“吸引我的不是正确的角度，也不是人类创造的一条笔直的、坚硬的、僵化的直线。吸引我的是自由而性感的曲线-在我的国家的山里，在蜿蜒的河流中，在心爱的女人的身体里，我找到了这条曲线。“-奥斯卡·尼迈耶。

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve - the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”-Oscar Niemeyer.

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve - the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”-Oscar Niemeyer.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

这个项目是一个梦想建设的项目，不相信它会实现。它被拒绝了几次，因为它有风险和非典型性。幸运的是，Inmoglagar，推动者，下了很大的赌注。

This project is a project one dreams of building, without trusting it will come true. It was rejected several times for being risky and atypical. Fortunately, Inmoglaciar; the promoters, bet hard on it.

This project is a project one dreams of building, without trusting it will come true. It was rejected several times for being risky and atypical. Fortunately, Inmoglaciar; the promoters, bet hard on it.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

根据规定，75%的外观必须与网站线保持一致，留给我们的只有25%。第一个方法是两个对齐正面之间的弯曲接头。如果这些规定迫使我们达到100%的水平，那么我们就不会谈论“Terazas del Lago”了。相反，如果给予该项目更多的自由，它就会变得风险更大，而且可能看不到光明。

According to the regulations, 75% of the façade had to be aligned with the site line and left us with only 25% to play. The first approach was a curved joint between two aligned facades. If the regulations had forced us to align a 100% then we would not be talking about “Terrazas del Lago”. On the contrary, if the project had been given more freedom then it would have become riskier and probably it would not have seen the light.

According to the regulations, 75% of the façade had to be aligned with the site line and left us with only 25% to play. The first approach was a curved joint between two aligned facades. If the regulations had forced us to align a 100% then we would not be talking about “Terrazas del Lago”. On the contrary, if the project had been given more freedom then it would have become riskier and probably it would not have seen the light.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

我们在西班牙发生的深刻危机完全改变了房地产行业的重点。重新定义了住房的概念。在经历了多年的背景之后，一个被授权的客户被听到；用大露台绘制更大、更有吸引力的房子。

The deep crisis in which we were sunk in Spain completely changed the focus of the real estate sector. The concept of housing was re-defined. An empowered client was heard, after many years of being in the background; plotting bigger and more attractive houses with large terraces.

The deep crisis in which we were sunk in Spain completely changed the focus of the real estate sector. The concept of housing was re-defined. An empowered client was heard, after many years of being in the background; plotting bigger and more attractive houses with large terraces.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

 © Héctor Santos-Díez

c.Héctor Santos-Díez

我们对这些情况的反应是，将大楼朝向地块南端的一个大公园，为大多数房屋提供方便，可以看到你无法确定价格的巨大露台。这种组合矢量给建筑物一个海岸面，几乎是航海的。就像俯瞰大海的建筑物一样，特拉扎斯·德尔拉戈在一个焦点的影响下成长起来。

We responded to these conditions by orienting the building towards a big park at the southern end of the plot; achieving conveniently for most of the housing, huge terraces with views you cannot put a price on. This compositional vector gives the building a coastal aspect, almost nautical. Like the buildings that overlook the sea, Terrazas del Lago grew under the influence of a focal point.

We responded to these conditions by orienting the building towards a big park at the southern end of the plot; achieving conveniently for most of the housing, huge terraces with views you cannot put a price on. This compositional vector gives the building a coastal aspect, almost nautical. Like the buildings that overlook the sea, Terrazas del Lago grew under the influence of a focal point.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

拐角处的曲线被移到露台上；再加上胸牌的轻微倾斜，因为它是最柔软的，也是最有机的。它在每一个细节上都产生共鸣，从园艺到分隔墙的设计。

The curve of the corner is transferred to the terraces; along with a slight inclination of the breastplate, for its softest and most organic finish. It resonates in every detail, from gardening to the design of the dividing wall.

The curve of the corner is transferred to the terraces; along with a slight inclination of the breastplate, for its softest and most organic finish. It resonates in every detail, from gardening to the design of the dividing wall.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

根据这一标准，设计了一个异质纹理的外观，打破了典型的水平波段范式。

As per this criteria, a facade of heterogeneous texture was designed, breaking the typical paradigm of horizontal bands.

As per this criteria, a facade of heterogeneous texture was designed, breaking the typical paradigm of horizontal bands.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

代表因莫古拉、阿文蒂亚和莫夫进行干预的团队是非常出色的，他们亲自在马德里的天空中实现了一个新的偶像。发起人和Porcelanosa支持KRIón制作立面也是至关重要的。

The team that intervened on behalf of Inmoglaciar, Avintia and Morph was really exceptional and they took it personally to materialize a new icon in Madrid's sky. The support of the promoter and Porcelanosa to make the façade with Krión was also vital.

The team that intervened on behalf of Inmoglaciar, Avintia and Morph was really exceptional and they took it personally to materialize a new icon in Madrid's sky. The support of the promoter and Porcelanosa to make the façade with Krión was also vital.

它是马德里第一批具有能源等级的建筑之一，它采用了室内布局，优化了房间，解决了几乎所有的曲线，因为露台使项目得名。

It is one of the first buildings in Madrid with A energy rating, and it incorporates an interior layout that optimizes the rooms, solving almost all the curves on account of the terraces that give the project its name.

It is one of the first buildings in Madrid with A energy rating, and it incorporates an interior layout that optimizes the rooms, solving almost all the curves on account of the terraces that give the project its name.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

从最初的草图来看，这大约是7年，对材料的期望很少。在这段时间里，我了解到，如果你有一个想法，你可以保护它，如果你用武力拥抱它，如果你用一个让自己想法自己的团队包围自己，那就会变成现实；当发生这种情况时，你就会看到，所有已经采取的步骤都是必要的，而且它们构成了一个很好的谜团，在这个谜团中，你只是个小件。在那时候，你还记得你为什么是建筑师。

It has been about 7 years since the first sketches with very few expectations of materializing. In this time I have learned that if you have an idea and you protect it, if you embrace it with force, if you surround yourself with a team that makes the idea their own, it ends up becoming reality; and when that happens, you see that all the steps that have been taken were necessary and they make up a great puzzle in which you are just a small piece. In that moment, you remember why you are an architect.

It has been about 7 years since the first sketches with very few expectations of materializing. In this time I have learned that if you have an idea and you protect it, if you embrace it with force, if you surround yourself with a team that makes the idea their own, it ends up becoming reality; and when that happens, you see that all the steps that have been taken were necessary and they make up a great puzzle in which you are just a small piece. In that moment, you remember why you are an architect.