Kiranpani Mette Lange Architects

2019-01-10 01:00

架构师提供的文本描述。在印度古老的葡萄牙殖民地果阿，建筑师梅特·兰格(MetteLange)花了近10年的时间旅行和研究果阿的当地建筑之后，为她的家人设计了一座房子。它包括传统的中庭院和巨大的圆木覆盖的大，美丽的低瓦屋顶，为太阳提供遮荫，为大雨提供庇护。当地的房屋通常是用砖建造的，砖是用当地的红土石头建造的-与果阿红壤的颜色相同。兰格曾在基兰帕尼与传统合作，但简化了它，并将它以不同的方式组合在一起。

Text description provided by the architects. In the old Portuguese colony Goa, India, architect Mette Lange has designed a house for her family, after spending almost 10 years traveling and studying the local architecture in Goa. It includes traditions for atrium courtyards and large loggias covered by big beautiful low tiled roofs which give shade for the sun and shelter for the heavy rains. The local houses are often built with bricks, made out of the local red laterite stone - the same color as the red soil of Goa. Lange has in Kiranpani worked with the traditions, but simplified it and put it together differently.

Text description provided by the architects. In the old Portuguese colony Goa, India, architect Mette Lange has designed a house for her family, after spending almost 10 years traveling and studying the local architecture in Goa. It includes traditions for atrium courtyards and large loggias covered by big beautiful low tiled roofs which give shade for the sun and shelter for the heavy rains. The local houses are often built with bricks, made out of the local red laterite stone - the same color as the red soil of Goa. Lange has in Kiranpani worked with the traditions, but simplified it and put it together differently.

 © Hampus Berndtson

(Hampus Berndtson)

 © Hampus Berndtson

(Hampus Berndtson)

果阿的房子叫做基兰帕尼，意思是光线的水，因为在山脚下有一个泉水，房子从那里得到水源。Kiranpani位于Teracol河上游约40米的山上。从远处看，这座房子看起来就像一个经典的更大的果南房子。

The house in Goa is called Kiranpani, which means ray of water, because there is a spring at the foot of the mountain from which the house gets it water supply. Kiranpani is located on the hill, approximately 40m above the river Teracol. From a distance the house looks like a classic larger Goan house.

The house in Goa is called Kiranpani, which means ray of water, because there is a spring at the foot of the mountain from which the house gets it water supply. Kiranpani is located on the hill, approximately 40m above the river Teracol. From a distance the house looks like a classic larger Goan house.

 © Hampus Berndtson

(Hampus Berndtson)

房子被仔细地安置在现有的地形之后，并希望保护大树，这也提供了遮荫和保持土壤的位置。一个人从房子上方的道路进入房产。房子在道路上是看不见的，因为它位于丛林植被和较小的建筑物后面的较低的一层。一个人走下一个圆形的运动，依靠楼梯到一个非常大的封闭墙红土石，很少有开口的彩色玻璃-也参考当地的勾安建筑。在入口处的右边，兰格有一棵花草，它在下午的长城上投下美丽的影子，在大门前落下白色的花朵。一个人通过一座桥进入房子，在一个巨大的排水沟上方放置着由砂石制成的季风水。这座桥通向一个由大瓦屋顶覆盖的平台。当进入房子时，人们会经历从热到冷，从灰尘到丛林的转变，但也会在河上看到壮丽的景色，远处的山脉和山坡尽头的红树林。

The house is carefully placed after the existing terrain and with a desire to preserve the large trees, that also provide shade and keep the soil in place. One enters the property from the road which is above the house. The house is invisible from the road, as it sets on a lower level behind the jungle vegetation and the smaller buildings. One walks down in a circular motion depending a stairway to a very large enclosed wall of laterite stone with very few openings in stained glass - also a reference to local Goan architecture. To the right of the entrance Lange has plantet a Frangi Pant tree that casts beautiful shadows on the great wall during the afternoon and drops white flowers in front of the main door. One enters the house via a bridge, placed above a large gutter for the monsoon water made out of sanstone. The bridge leads onto a platform covered by a large tiled roof. When entering the house one experiences the shift from heat to cold and from dust to jungle, but also a magnificent view over the river with the mountains in the distance and the mangrove at the end of the slope.

The house is carefully placed after the existing terrain and with a desire to preserve the large trees, that also provide shade and keep the soil in place. One enters the property from the road which is above the house. The house is invisible from the road, as it sets on a lower level behind the jungle vegetation and the smaller buildings. One walks down in a circular motion depending a stairway to a very large enclosed wall of laterite stone with very few openings in stained glass - also a reference to local Goan architecture. To the right of the entrance Lange has plantet a Frangi Pant tree that casts beautiful shadows on the great wall during the afternoon and drops white flowers in front of the main door. One enters the house via a bridge, placed above a large gutter for the monsoon water made out of sanstone. The bridge leads onto a platform covered by a large tiled roof. When entering the house one experiences the shift from heat to cold and from dust to jungle, but also a magnificent view over the river with the mountains in the distance and the mangrove at the end of the slope.

 © Hampus Berndtson

(Hampus Berndtson)

有盖的大平台就是房子。它有一个非常锐利，简单和概念性的计划和部分，沿着长城有许多储藏室，连接卧室和厨房，但也起到稳定的作用，这样就可以避免在长城的砌体中使用钢。卧室是半封闭的木质墙壁，也是根据当地的建筑习俗，它们提供自然通风。温暖但乡土的材料，作为一种方式软化的尖锐和简单的线条，并创造了活泼的气氛。地板是由贾萨尔默的黄金砂岩制成的，这种石头随着时间的推移而变得越来越金黄，并且在使用最多的地方几乎闪闪发光。

The big covered platform is the house. It has a very sharp, simple and conceptual plan and section with a number of storage rooms along the great wall, connecting to the bedrooms and the kitchen, but also functioning as stabiliser so that steel could be avoided in the masonry of the great wall. The bedrooms are semi-closed wooden walls, also based on local building customs and they enable natural ventilation. The warm but rustic materials work as a way of softening the sharp and simple lines of the house, and creates a lively atmosphere. The floors are made of a golden sandstone from Jaisalmer, a stone that gets more and more golden with time, and nearly shines where it is used the most.

The big covered platform is the house. It has a very sharp, simple and conceptual plan and section with a number of storage rooms along the great wall, connecting to the bedrooms and the kitchen, but also functioning as stabiliser so that steel could be avoided in the masonry of the great wall. The bedrooms are semi-closed wooden walls, also based on local building customs and they enable natural ventilation. The warm but rustic materials work as a way of softening the sharp and simple lines of the house, and creates a lively atmosphere. The floors are made of a golden sandstone from Jaisalmer, a stone that gets more and more golden with time, and nearly shines where it is used the most.