Designed by Studio Fernando Gutierrez, produced by Twentytwentyone and launched with the Robin and Lucienne Day Foundation, the commemorative poster features images of 100 of Day's seminal designs, as well as a wealth of portraiture

本月，总部位于伊斯灵顿的设计商店二十一号第二次庆祝罗宾日诞生一百周年，这一次是制作了“罗宾日100设计”海报。

由Fernando Gutierrez工作室设计，并与罗宾和露茜恩天基金会成立-在2012由夫妇的女儿保拉-海报的特点是100天的精髓设计的图像，以及丰富的肖像；许多图片是从基金会的绘制。存档，以前从未见过。

Dday于2010年去世，他是20世纪英国家具设计最受称赞的实践者之一。1963年的“聚丙烯主席”，Pye，BOAC和巴比肯取得了巨大的成功。他于1983年被授予了OBE。

戴对家具设计的细致处理是由实践和哲学两方面推动的。

Pictured left: Robin Day working on the 'Q-stak Chair', 1953 – a one-piece moulded design with economy in mind. Courtesy of the Robin and Lucienne Day Foundation. Pictured right: Day in his studio, c. 1949. Photography: John R. Pantlin. Courtesy of the Robin and Lucienne Day Foundation

The pared-down sculptural design for the '675 Chair', 1952, was one of Day's favourites. Photography: Mark Whitfield. Courtesy of twentytwentyone

Left: 'Polypropylene Chair' mark II, 1964 and 'Polypropylene Armchair', 1967. Day and Hille pioneered the use of the material for seating. Courtesy of the Robin and Lucienne Day Foundation. Pictured right: Day designed signage, such as this example, for the Festival of Britain, 1951, as well as furniture. Photography: Cracknell. Courtesy of Design Research Unit

Robin and Lucienne Day in their legendary ‘Contemporary’ Chelsea home in 1956. Courtesy of the Robin and Lucienne Day Foundation 

Robin and Lucienne Day worked as joint design consultants to John Lewis from 1962 – 1987. Pictured is Robin with a model of the John Lewis Oxford Street restaurant, c. 1973. Courtesy of the Robin and Lucienne Day Foundation

Robin Day working at his drawing board. Courtesy of the Robin and Lucienne Day Foundation

Not just a designer, Day had a passion for the mountains and outdoor adventure (pictured here in the Alps in the 1970s). Courtesy of the Robin and Lucienne Day Foundation

Left: Day designed a number of radios and television sets for electronics firm Pye. Photography: Mann Bros. Courtesy of the Robin and Lucienne Day Foundation. Pictured right: Day's original 'Reclining Chair', 1952 – now rebooted as a centenary edition by Twentytwentyone. Photography: Mann Bros. Courtesy of the Robin and Lucienne Day Foundation

Robin Day designed all the seating for the Royal Festival Hall, the first major new modern building after the Second World War. Pictured is the 'Lounge Chair' he created for the space in 1951. Photography: Mark Whitfield. Courtesy of twentytwentyone

Day's design for the 'Forum Armchair', 1964, challenged contemporary convention by exposing the timber frame. Photography: Dennis Hooker. Courtesy of the Robin and Lucienne Day Foundation

Design for a better future: Day’s polypropylene 'Series E School Chair' is still widely used in classrooms. Courtesy of Hillle Ltd and the Robin and Lucienne Day Foundation

Day in a canoe fitted with his 'Polypropylene Chair' shells, Botswana, 1980s. Courtesy of the Robin and Lucienne Day Foundation

The Day-designed Barbican Centre concert hall seating, 1981. Photography: Peter Bloomfield. Courtesy of the Barbican Centre

Robin Day’s ubiquitous 'Toro' bench (seen here in 1990) is still in constant use on London Underground platforms. Courtesy of DDP Studios Hemel Hempstead and the Robin and Lucienne Day Foundation

This 'Sussex Bench', 2003, was designed for Magis when Day was in his late 80s. Courtesy of Magis and the Robin and Lucienne Day Foundation

After more than 60 years, Day's Royal Festival Hall auditorium seating is still in use. Courtesy of the Robin and Lucienne Day Foundation

Robin Day in his studio in the 1990s. Photography: Jacqui Seager. Courtesy of the Robin and Lucienne Day Foundation

keywords:Robin Day, Twentytwentyone, Robin and Lucienne Day Foundation

关键词：罗宾日，二十一岁，罗宾和卢西安日基金会