For the 'Album' show at Bordeaux's Arc en Rêve Architecture Centre, the Bouroullec brothers have delved into their archive of sketches, plans and photographs to offer an insight into their working process © Studio Bouroullec

他们以为维特拉、马吉斯和卡佩里尼等品牌设计而闻名，因此，在波尔多举行的最新展览上，你会想到布卢莱克兄弟的另一款精良的产品，这是可以原谅的。但在拱门建筑中心，看不到新的椅子或照明设计。相反，展览空间的墙壁被放弃了大约800份文件，照片，素描和模拟轮廓从罗南和埃尔旺的档案，让人们难得的一瞥背后的巨大成功的设计。他们说，这部名为“专辑”的节目讲述的是“翻译我们在全景中所做工作的多样性”。尽管展出的材料丰富，但对个别物品，无论是工业项目、画廊、建筑设计或研究项目，都没有等级划分，而且都是以同样的方式设计的。一整面墙甚至还会被画成一百幅椅子，使它进入生产阶段。

从看上去像毛毡笔的涂鸦，再到他们为Alessi设计的最新设计的照片，这个展览就像一条贯穿法国二人创作世界的珍宝之旅。

The exhibition is about 'translating the multiplicity of what we do in a panoramic set up,' they say © Studio Bouroullec

Despite the wealth of material on display, no hierarchy is given to individual items, whether they relate to industrial projects, galleries, architectural designs or research projects, and all are framed in the same way © Studio Bouroullec

One wall of the show is even given over to chairs that never made it into production © Studio Bouroullec

A sketch of a chair © Studio Bouroullec

A photograph of the Ovale collection by Ronan and Erwan Bouroullec for Alessi, 2010 © Studio Bouroullec

A sketch of a chair © Studio Bouroullec

A photograph of the 'Vegetal' chair by Ronan & Erwan Bouroullec for Vitra, 2008 © Studio Bouroullec

The Axor Bouroullec bathroom collection, 2010, which won our Best Bathroom award © Tahon & Studio Bouroullec