Architect Ryuji Nakamura designed the interior of DesignTide's main venue at the Tokyo Midtown Hall

尽管台风天空灰蒙蒙的威胁(这迫使其中一个主要景点关闭了一天)，东京最大的设计活动还是以我们期待的光明、积极的态度进行着。它们由两个组织组成，即“东京设计师周”和“东京设计潮”，每个组织都有自己的主要网站，它们还包括100多个卫星展览，艺术家、设计师和建筑师在这座浩瀚而喧闹的城市的商店、画廊和咖啡馆展示他们的作品。

日本设计工作室好奇号的设计师Gwenael Nicolas给了东京设计师周的主要活动“帐篷”，主题是“环境”，并要求设计师从广义上解决这个问题，比如全球变暖问题，更个人的角度来看待它是如何与我们自己有关的。身心。除了个别设计师进行循环再造实验之外，这些事件还展示了日本大型公司主导的先进研究技术，并试图说服爱好火车的东京人骑上自行车。

与前几年一样，集装箱展览(设计师们被赋予一个集装箱，每个集装箱都可以利用光线、图像、声音和香气等元素创建交互式展示)继续吸引着人群，学生展的主题是：“红色列表：最终物种”。

在东京中城大厅的东京设计中心，室内由建筑师中村龙二(RyujiNakamura)设计，主题是“光秃秃的房间”。

Titled 'Bare Room', the design emphasises the enormity of this column-free venue

The 7m-high structures invite visitors to look up to the ceiling, reminding them how huge the hall that they are in really is

Kouichi Okamoto of Kyouei Design showcases his new massive handmade chair cut from steel bars

In creating his chair, Okamoto wanted to show it was still possible for an entire design and production process to be done by one person    

Yuko & Noriko Nakayama's 'Floating Pattern Carpet' in collaboration with Antron Carpet design

The two sisters wanted to explore what happens when a pattern is separated from a carpet and then placed on the wall, triggering a new way of seeing the space

Architect Hideyuki Nakayama's display 'A Room in the Glass Globe' consists of two glass doorknobs stuck onto a white door

Reminiscent of a trapped world in a snow dome, the doorknob reveals a room within it upon closer inspection

Textile designer Hiroko Takahashi applied her signature pattern of circles and straight lines onto Arita ware 

By slightly changing the position of the pattern on each plate, Takahashi made this mass-produced product look as if it had been handmade

Hiroko Takahashi's art installation 'On Purpose' in her new gallery

Work from the kimono-making students of Kawashima Textile school in Kyoto

Tokyo-based Nendo designed one of the 100 original and vintage piggy banks on show in Shinjuku's Isetan department store. 'Piggy Bank Collection' looks to brings back that nostalgic enjoyable feeling of putting coins in a piggy bank

Design collaborative Nakadai bring out the hidden potential of industrial waste in an unexpected and beautiful way

This pavilion is made from a variety of materials from the Nakadai's 'Material Data Bank', such as LAN cable waste turned into sheets

Textile designer Yoko Ando of Nuno contributed to the pavilion's ceiling with LAN cable waste stuck between membranes

Makoto Orisaki worked on a large sheet of cardboard for 15 hours to make the 'Origami Magic Ball'

The 'Origami Magic Ball' up close, which undulates and billows out depending on how it is pressed

Work from the The 'Jalapagos' exhibition, a presentation by Japanese contemporary artists within the main venue of Tokyo Designers Week

Designer Nosigner collaborated with Japanese artisans from Izumi and produced the magnetic 'gravity pearls'

The white water pearls cluster like bubbles, and can also be used as jewellery

Embroidery artist Yumiko Arimoto's piece, titled 'Montblanc Seen From Ham'

The piece, which at first view appears to be an embroidered piece of ham, allows the user to spot the landscape of Mont Blanc if seen from a different visual perspective 

An exhibition at Hotel Claska, where six Japanese designers show what can be done with the innovative 'or-ita' cutter

Close up of the the 'or-ita' cutter, which allows the user to easily make creases on cheap corrugated cardboard and fold it as desired

Naoki Terada made a series of nine architectural model-making postcards with a comical twist

The latest series' theme is that of an orchestra

Nosigner and his 'Mirror of Eclipse'

The mirror is part of a display on John Warwicker of Tomato's artwork in the Taro Horiuchi shop

keywords:Gwenaël Nicolas

关键词：Gwena l Nicolas