© Joe Fletcher

乔·弗莱彻

架构师提供的文本描述。当一对家庭越来越多的年轻夫妇想退一步离开这个城市时，他们在纳帕谷发现了一片古老的葡萄园，向马亚卡马斯望去。在这个网站上，野地建筑设计了一座房子，为小型和大型聚会腾出空间，在那里，家庭可以花时间与土地和彼此联系。该地产位于谷底，唯一垂直的时刻是东北角的一排高大的树木。菲尔德把这座房子-设计成一个家庭结构-依偎在树木之间，在中间留下一个庭院空间，用一个奢华的现代游泳池填满它。一棵大峡谷橡树标志着穿过大楼的中轴线。

Text description provided by the architects. When a young couple with a growing family wanted to take a step back from the city, they found an old vineyard parcel in Napa Valley that looks out towards the Mayacamas. On that site, Field Architecture designed a house that makes room for both small and large gatherings where the family can spend time connecting with the land and with one another. The property sits on the valley floor, the only vertical moment a line of tall trees in the northeast corner. Field nestled the home — designed as a family of structures — between the trees, leaving a courtyard space in the center and filling it with a luxuriously modern pool. A grand valley oak marks the central axis threading through the building.

Text description provided by the architects. When a young couple with a growing family wanted to take a step back from the city, they found an old vineyard parcel in Napa Valley that looks out towards the Mayacamas. On that site, Field Architecture designed a house that makes room for both small and large gatherings where the family can spend time connecting with the land and with one another. The property sits on the valley floor, the only vertical moment a line of tall trees in the northeast corner. Field nestled the home — designed as a family of structures — between the trees, leaving a courtyard space in the center and filling it with a luxuriously modern pool. A grand valley oak marks the central axis threading through the building.

 © Joe Fletcher

乔·弗莱彻

 Floor Plan

 © Joe Fletcher

乔·弗莱彻

山墙端结构彼此之间和邻近的山之间有着密切的联系，并参考了该遗址的农业历史，每个屋顶都由暗木和钢桁架支撑，受到该地产现有干草仓的启发。丰富的木材点缀着圆滑，通风的内部，深刻的对比提供了纹理结构和视觉节奏。材料调色板在现代和传统之间摇摆，在整个项目中发生变化。在厨房里，这个箱子被设想成一个嵌在水泥柱子上的木块，上面的天窗照亮了生活空间。当外面的木柱点缀着一堵长长的混凝土景观墙时，混凝土上的缺口让人可以看到远处的景观在材料之间的空间漂移。

The gable-ended structures work relationally to each other and the neighboring mountain and reference the agrarian history of the site, each roof supported by dark timber and steel trusses inspired by the property’s existing hay barn. Rich wood punctuates a sleek, airy interior, the deep contrast offering both textural structure and visual rhythm. The material palette oscillates between the modern and the traditional, shifting throughout the project. In the kitchen, the casework is conceived as a single block of wood inlaid into the cement column that bookends the living space, lit by the skylight above. Where wood columns outside punctuate a long, concrete landscape wall, notches blocked out in the concrete let a view of the landscape beyond drift through the space between materials.

The gable-ended structures work relationally to each other and the neighboring mountain and reference the agrarian history of the site, each roof supported by dark timber and steel trusses inspired by the property’s existing hay barn. Rich wood punctuates a sleek, airy interior, the deep contrast offering both textural structure and visual rhythm. The material palette oscillates between the modern and the traditional, shifting throughout the project. In the kitchen, the casework is conceived as a single block of wood inlaid into the cement column that bookends the living space, lit by the skylight above. Where wood columns outside punctuate a long, concrete landscape wall, notches blocked out in the concrete let a view of the landscape beyond drift through the space between materials.

 © Joe Fletcher

乔·弗莱彻

在外面，屋顶用一块薄的金属板材完成，在山脊处轻轻的折痕，并允许沿一条连续的直线向下溢出边缘。金属通过完全集成到形式中的排水沟与地面接触，其中落水管被设置成与建筑物的表面齐平，并且宽度仅仅代替一个垂直壁板的单个板。这是个优雅的举动，而不是一个表演片段；田野想让所有细节在一起成为一个凝聚力的身份的背景。

Outside, the roof is finished with a thin slab of metal, gently creased at the ridge and allowed to spill down the edge in a continuous line. The metal meets the ground through gutters entirely integrated into the form, with downspouts set flush to the face of the building and a width that replaces just a single board of vertical siding. It’s a graceful move, but not a showpiece; Field wanted for all the details to come together as a backdrop to a cohesive identity.

Outside, the roof is finished with a thin slab of metal, gently creased at the ridge and allowed to spill down the edge in a continuous line. The metal meets the ground through gutters entirely integrated into the form, with downspouts set flush to the face of the building and a width that replaces just a single board of vertical siding. It’s a graceful move, but not a showpiece; Field wanted for all the details to come together as a backdrop to a cohesive identity.

 © Joe Fletcher

乔·弗莱彻

 © Joe Fletcher

乔·弗莱彻

现代主义和白话设计之间的一个令人兴奋的交汇点来自于场的不断的重新接触和白话的空间反响。在房子的每一个房间里，菲尔德都把陡峭的倾斜天花板设计成不同的框架-从消失在山墙上的天窗，到充满光线的壁炉，再到天花板穿过走廊的戏剧性部分，在走廊里，屋顶在由玻璃和钢铁制成的外墙上达到可分辨的程度。光线从四面八方透过窗户向屋内蔓延，打开室内到院子，把房子的视觉边界延伸到葡萄园的外面。

An exciting intersection between modernism and vernacular design emerges from Field’s continual re-engagement with the spatial repercussions of the vernacular. Field framed the steeply sloped ceiling differently in each room of the house — from the skylight that disappears into the gable’s peak and floods the hearth with light, to the dramatic slice the ceiling takes through the hallway, where the roof reaches its resolution at exterior walls made of glass and steel. Light spills into the house from every side through the windows, which open the interior up to the courtyard and extend the home’s visual boundary out into the vineyard beyond.

An exciting intersection between modernism and vernacular design emerges from Field’s continual re-engagement with the spatial repercussions of the vernacular. Field framed the steeply sloped ceiling differently in each room of the house — from the skylight that disappears into the gable’s peak and floods the hearth with light, to the dramatic slice the ceiling takes through the hallway, where the roof reaches its resolution at exterior walls made of glass and steel. Light spills into the house from every side through the windows, which open the interior up to the courtyard and extend the home’s visual boundary out into the vineyard beyond.

 © Joe Fletcher

乔·弗莱彻

Architects Field Architecture

Location St. Helena, United States

Lead Architects Jess Field, AIA and Stan Field, RIBA, SAIA

Area 6100.0 ft2

Project Year 2017

Photographs Joe Fletcher

Category Houses

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