exhibition view of 'designed to last' by residence and arkdes with kråkvik&d’orazio in stockholm.

瑞典的设计师们今天是如何与可持续发展合作的？他们对开发新事物有何感受，以及如何在家具中创造附加值？

“设计到最后”反映了设计行业目前面临的一些最重要的问题-可持续性和长期的设计-允许许多设计师和建筑师描述他们如何看待自己在一个快速发展、被抛弃的社会中所扮演的角色。

展览由Karin ÅBERG Waern、ArkDes和HannaNovaBeatrice共同策划，是“住宅杂志”和“瑞典建筑与设计中心”(瑞典建筑与设计中心)合作举办的，由挪威著名造型师KråKvik设计。

“设计到最后”是瑞典杂志官邸和阿肯色州之间的第二次合作。2016年，由著名造型师洛塔·阿加顿(Lotta Agaton)策划的“年度最佳设计师”展览也提出了设计师在设计行业中的角色问题。

“设计到最后”正在斯德哥尔摩的阿克斯展出，直到2017年3月19日。

news in-post banner   

[图片来源于住宅杂志。作者：Kristofer Johnsson.]

exhibition view of 'designed to last' by residence and arkdes with kråkvik&d’orazio in stockholm.

earthenware on the table by calle forsberg. table paint: jotun lady pure color 2587 beat.

earthenware on the table by calle forsberg. ceiling pendulum, stav by johan carpner for konsthantverk. table paint: jotun lady pure color 2587 beat.

ceramic pots, 2016 designed by carina seth andersson, fogia. wall paint: lady mineral 10683 cashmere, podium paint: jotun lady pure color 2782 deko pink.

prototype of the armchair, byredo by christian halleröd. photographs, from the left: byredo at åhléns, stockholm. on the right: frame denim, melrose place, los angeles. photo by brendan austin. bottom left: engelbert, birger jarlsgatan stockholm. brendan austin. top right: axel arigato, broadwick street, london. photo by mikael olsson nere. bottom right: frame denim, melrose place, los angeles. photo by michael weber. wall paint: jotun lady mineral 10683 cashmere.

on the table – material samples and prototypes by christian halleröd. podium paint: jotun lady pure color 2782 deko pink.

table landala, emma olbers for tre sekel. on the table, an installation from the exhibit where does it come from? by emma olbers in collaboration with ivl swedish environmental research institute, 2016. wall paint: jotun lady supreme finish, gloss 80, 1001 dijon yellow.

from left, armchair julius, design färg & blanche for gärsnäs. video from production at gärsnäs. armchair couture, design färg & blanche for bd barcelona. stool succession, färg & blanche. ceramic succession ceramic for petite friture 2016. on the podium, form for the production of the carafe in felt, the first mold in plaster. under the glass case, material for the formation of succession ceramics. stool frankie, design färg & blanche for johanson design. wall paint, left: jotun lady pure color 2036 rose brown, podium paint: jotun lady pure color 2859 whispering red, wall paint, right: jotun lady pure color 1362 olive brown.

book stand, revolving bookcases by folkform. podium paint: jotun lady pure color 10428 masala, wall paint: jotun lady pure color 2995 dusty red.

lamp series skyline, brass ceiling lamp, chrome floor lamp, copper table lamp, all by folkform for örsjö. podium paint: jotun lady pure color 10428 masala, wall paint: jotun lady pure color 2995 dusty red.

mirror ash, stool ash, coffee table black ash, orb ash and shelf magazine rack black, ash all from melo. wall paint: jotun lady pure color 2992 delightful pink.

three models on the podium straight ahead: membrane, venice art biennale 2014 – collaboration with textile artist akane moriyama. client: venice art biennale, palazzo bembo. 5 m2. on the shelf to the right, the cathedral – an inventor’s workshop for audiovisual design. conceptual section and hub (two modules in the back). on the same shelf, the models bruksgården – lindéngruppen, höganäs. stairwell. situation model. models, petra gipp arkitektur ab. wall paint: jotun lady pure color 2994 heat.

keywords:colour exhibition inspiration Krakvik & D’Orazio news pastel scandinavian design set design still life stockholm stockholm furniture fair styling sustainable sweden 

关键词：色彩展览灵感克拉克维克