架构师提供的文本描述。该项目的主要思想：设计一家快餐店，而不强调其素食特色。

Text description provided by the architects. Main idea of the project: To design a fast food restaurant without emphasizing its vegan specialization.

Text description provided by the architects. Main idea of the project: To design a fast food restaurant without emphasizing its vegan specialization.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

这所房子位于一个十字路口，这决定了咖啡厅的角落布局。在中间有一个收银机，后面隐藏着一个厨房区域。

The house is located at an intersection, which dictated a corner layout of the café.  In the middle, there is a cash register, with a kitchen area hidden behind it.

The house is located at an intersection, which dictated a corner layout of the café.  In the middle, there is a cash register, with a kitchen area hidden behind it.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

我们的客户对设计师的要求是打破一种模式，即一家纯素食咖啡馆应该采用生态风格，辅之以冥想风格的音乐。这里的一切都是完全相反的。一半的客人甚至不知道他们吃的是纯素食品，这要归功于烹饪的创造性和食物的味道，强调的是食物的质量，而不是标签。晚上有聚会，白天有从转盘播放的音乐。我们的客户把他们的魅力奉献给顾客服务和咖啡店的形象。

Our clients’ request for designers was to break a stereotype that a vegan café should be done in an eco-style, complemented with meditation-style music. Everything is quite the opposite here. Half of the guests don’t even know they are eating vegan food, thanks to the creativity of preparation and the taste of food, with the accent on food’s quality rather than labeling. There are parties going on at night, and during the day there is music played from a turntable. Our clients gave their charisma to the customer service and the image of the café.

Our clients’ request for designers was to break a stereotype that a vegan café should be done in an eco-style, complemented with meditation-style music. Everything is quite the opposite here. Half of the guests don’t even know they are eating vegan food, thanks to the creativity of preparation and the taste of food, with the accent on food’s quality rather than labeling. There are parties going on at night, and during the day there is music played from a turntable. Our clients gave their charisma to the customer service and the image of the café.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

这不是第一个我们有意识和完全拒绝瓷砖表面的项目，除了适用特殊规则的厨房区域。这成了我们的品牌风格。我们使用的不是瓷砖，而是能够承受同样应力的特殊表面。在这个项目中，我们使用了浇筑的混凝土，我们也把它应用到了一定的水平上。在这个水平之上，墙壁仍然是粗糙的，只有一层油漆。

This is not the first project where we consciously and completely rejected ceramic tile on surfaces, except for the kitchen area where special rules apply. This became our brand style. Instead of tile we use special surfaces that can sustain the same stress. For this project we used poured-in-place concrete that we also applied to walls up to a certain level. Above this level the walls remained raw, with just a coat of paint.

This is not the first project where we consciously and completely rejected ceramic tile on surfaces, except for the kitchen area where special rules apply. This became our brand style. Instead of tile we use special surfaces that can sustain the same stress. For this project we used poured-in-place concrete that we also applied to walls up to a certain level. Above this level the walls remained raw, with just a coat of paint.

最不寻常和有趣的东西在这个内部肯定是定购柜台，以一个美妙的形状。它引起了每个人的注意。在酒保的一边，这是相当实用的，整个空间是用来储存或人员使用。

The most unusual and interesting object in this interior is definitely the order placing counter made in a wonderful shape. It draws everyone’s attention. At the bartender’s side, it is quite practical, the entire space is used for storage or personnel use.

The most unusual and interesting object in this interior is definitely the order placing counter made in a wonderful shape. It draws everyone’s attention. At the bartender’s side, it is quite practical, the entire space is used for storage or personnel use.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

我们真的想要创造一个人们不只是吃饭的地方。我们尽一切努力为客人创造一个空间和氛围，让客人们舒服地享受彼此的陪伴，我们很高兴能够做到这一点。这个地方从来都不是空荡荡的，无论一天中什么时候，公共桌子总是很受欢迎的。这里不仅适合吃饭，而且还适合工作、开会和放松。

We really wanted to create a place where people don’t just eat. We made every effort in order to create a space and an atmosphere where guests can comfortably enjoy each other’s company, and we are happy to have managed just that. The place is never empty, communal tables are always popular regardless of the time of day. The place is comfortable not only for eating, but also for work, meetings and relaxation.

We really wanted to create a place where people don’t just eat. We made every effort in order to create a space and an atmosphere where guests can comfortably enjoy each other’s company, and we are happy to have managed just that. The place is never empty, communal tables are always popular regardless of the time of day. The place is comfortable not only for eating, but also for work, meetings and relaxation.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

这里到处都是古老的壁画，从波兰人建造的时代起就留下了。内部的所有元素，除了椅子和灯具，都是定制的.

There are some old murals here and there, remaining from the times when the place was built by the Poles. All elements of the interior, except for the chairs and light fixtures, were custom-made.

There are some old murals here and there, remaining from the times when the place was built by the Poles. All elements of the interior, except for the chairs and light fixtures, were custom-made.

 © Dmytro Sorokevych

c.Dmytro Sorokevych

最初，带酒吧的房间应该有两个从天花板悬吊下来的圆形霓虹灯固定装置：一个是蓝色的，另一个是红色的色调。我们没有机会在现场测试他们将如何在一起工作，所以我们决定抓住一个机会，正如它所发生的那样，我们并不喜欢结果。放在一起，霓虹灯固定装置不是很好的搭配，他们创造了一些不现实的颜色组合。这就是为什么我们决定取下第二个霓虹灯固定装置，并把它作为纪念品送给设计师。

Initially, the room with the bar should have had two round neon light fixtures suspended from the ceiling: one in blue, the other – in red hue. We had not have a chance to test how they would work together in situ, so we decided to take a chance and, as it happened, did not like the results.  Put together, the neon fixtures were not a good match, they created some unrealistic color combinations. That’s why we decided to take down the second neon fixture and gave it to the designers as a keepsake.

Initially, the room with the bar should have had two round neon light fixtures suspended from the ceiling: one in blue, the other – in red hue. We had not have a chance to test how they would work together in situ, so we decided to take a chance and, as it happened, did not like the results.  Put together, the neon fixtures were not a good match, they created some unrealistic color combinations. That’s why we decided to take down the second neon fixture and gave it to the designers as a keepsake.

 © Dmytro Sorokevych

c.Dmytro Sorokevych