'Endgrain', an exhibition by Yael Mer and Shay Alkalay of the design studio Raw-Edges, features furniture constructed with blocks of wood that are coloured from within. Photography: Max Creasy

在他们最新的家具设计努力中，Yael Mer和Shay Alkalay的设计工作室原始边缘继续他们的色彩潜力的检查，将他们正在进行的研究提高到一个新的水平。

工作室现在推出了“Endgran”，它通过生机勃勃的色调探索天然的木材图案。在布鲁塞尔的设计周之际，“恩德格伦”在布鲁塞尔设计画廊推出。

收集的灵感来自自然本身。他们解释说，他们从内部向粮食中添加不同的颜料，“就像那些假的蓝色玫瑰”，从而使木材着色。

“恩格斯”本质上是一个材料项目：二人使用彩色木材块作为起点，成为更大的设计集合的积木。他们通过组合不同颜色和形状的方块，创造了长凳、桌子、凳子和架子。新的视觉语言融合了强烈的图形敏感性和更多的随机元素出现时，木材是切割和雕刻成形状。

设计师们的玩乐方式来自于那些原本简单的形式，它们的色彩是野性的。这个系列为实验颜色和形式设置了一个新的标杆，所以我们好奇地想知道这两个人接下来会把我们带到哪里。

The designers soaked the wood in colour and glued the timbers to one another in vivid patterns. Photography: Max Creasy

The three-dimensional shapes distort the graphic patterns in unexpected ways. Photography: Max Creasy

The designers likened their process to staining roses that unusual blue hue. Photography: Max Creasy

The duo used coloured timber blocks as a starting point. They became the building blocks for a larger collection of tables, seating and accessories. Photography: Max Creasy

A shelf with a built-in bookend. Photography: Max Creasy

The building blocks of the collection. Photography: Max Creasy

The designers' playful approach comes through in their choice of wild colours, which emerge from otherwise simple forms. Photography: Max Creasys

The new visual language merges a strong graphic sensibility with more random elements that appear when the wood is cut and sculpted into shape. Photography: Max Creasy

keywords:RawEdges, contemporary design, experimental design, senne gallery, brussels design week

关键词：RawEdges，当代设计，实验设计，Senne画廊，布鲁塞尔设计周