we want to be modern exhibition warsaw
2011-02-25 15:07
'Muszelka [Small shell]' chairs by Teresa Kruszewska, 1956
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20世纪50年代波兰政治枷锁的放松导致了波兰创造力的激增,以及对现代主义的一种新的热爱。家具设计师如罗曼·莫兹列夫斯基和特蕾莎·克鲁斯韦斯卡都采用了有机形式,而陶艺家和纺织设计师则从抽象艺术的自由中获得灵感。这一伟大的生产力时期,从1955年到1968年,现在是华沙国家博物馆一场名为“我们想成为现代”的新展览的主题。展览以波兰重要的设计作品为特色,在西方鲜见。展览探讨了日常使用的物品-从手机到相机-在塑造“解冻后”时期出现的现代波兰身份方面的重要意义。展出的是整个时期的应用艺术,包括陶瓷、玻璃、纺织品、家具和其他家居用品。“我们希望成为现代”也审视了这些作品的“社会生活”-它们在促进现代生活形式的期刊和电影中的表现方式,以及它们在社会主义波兰的私人内部是如何呈现的。
'Płucka [Lungs]' chair by Maria Chomentowska, 1956
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Chair by Jan Kurzątkowski, 1956
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Printed wall hanging by Anna Nikołajczuk, 1956
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Printed decorative textile by Włodzimierz Garlicki, c 1956
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Armchair by Roman Modzelewski, 1958
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Chair by Maria Chomentowska, 1959
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'Kompozycja z rudą głową [Composition with a redhead]' painted textile by Magdalena Abakanowicz, late 1950s
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Alfa camera by Krzysztof Meisner and Olgierd Rutkowski, 1958-59
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Decoration by Henryk Baran, 1958-68
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Model of a telephone by Olgierd Rutkowski, 1960
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Bottle vases by Zbigniew Horbowy, 1960-61
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Porcelain coffee set by Lubomir Tomaszewski, 1961-64
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Jugs by Wszewłod Sarnecki, 1965
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Jugs for the LOT Polish Airlines by Zdzisław Wróblewski, 1968
![](works/201102/15_polishdesign_jp250211.jpg)
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20世纪50年代波兰政治枷锁的放松导致了波兰创造力的激增,以及对现代主义的一种新的热爱。家具设计师,如罗曼莫兹列夫斯基和特蕾莎克鲁泽夫斯卡拥抱有机形式,而陶艺家。
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