The bi-coloured booth of Galerie Pascal Cuisinier, showcasing lights from historical French designers

迈阿密/巴塞尔的第十届设计展，先驱博览会又回到了赫索格。

“很难相信，自第一版以来，十年已经过去了，”该展览会的共同创始人克雷格·罗宾斯(CraigRobins)说，从让·普鲁韦的“总加油站”的界限开始了。
2005年，他与安布拉·梅德达、帕特里克和劳伦斯·塞吉宁以及迪迪埃和克莱门斯·克尔森托斯基一起，发展了一个将作为可收集设计的国际平台的活动。
他补充道：“多亏了那些有远见的经销商的努力，他们帮助我们启动了在巴塞尔的一所教堂举行的就职典礼。”

他还指出，博览会是如何从纯粹的商业领域演变而来的，成为真正的“设计论坛”。

本周展出的各种作品清楚地说明了这一概念：从“大设计”的预演辩论——由安德烈巴拉兹协调到“设计古玩”平台，Primac定义为“不一定融入市场的设计世界的小条”。盟友。后者包括比利时画廊Maiela-建立一个有趣的设计语言与建筑师的产品版本-和dZek的浴室摊位，由Max Lamb和Brent Dzekciorius在黑色玛莫尔建造。

在游乐场的尽头，Tom Kundig的“前哨巴塞尔”休息室是一个与建筑技巧相结合的展馆的形状，有关于可持续性和设计的更广泛的论述。在附近，未来的三位施华洛世奇设计师吴绮莉-燕灵、汤姆斯阿隆索和画室猪——为当代设计景观提供了一个鼓舞人心的洞察力，给水晶带来了新的生命，并以一种新的方式展示了他们的三种实践的签名风格。

展览的画廊提供了一个新的项目，安装和旧作品的强大组合，其中包括Demisch Danant的巧妙地展示地毯收集-由艺术家Sheila Hicks在摩洛哥拉巴特的1971展览，并没有公开展示自-W。希奇被Michel Boyer、Pierre Paulin和玛丽亚•佩加伊所饰演的作品《激进的拉巴特》并列。CARWAN画廊的独奏安装作品的贝鲁特为基础的Karen Chekerdjian强调了设计师的曲折和图形语言，她的巨大的灯件有效地窃取了表演。

最后，纽约画廊R

Galerie Kreo's light and furniture selection, combining historical lighting pieces and the most recent sport-inspired Jaime Hayon commission

Hella Jongerius' 'Swatch coffee table' from 2011, on display at Galerie Kreo's booth

Jousse Entreprise's display of pieces by Jean Prouvé and ceramics by Kristin McKirdy

Carwan Gallery’s solo installation of works by Beirut-based Karen Chekerdjian featured the designer's monumental light series, titled 'Full Rainbow', 'Half Rainbow' and 'Quarter Rainbow'

The display by Carwan Gallery highlighted Chekerdjian's sinuous and graphic language

Galerie Patrick Seguin presented a selection of 20th-century furniture and architecture by the likes of Jean Prouvé, Jean Nouvel and Pierre Jeanneret

Their display included an adaptation of Prouvé's 6x6 'Demountable House' by Rogers Stirk Harbour + Partners 

A selection of design images for Prouvé's 'Demountable House'

Design Miami/ collaborated with textile designers Pierre Frey on Chromatropic, a textile that mixed the design house’s hand-drawn patterns with the fair’s aesthetic

The print was available on limited editions of accessories and garments on sale at the fair

Demisch Danant's display included a carpet collection by artist Sheila Hicks, created for her 1971 exhibition in Rabat, Morocco (and not seen publicly since then)

Hicks' work was shown alongside furniture pieces by Pierre Paulin, Michel Boyer and Maria Pergay

Louisa Guinness, a gallerist who specialises in designers' and artists' jewellery, showed pieces by Ron Arad and Anish Kapoor

Galerie Armel Soyer presented new pieces in red marble by Pierre Gonalons

Gallery Fumi's showstopper was this installation of pieces by Sam Orlando Miller, shown as a backdrop to a Faye Toogood bench and the London studio Glithero's new metal pieces

Also on display by Gallery Fumi was this enchanting bench by Study O Portable

A larger wall piece by Sam Orlando Miller was also on display, next to Lukas Wegwerth ceramics with crystal clusters and Johannes Nagel's totems

Carpenters Workshop Gallery presented pieces by Atelier Van Lieshout, Maarten Baas, Rick Owens, Robert Stadler, Charles Trevelyan and Ingrid Donat, among others

'The Design Curio' selection included projects by five galleries, with work that director Rodman Primack defined as ‘little slivers of the design world which don’t necessarily fit into the market commercially’

Dzek’s bathroom booth made of black marmoreal by Max Lamb and Brent Dzekciorius was included in the fair's 'Design Curio' platform

The black marmoreal material was applied to the entire bathroom project, from bathtub to toilet  

keywords:Design Miami/ Basel, show report, Rodman Primack, Craig Robins

关键词：设计迈阿密/巴塞尔，显示报告，RodmanPrimer，CraigRobin