The Musée des Arts Décoratifs of Bordeaux invited designer Felipe Ribon to showcase his works in the 18th century Hôtel Lalande

法国设计师Felipe Ribon将他的作品与抽象概念的广泛研究结合起来，涉及催眠、恍惚、笛卡尔理性主义和灵性主义等主题。

今年，波尔多艺术总监D·C. Constance Rubini设计邀请了Ribon来展示他的作品在十八世纪的H·TEL Laland，博物馆的家和一个壮观的设置，极大地对比了设计师的极简主义剪影和色彩的运用。

通过他的时间，他集中在对象作为他的媒介，扩大了他的设计范围超出了物质。

在他的艺术装饰展览中，他被授予全权委托Blanche进行实验，从建筑的历史和居住在那里的人那里汲取灵感。
其结果是对他最近的作品进行了诗意的诅咒，形成了与现有建筑特征、物体和雕塑的对话。
这个展览以“军团的枯草杆菌”（微妙的身体）为主题，以谨慎的优雅围绕着设计师的主题。

他解释说，展览的目的是“以一种新的方式来要求博物馆的空间，并融入它的收藏，同时扩大我们的感知和开放我们的心灵到其他现实。”

Ribon was given carte blanche to experiment with the house’s rooms

The designer has been combining his work with a wider research into abstract concepts, touching upon the themes of hypnosis, trance, Cartesian rationalism and spiritualism

The pieces on show are part of previous works by the designer, namely the 'Mind the Gap' and 'æ – objets médium' projects, both exploring our relation to things perceptible

Through a residency at Rome's Villa Medici, Ribon developed his work on objects as medium, broadening his design scope to extend beyond materiality

Ribon drew inspiration from the history of the architecture and the people who lived within it to stage a poetic curation of his most recent pieces that form a dialogue with existing architectural features, objects and sculptures

The exhibition plays around the designer's aesthetic themes with discreet elegance

The objects were selected by Ribon to delicately contrast with the house's period features

Hypnosis and spiritualism are recurring themes in Ribon's objects, which combine a modern form with abstract concepts

The aim of his show, the designer explains, is to ‘claim the space of the museum in a new way and blend in with its collection, while broadening our perception and opening our mind to other realities’

keywords:Musée des Arts Décoratifs, Bordeaux, Felipe Ribon, Corps Subtils, maison Lalande

关键词：艺术装饰、波尔多、费利佩·里本、军团的枯草杆菌、毛森·拉兰德