'The father's living room' Antique furniture, a piano and period wallpaper recreates the original room and puts the music into context. The space is brought to life by the shadows and sounds of the people that would have inhabited it.

两位意大利建筑师在华沙奥斯特洛夫斯宫将这一常沉闷的博物馆体验转变成了一种极端现代的东西。新的萧邦博物馆，由Ico Migliore和Mara Servetto的Migielor Servto StuteTeTechniaC.，邀请游客深入了解波兰作曲家的世界，通过尖端的音频，视觉和互动技术。那些单调乏味的导游和疲惫不堪的军队已经走了。取而代之的是，使用射频识别技术的计算机芯片的特殊卡允许访问者个性化他们的博物馆体验，询问问题并与显示器交互。“我们想把最好的技术结合起来，提供一种非常人性化的体验，”Servto解释说。为此，所有的声音、气味和交互技术都被整合在一起。“在一个房间里，你可以通过踩下隐藏在地板上的传感器来激活不同乐器的声音。在“作曲家”的房间里，悬挂在14个音乐采样台上方的是一个戏剧性的安装半透明的平板，以一个罕见的萧邦分数的节奏来脉动。十七世纪奥斯特罗格斯宫被改建并扩建为博物馆，这座博物馆与弗雷德里克-萧邦诞辰200周年相吻合。Migliore Servetto设计了几张壁纸在米兰过去的展览，创造了一个令人惊叹的交互式视觉和音效组合。玛拉说：“我们的力量是利用建筑作为沟通品牌价值或讲述故事的工具。”然而，她承认，这个项目是他们技术上最雄心勃勃的项目。参观者可以选择自己的路径围绕展览，每个房间都是自己的迷你博物馆，涉及到不同的方面，萧邦的生活。在1849岁的时候，这场表演以39岁的死亡告终。它是一个隔音的黑色立方体，里面有萧邦的头发锁，他脸上的石膏面具，还有一本书，里面有朋友和熟人的评论，他们的书页不断翻转。

'Warsaw' This room explores Chopin's life and music during the years he spent in Poland. Three islands in the centre allow visitors to listen to the music and explore the room's content in a more private manner. Glass columns featuring elegant wallpaper from the time also reveal Chopin's interest in aesthetics.

'Nohant' This room recalls the time Chopin spent at the French chateau owned by his girlfriend, writer George Sand, where he composed several of his masterpieces. Chirping bird sounds evoke its natural setting.

'Nohant' As visitors open the drawers, sheets of music appear to float out onto the table.

'Zelazowa Wola' Named after his birthplace, this room holds a dramatic 3D map. This enables visitors to explore Chopin's history, including family trips, musical influences typical of Polish tradition, and the Polish landscape.

'Chopin's personality' This room acts as a kind of library, whose documents, sounds and visuals provide a sense of Chopin 'the man', rather than simply 'the composer'.

'Chopin's personality' This section of the room is dedicated to his trips around Europe, travel notes and observations.

'The Pianist' Chopin's original piano, housed in a living room of the time, is the focus of this space. For each piece of music heard in this room, there is a projection of a pianist's hands on the keys, showing the complexity and skill required to play it.

'The Composer' Electroluminescent sheets pulsing with the rhythm of Chopin's music are suspended above 14 music stations.

The card used to personalise each museum experience, featuring Radio Frequency Identification technology. Visitors can choose from eight different languages and five different levels: basic, advanced, for children, and for visually and hearing impaired.

'The Children's Room' This area includes interactive stations, which reveal sounds and images that help children learn about Chopin’s life. Pictured here are architects Mara Servetto and Ico Migliore.

The exterior of the Ostrogski Palace in Warsaw, home to the Chopin Museum.

'The Death Room' Unlike the other colourful rooms, the 'Death Room' is a sombre black box, featuring a plaster death mask taken of Chopin’s face and invitations to his memorial service. This silent room is an oppressive space for quiet contemplation.

'The Women' Dedicated to the females in his life, this room features cabinets that relate to not just his mother, sister and girlfriend but his friends, pupils and patrons.