The broadcast department and lounge at the entrance to Galata Greek Primary School is designed by the biennial team in collaboration with Amorim Cork Composites. Upstairs, the mezzanine gallery features a visual installation by Elena Manferdini, titled 'Still Life to Living Pictures'

“设计双年展”将在伊斯坦布尔举行第二版，土耳其文化之都将举办大量由今年任命的负责人佐伊·瑞安(Zo Ryan)挑选的项目。芝加哥艺术学院主席兼策展人曾与副馆长梅雷迪思·卡拉瑟斯合作举办为期六周的活动，活动在加拉塔希腊小学五层以上，地点遍布全市。瑞安的策展人起点是1937年法国诗人保罗·瓦莱里发表的一份声明-“未来不再是从前的样子”-她说。今天和80年前一样重要。但她的灵感不仅来自时间的意义，地理也起了作用。这位出生于英国的策展人说，这座城市正经历着深刻的变革，所以在这里谈论未来和观念的转变是合适的。她解释说，吸引她设计每两年一次的，是他们看待未来的天性，这是一个从艺术两年期中借用的概念。这是一次个人和物质上的穿越这座建筑的旅程。这个循环系统是由伊斯坦布尔设计机构SuperPool与项目合作设计的，它以越来越多的复杂想法和解决方案指导游客通过各个部门。

在新古典建筑的旅程开始于个人部门，一个与我们的个人生活相关的日常问题的概述。此外，规范和标准部还包括一系列质疑现状的项目，邀请游客重新思考日常礼仪。

资源部遵循一系列实用的装置来探索气味和美食，包括一个由伊斯坦布尔的Do Co和Asli Altay设计的阅览室。

这次巡演以民关系部为结束，在那里探讨和说明了建筑、伦理、城乡景观等更强有力的社会主题。瑞安说，两年期的范围是开放式的。

结合当地的工艺和设计，欧洲倡议玻璃明天将展示在土耳其西南部Denizli举办的研讨会的成果，以及Autoban和Nigel Coates等公司的项目。

The circulation system, devised by Istanbul-based design agency Superpool in collaboration with Project Projects, guides visitors through the various departments by sectioning the building in two vertical areas

The building's neoclassical architecture is adorned with stenciled slogans, questions and manifestos in English and Turkish by the participating designers

The font, part of the design by Superpool and Project Projects, has different inclinations denoting future or past

In the Personal Department, a collection of five fictional survival kits by Chicago designers Jessica Charlesworth and Tim Parsons is titled 'New Survivalism'. It explores personality types in a post-disaster society, from the 're-wilder' to the SETI Reserves Member (pictured). The project asks the question: 'How will you pack for the future?'

Studio Frith, in collaboration with Thirteen Ways, launched the bilingual campaign 'Consider Beauty' with a manifesto stencilled across the city, guerrilla-style 

In the Norms and Standards Department, German fashion collective Bless presents the 'N.41 Workoutcomputer', an installation that blurs the boundaries between in-office and remote work. It allows visitors to punch in messages that are then splayed on the walls of the biennial HQ

Juergen Mayer H encourages visitors to reconsider the importance of sleep and the taboo status of the nap. His 'Nap Gap' is a cosy fuchsia-painted room with background 'pink noise' 

'Toward a Universal Manifesto', by American duo Emmet Byrne and Alex Dearmond, is a collection of printed artefacts exploring the manifesto as a tool for imagining the near future

In the Resource Department, Norwegian chemist and linguist Sissel Tolaas presents 'Nasalo', a wiki dictionary of odours that allows visitors to contribute new words for the city's scents

'This Sea of Sugar Knows no Bounds', by Tasha Marks of AVM Curiosities, combines Turkish and British sugar traditions. The piece invites visitors to rethink sugar's bad reputation and give it a positive connotation

'Knowledge - Tools - Memory' by Austrian studio Mischer'Traxler displays functional tools with operating instructions and asks the question 'Does the knowledge of production change the value of the resulting product?'

What would society look like if we assigned out a central restoration role? This is the question asked by Amsterdam collective Repair Society 

Throughout their installation, the designers explore different points of view on design, use and reuse of everyday objects

Mexican designer Moises Hernandez travelled through his native country for inspiration for his collection of domestic tools. Called 'Diario' (a word meaning both 'diary' and 'everyday'), it highlights traditional craft and industrialised production

In the Civil Relations Department, the international architect collective WBYA? poses the question 'Who builds your architecture?', analysing the role of engineers, suppliers and craftsmen in modern construction. 'The scope of the biennial is open ended,' says biennial curator Zoë Ryan. 'It is meant to encourage discussion and debate and to understand what's going on in the here and now' 

Throughout the exhibition, visitors are encouraged to collect and share thoughts about design manifestos

Off-site at Istanbul '74's Galatasaray home, artist Defne Koz presents 'Solid Air', a mindblowing collection of 3D-printed lights

The geometric pieces explore the aesthetic potential of 3D printing combined with LED light sources. They mark the debut of the Oneoffinfinity brand, a collaboration between Defne Koz and Demet Muftuoglu Eseli of Istanbul '74

At Rodeo Gallery, London-based Cypriot designer Michael Anastassiades presents 'General Illuminations', a small collection of wooden shelves and lights inspired by classic pinball games

Anastassiades' poetic oak pieces suggest a delicate hand on an elegant material

One room at Rodeo is dedicated to lamps that play with the light and mirror

keywords:Design Biennale, Istanbul, Turkey, designers, exhibition, Zoe Ryan, Art Institute of Chicago, Meredith Carruthers

关键词：设计双年展，土耳其伊斯坦布尔，设计师，展览，佐伊瑞安，芝加哥艺术学院，梅雷迪思卡拉瑟斯