Left: Andrea Trimarchi and Simone Farresin, the duo behind Formafantasma, and a photographic print of the volcanic rock they have used in their latest collection, 'De Natura Fossilium'. Right: The pair's 'Etna' coffee table, made from lavic stone from two different geological eras, connected with brass pieces, produced in collaboration with Carl Auböck in Vienna. Photography: Lonneke van der Palen

几个世纪以来，从埃特纳火山和斯特拉伯利火山喷出的沸腾的红、火山渗出，为西西里石匠提供了一个极好的来源。
这种丰富的岩石一旦被硬化成称为玄武岩的暗板，就曾在意大利工匠中获得了很高的保险费，他们用它来建造许多地区的巴洛克建筑和雕塑。
然而，近年来，玄武岩被用于较少的超越终点，现在最著名的是在卡尼亚机场出售的奶酪西西里岛纪念品。

Andrea Trimarchi和Simone Farresin，意大利出生，总部位于埃因霍温的设计二人在工作室FaMaMaLasMA后，将改变熔岩的现状与雄心勃勃的新对象集合。题为“De Natura Fossilium”（后鲍尔），目前正在展示画廊Libby Sellers Libby Sellers在宫殿Celi在沙龙德尔移动。

这两国在过去两年中一直在研究将地质物质从巴纳尔转换为心灵吹制的可能性。

他们对拉维奇石进行的试验性修补，现在已经产生了一个不寻常的35件藏品：从传统的石板中剪下来，用黄铜凿成严肃的桌子或凳子；经过熔化的石头，其精心提取的纤维被编织成拉维奇挂毯或不寻常的纸薄陶瓷；熔化的石头被铸造或口吹成几何学的拉维奇玻璃。

在某种程度上，这就像一个人在挖掘。但在这种情况下，是大自然在开采。“

关于本文的完整的、未删节的版本，请转到我们2014年5月的发行版“现在”。

Left: 'Hours' clock, comprising a brass clock hand spinning on a basalt plate filled with three types of lavic sand. Right: 'Filicudi' glass box. The handle is a lavic stone, while pieces of orange Murano glass are added for colour accents. Photography: Lonneke van der Palen

Working exclusively with lava-based materials extracted from both Mount Etna and Stromboli, the duo have spent the last two years studying these active volcanoes to create their unusual 35-piece collection. Photography: Lonneke van der Palen

A photograph of a billowing Mount Etna from their field investigations earlier this year. 'We were fascinated by the way these volcanoes are constantly expelling material', explains Farresin. 'In a way, it's like person mining. But in this case, it's nature mining'

The designers scoured the volcanic landscape over the next few months, filling their sacks with various rocks and hauling the material back to their studio in the Netherlands, before melting the rock in a local metal workshop

'1991' and '1614' stools, made from occhio di pernice basalt, textile, and brass

The duo played with heating and cooling temperatures, adding water, extracting fibres, and grounding dried rock into a powder that was later blown into glass, by handblowers at the Berengo Studio in Murano

'Iddu' obsidian mirror, made from handblown lava rock and brass

'Lipari' bowl, comprising occhio di pernice basalt, lava rock, brass and textiles

The collection has been further developed in collaboration with a number of European experts: from the CNC cutting of basalt in Sicily…

…to the scientific analysis of lavic stones at the Volcanologist Centre of Catania (INGV). Pictured is a microscopic view of lavic rock's geological strata

Formafantasma explored the tensile properties of lavic fibre with two different wall hangings, 'Atena' (left) and 'Efesto' (right). The tapestries combine illustrative references to both the Greek mythological gods of Mount Etna and microscopic images captured by the INGV. 'It's been a really crazy process,' admits Farresin of their broad stretch of collaborators. 'It's kind of a geek project'

The collection is also accompanied by a photographic series by long-time collaborator Luisa Zanzani. Pictured is 'Etnea', 2013-2014

'Etnea', by Luisa Zanzani, 2013-2014

'Etnea', by Luisa Zanzani, 2013-2014

keywords:Formafantasma, Salone del Mobile 2014, design, design duo, Milan preview 2014

关键词：Formafantasma，Sonedel Mobile 2014，设计，DesignDuo，2014年米兰预览