The glass panels of the entrance to the Graphic Design Worlds exhibition feature geometric vinyl cut outs by Wallpaper* contributor, Anthony Burrill. As visitors walk through the doors, they are met by an installation by Burrill, created in collaboration with Michael Marriott. Here, Marriott is seen setting it up Photograph by Anthony Burrill

安东尼·伯里尔(Anthony Burrill)说，“设计就是你能看到和体验的一切。”“我认为生活就是平面设计。”

Burrill's installation comprises an abstract recreation of his own studio in the UK. Photograph by Anthony Burrill

'The "house" is a made up of re-used material from a large tower that we made for a previous show in London,' Burrill explains. 'I like the idea of re-using existing work to make a new work.' Photograph by Diego de Pol

Inside is a selection of objects from his studio, framed prints and a TV showing more of his work Photograph by Anthony Burrill

The walls are made up of wooden versions of some of his works

More by Anthony Burrill Photograph by Anthony Burrill

From left: works by De Designpolitie and Anthony Burrill Photograph by Fabrizio Marchesi

More posters by De Designpolitie

A series of 64 silk screen posters by Norm Photograph by Fabrizio Marchesi

Close-up of 'Superficial Manifesto' by Norm, 2010

'Republica Type Specimen' by Norm, 2009

The walls and floor of KesselsKramer's area of the exhibition are completely covered in the agency's posters, flyers, designs, books, photos and scribbles, which reflect its 'near-manic' creative output. In the centre is a peaceful children's play area - a symbol of the value the agency places on the importance of play for the generation of ideas Photograph by Fabrizio Marchesi

'Now even more...' campaign by KesselsKramer for Hans Brinker Budget Hotel in Amsterdam, 1996

A photograph of the 'I Amsterdam' campaign by KesselsKramer, 2004

KesselsKramer logo

The works of M/M (Paris) are displayed in a 3D model on a table – a recreation of that found in the designers’ office. As visitors leaf through their archives, the voice of DJ Tommy Vee is heard, describing M/M’s ‘symbol-dense’ environment Photograph by Fabrizio Marchesi

'Starting from Zero' by Na Kim, 2008

Harmen Liemburg sets up his installation in the Triennale

From left to right: works by Harmen Leimburg and Christophe Jacquet. Leimburg has contributed sketches, papercuts and stacks of colour separated films - the idea being to create something new from process material he has amassed over the years - while Jacquet is showing posters of his fish alphabet, and reproductions of pages from his book, Reproduction Générale Photograph by Fabrizio Marchesi

Close up of 'Pirateristik' by Harmen Liemburg, 2010

'Face off' by Harmen Liemburg, 2010

Murano glass letters spell out the name of Manfredo Settala in an installation by Åbäke, which pays homage to the 17th century collector Photograph by Fabrizio Marchesi 

Installation view of work by Åbäke Photograph by Fabrizio Marchesi

Elliott Earl's installation explores the ramifications of the shrinking population of Detroit - once the fifth largest city in the US - in connection with global concerns Photograph by Fabrizio Marchesi

In the gallery's central room are the works of 11 young Italian graphic designers, including Brave New Alps (foreground), whose contribution reflects on the issue of waste management in Campania Photograph by Fabrizio Marchesi

Cover design for 'Russian Criminal Tattoo Encyclopaedia Volume I', 2009, by Fuel

Cover for 'Crime: A Series of Extraordinary Interviews Exposing the World of Crime - Real and Imagined' by Fuel, 2008

Cover for 'Drawings from the Gulag' by Fuel, 2010

An installation by Metahaven, exploring the 'multi-jurisdictional identity' of WikiLeaks. Photograph by Fabrizio Marchesi

A hand-painted tower forms part of an installation by Geoff McFetridge. Visitors enter via doors hidden within the legs of a female figure and, once inside, find illustrations and a video concealed inside a book Photograph by Fabrizio Marchesi