The Hand of the Violinist, by Giacomo Balla, 1912. Estorick Collection, London

米勒是一家英国的机构，他更以戏剧和歌剧指导而闻名，而不是他对运动的长期迷恋。毫不奇怪，最大的发展是随着摄影的发展而来的。米勒的策展人在这一发展的许多阶段都有19世纪和20世纪的广泛例子。

Dynamism of a Cyclist, by Umberto Boccioni, 1913. Estorick Collection, London

Females (Semi-Nude) & Children Dancing (Fancy), by Eadweard Muybridge,1887. Kingston Museum and Heritage Service

A Race on the Round Course at Newmarket, John Wootton. The Fitzwilliam Museum, Cambridge

Rising Series... After Eadweard Muybridge 'Human and Animal Locomotion', by Idris Khan, 2005. Courtesy the Artist and Victoria Miro Gallery, London. © The Artist

Analysis of the Flight of a Seagull, by Etienne-Jules Marey, 1887. Dépot du Collège de France, Musée Marey, Beaune, France

Motion study: male nude, standing jump to right, by Thomas Eakins, 1885. Pennsylvania Academy of the Fine Arts, Philadelphia

Violinist Jascha Heifetz playing in Mili’s darkened studio as light attached to his bow traces its movement, by Gjon Mili, 1952. Time & Life Pictures / Getty Images

Densmore Shute Bends the Shaft, by Harold Edgerton, 1938. Courtesy The Michael Hoppen Gallery

Triple Jump, Alexander Stadium, Birmingham, by Jonathan Shaw, June, 1996. Birmingham Library & Archive Services

Billy Whizz, from The Beano Book, 1999

Praxinoscope (replica)