For the first time since 2006, annual London Design Festival showcase 100% Norway has moved from its usual Earl's Court spot to the Dray Walk Gallery in Shoreditch. Pictured: 'Shroom' lamps by Ralston & Bau for Saintluc Photography: Jamie Smith

伦敦设计节效忠者可能会惊讶地发现100%个挪威明显偏离了在厄尔法院100%设计展的会场。自2006以来，挪威设计人才的年度展示首次在Shoreditch的DRAY步行廊上搬到了城镇对面的牧场。

画廊入口处的亮蓝色栅栏也巧妙地引用了挪威传统建筑，并在整个展览中回响。

如今，挪威已经进入第九年，100%建立了支持年轻设计师的强大声誉。2012年，汤普森和孙德仅从创纪录的79名参展商中挑选了22家参展商。

多年的支持也没有白白浪费。

除了即将到来的人才之外，今年的展览还以重新发行的挪威设计经典作品为特色，比如彼得·奥普斯维克(Peter Opsvik)的“花园”椅子，这把椅子由安德烈亚斯·恩格斯维克(Andreas Engesvik)在21世纪进行了几次微调，由挪威制造商里博(Rybo)生产。汤普森和孙德相信，这种新旧结合是节目的一个重要的新元素，将有助于激励新一代。

汤普森说，挪威不一定总是像其他斯堪的纳维亚国家那样是一个伟大的设计国家。“在之前的节目中，我们谈到了很多关于新一代挪威设计师的事情，因此，把这些历史设计包括在内，就说明了挪威有着悠久的历史。”

'Ola Windsor Chairs', by Alf Sture for Tonning

'Locker' storage collection, by Magnus Pettersen

Pettersen's collection is made from ash and aluminium, and has a distinct 1960s feel

'Nuki Table', by Lars Beller for Normann Copenhagen

'Vang Chair', by Andreas Engesvik for Tonning

Morten Skjærpe Knarrum & Jonas Norheim teamed up with inmates at a Norwegian prison to design 'Locked / Together', a series of solid oak chairs and tables that are made using traditional carpentry skills

'Locked / Together', by Morten Skjærpe Knarrum and Jonas Norheim

Patterns found in traditional Norwegian culture are echoed throughout the exhibition, such as on the sliding stained wood doors of Oscar Narud's 'Hunter' cabinet

'James Table', by Frost Produkt

'Nott Light ' by Frost Produkt

'Beacon' lamp by Magnus Pettersen, with an annodised metal shade inspired by lighthouses, set on a cast iron base

The 'Re-turned birds' by Lars Beller Fjetland are made out of recycled wood found in his local neighbourhood and are now in development with Italian brand Discipline  

The 'L/Lamp' is the result of a year spent by ceramicist Birgitte Due Madsen and industrial designer Sylvia Holthen developing a 'flattering' LED lamp at Danish lighting designer Louis Poulsen's light laboratory. Using a built-in plug as a counterweight, the unglazed porcelain diffuser appears to defy gravity while transforming the ordinarily cold glare of an LED bulb into a pleasing, warm glow  

The winner of last year's Blueprint best New Product prize, Caroline Olsson returns to 100% Norway again this year with her 'Turn' light, whose wooden screw dimmer switch is inspired by the screw mechanism found on Scandinavian workbenches

'Hill', by Caroline Olsson

'Copper', by Strek Collective

'Grow', by Hallgeir Homstvedt

Exhibiting as part of 100% Norway for the third year, Hallgeir Homstvedt is showing a series of vessels with curved, narrow bases that are fixed to their accompanying tray with strong, embedded magnets

'Light Jars', by Kristine Five Melvær

'The Royal Family Collection', by Vibeke Skar

'Dip Lamp', by Rudi Wulff for Northern Lighting

'Fold Magnetic Bow' by Rudi Wulff

Andreas Engesvik's 'Bunadsspledd' blankets for Mandal Veveri are inspired by the bunad, Norway's colourful national dress

'Benkt', by Victoria Gunzler & Sara Wright Polmar

'Mono', sofa by Anderssen & Voll for LK Hjelle

'Plank', Sofa by Knudsen Berg Myhr Hindensnes for Robert Tandberg Prosjekt AS

The 'Garden' chair originally designed by Peter Opsvik in 1985 was intended to make sitting down a more entertaining past time by encouraging movement and play. Whereas the original version was upholstered in multicoloured 1980s fabrics, the new reissued version by Andreas Engesvik and Rybo takes a more natural approach

'Nordic Alpine Table' by Anders Gottlieb Nygaard

‘Seven Lamps’ by Kristine Five Melvaer

keywords:Design, product Design, modern design, minimal design, Design Norway

关键词：设计，产品设计，现代设计，最小设计，挪威设计