© niveditaa gupta

c.尼维特a-古普塔

“农村伪装”我们搬到了一个完全乡村的环境。突然之间，一切都变得平静了，时间似乎过得更慢了，你可以在每一个角落呼吸到生活的质量。人们是善良的，不仅在你遇到他们的时候向他们打招呼，而且似乎几乎有义务站起来和彼此交谈。

“Rural camouflage” We moved to a completely rural environment. Suddenly everything is calmer, the hours seem to pass slower, and you can breathe quality of life in every corner. People are kind and not only say hello when you come across them, but it seems almost obligatory to stand up and talk to each other a little.

“Rural camouflage” We moved to a completely rural environment. Suddenly everything is calmer, the hours seem to pass slower, and you can breathe quality of life in every corner. People are kind and not only say hello when you come across them, but it seems almost obligatory to stand up and talk to each other a little.

 © niveditaa gupta

c.尼维特a-古普塔

我们的委托人委托我们在一个舒适的小屋里享受他的退休生活，回到他成长的村庄。在我们每一次与他一起参观时，他脑海中浮现出成千上万的童年记忆，以跟踪作品的演变。大面积的土地让我们能够在一层楼上开发出一套舒适的房子，我们决定把它分割成细长的模块，把街道和后院连接起来。有些模块是门式刚屋顶房子的形状，另一些是平顶棱镜。

Our client commissioned us with a comfortable cottage in which to enjoy his retirement, returning to the village where he grew up. Thousands of childhood memories came to his mind during every visit we made with him to follow the evolution of the work. The large plot of land allowed us to develop a comfortable house on a single floor, which we decided to fragment into elongated modules that connect the street with the backyard. Some modules are in the shape of a gabled roof house, others are flat roof prisms.

Our client commissioned us with a comfortable cottage in which to enjoy his retirement, returning to the village where he grew up. Thousands of childhood memories came to his mind during every visit we made with him to follow the evolution of the work. The large plot of land allowed us to develop a comfortable house on a single floor, which we decided to fragment into elongated modules that connect the street with the backyard. Some modules are in the shape of a gabled roof house, others are flat roof prisms.

 © niveditaa gupta

c.尼维特a-古普塔

 © niveditaa gupta

c.尼维特a-古普塔

项目正是在这些片段的零星组合中产生的。乡村别墅，如果你从外面看的话，它实际上是几座房子，在它的内部变成了一系列不同高度的宽阔空间，到处都是自然光。我们觉得在这个房子里玩太现代的设计语言是不尊重环境的，所以我们决定，没有复杂的东西，在我们的项目中使用当地集体想象中的乡土元素。

It is in the interspersed combination of these pieces that the project arises. The country house, which seems to be actually several houses if you look at it from the outside, becomes in its interior a succession of wide spaces with different heights, filled by natural light everywhere. We felt it was disrespectful towards the context to play with too modern design languages in this house, so we decided, without complexes, to use rustic elements from the local collective imagination in our project. 

It is in the interspersed combination of these pieces that the project arises. The country house, which seems to be actually several houses if you look at it from the outside, becomes in its interior a succession of wide spaces with different heights, filled by natural light everywhere. We felt it was disrespectful towards the context to play with too modern design languages in this house, so we decided, without complexes, to use rustic elements from the local collective imagination in our project. 

 Axonometric Section 1

轴测第1节

 Axonometric Section 3

轴测第3节

 Axonometric Section 5

轴测第5节

通过这种方式，我们实现了一座乡村式住宅，它与周围环境很好地结合在一起，但另一方面，它根本就不是那里的习惯性住宅，因为它最终是一个与通常在乡村建造的任何其他住宅完全不同的住宅，无论是在平面图还是体积和空间方面都是如此。我们为这个项目提供了纹理、材料、建设性元素和正式游戏，这些都是我们想象中能在这个地区的一个村庄里找到的，但我们利用现代设计技术来构思这座建筑。

In this way, we achieve a country house with a rural appearance, well integrated into its surroundings, but on the other hand it is not a habitual dwelling there at all, since in the end it is a completely different dwelling from any other one that is usually built in the village, both in terms of floor plan and volume and spatiality. We provided the project with textures, materials, constructive elements and formal games typical of what we imagined we would find in a village in the area, but we played with contemporary design techniques to conceive the building.

In this way, we achieve a country house with a rural appearance, well integrated into its surroundings, but on the other hand it is not a habitual dwelling there at all, since in the end it is a completely different dwelling from any other one that is usually built in the village, both in terms of floor plan and volume and spatiality. We provided the project with textures, materials, constructive elements and formal games typical of what we imagined we would find in a village in the area, but we played with contemporary design techniques to conceive the building.

 © niveditaa gupta

c.尼维特a-古普塔

 © niveditaa gupta

c.尼维特a-古普塔

在工地周围的田野里，我们可以看到许多废弃的烤烟棚，它们是一座农业建筑，其正面用砖格建造，以鼓励内部通风，从而更好地烘干悬挂在里面的烟叶。作为建筑师，烘干室对我们来说似乎太有吸引力了，以至于我们无法以任何方式将它们融入我们的乡村住宅，所以我们决定在房子的某些部分建造双通风立面，以减少房屋内阳光的被动和自然效果。

In the fields surrounding the site we can find numerous abandoned tobacco drying sheds, which are agricultural buildings that had facades built with brick lattices to encourage cross ventilation inside, and thus better dry the tobacco leaves that hung inside. As architects, the drying rooms seemed too attractive for us not to incorporate them into our country house in any way, so we decided to create double ventilated facades in certain parts of the house to reduce the passive and natural effect of the sun inside the house.

In the fields surrounding the site we can find numerous abandoned tobacco drying sheds, which are agricultural buildings that had facades built with brick lattices to encourage cross ventilation inside, and thus better dry the tobacco leaves that hung inside. As architects, the drying rooms seemed too attractive for us not to incorporate them into our country house in any way, so we decided to create double ventilated facades in certain parts of the house to reduce the passive and natural effect of the sun inside the house.

 Axonometric 1

（几何学上）轴测法的 1

窗户上有木制的衬垫，使用了传统的锻铁格栅和木匠，还有百叶窗、绿色的马车等等，所有这些都是农村世界集体想象的要素，而不一定是该地区传统建筑中使用的元素。一座具有现代平面图和空间的乡村住宅，但通过乡村建筑的象征元素在乡村世界中伪装。

The windows were marked with wooden lintels, traditional wrought iron grilles and carpentries and blinds were used, green carriage, etc., all of which are elements of the collective imagination of the rural world, without necessarily being elements used in the traditional architecture of the area. A country house with a contemporary floor plan and spatiality, but camouflaged in the rural world through symbolic elements of village architecture.

The windows were marked with wooden lintels, traditional wrought iron grilles and carpentries and blinds were used, green carriage, etc., all of which are elements of the collective imagination of the rural world, without necessarily being elements used in the traditional architecture of the area. A country house with a contemporary floor plan and spatiality, but camouflaged in the rural world through symbolic elements of village architecture.

 © niveditaa gupta

c.尼维特a-古普塔

Architects OOIIO Arquitectura

Location Las Herencias, Spain

Author Joaquín Millán Villamuelas

Design Team Natalia Garmendia Cobo, Gaia Ferrara

Area 2350.0 m2

Project Year 2018

Photographs niveditaa gupta

Category Houses

Manufacturers Loading...