直移动创造了一个动态的组合，并产生了一个分层平面图。我们将其与粗糙的材料相结合，如黑色砖石、混凝土和烧焦的木材，每一种材料都分配给铺设在外墙后面的特定区域。

Rough composition, rough materials The architectural composition and materialization of Villa Montfoort highlights the layout of the floor plan. The entrance is materialized in precast concrete elements. Beneath the entrance we designed a half-sunken basement. The vertical shift accompanied by this basement creates a dynamic composition and results in a split-level floor plan. We combined this with rough materials , such as black masonry, concrete and charred wood, each allocated to the specific area laying behind the façade.

Rough composition, rough materials The architectural composition and materialization of Villa Montfoort highlights the layout of the floor plan. The entrance is materialized in precast concrete elements. Beneath the entrance we designed a half-sunken basement. The vertical shift accompanied by this basement creates a dynamic composition and results in a split-level floor plan. We combined this with rough materials , such as black masonry, concrete and charred wood, each allocated to the specific area laying behind the façade.

 © Stijn Poelstra

(Stijn Poelstra)

空间分布，完美对称的走廊将别墅分为两个居住区域。一间客厅在左边，另一间在右边。在设计的中心，我们把厨房设为公共区域。走廊的两边都有与一楼完全相同的楼梯。在楼梯上方，我们设计了屋顶上隐藏的天窗，让阳光沿着内墙美丽地照射。

Spatial distribution The perfectly symmetrical hallway divides the villa into two living areas. One living room on the left, and one on the right. In the centre of the design we located the kitchen as common area. Either side of the hallway has its own completely identical staircase to the first floor. Above the stairs we designed hidden skylights in the roof, which allow sunlight to stroke beautifully along the inner walls.

Spatial distribution The perfectly symmetrical hallway divides the villa into two living areas. One living room on the left, and one on the right. In the centre of the design we located the kitchen as common area. Either side of the hallway has its own completely identical staircase to the first floor. Above the stairs we designed hidden skylights in the roof, which allow sunlight to stroke beautifully along the inner walls.

 © Stijn Poelstra

(Stijn Poelstra)

产品描述：主卧室的体积在瑙石岛物化。这是日本传统的烧木技术。这就产生了深而自然的纹理。几年后，烧焦的木材将达到其最后的特征外观。

Product Description: The volume of the master bedroom is materialized in Nao Shima. This is a traditional Japanese technique for charred wood. This results in deep, natural textures. After a few years, the charred wood will reach its final characteristic appearance.

Product Description: The volume of the master bedroom is materialized in Nao Shima. This is a traditional Japanese technique for charred wood. This results in deep, natural textures. After a few years, the charred wood will reach its final characteristic appearance.

 © Stijn Poelstra

(Stijn Poelstra)

Architects Station-D Architects

Location Montfoort, The Netherlands

Architect in Charge Lars Hoogewerf, Tim van Beukering, Rico Heykant

Area 440.0 m2

Project Year 2015

Photographs Stijn Poelstra

Category Houses

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