The latest edition in Chamber's series of temporary 'Capsule' installations comes from the Chilean architect Nicolás Aracena Müller, who produced a unique collection of objets d'arts on site

为了最新的安装，阿塔拉亚，纽约设计画廊室转向智利建筑师和carpenter Nicol的阿拉塞纳Mü勒勒生产座位收集，并在戏剧性的扭曲，建造作品在画廊的空间本身。在十天的时间里，米勒在会所的前窗设立了（工作）商店，首先建造了一个工具墙来组织他的工具，然后是一个凳子，在他开始工作之前，所有的东西都是用来制作一个九个物件的集合。

他笑着说：“大多数人都认为画廊正在建设中。”

他只使用了几个手工工具，把每一部分都用胶合的钉、细木匠和其他木工接头拼合在一起。

该收藏品是室的“胶囊”系列的一部分，临时安装在其较长的运行“收藏”系列，下一次迭代，将于今年秋天开放，将由摄影师Andrew Zuckerman主持客人。γ

Müller, who ventured all over New York City scavenging for wood, has produced a nine-strong collection that also functions as seating

4413745445001 The largest piece in the collection is made from a reclaimed wooden beam almost 40cm thick

Müller transformed the MOS-designed gallery into a functioning carpentry workshop for ten days, making each of the displayed pieces on the premises

The scuptures were created using hand tools, glued dowel joinery and other carpentry joints

Passersby were able to observe and interact with Müller as he worked

The Atalaya collection is currently being displayed amongst pieces from Chamber's first collection, which was curated by Studio Job

The Chilean architect and artist Nicolás Aracena Müller

keywords:Chamber NYC, Nicolás Aracena Müller, High Line, New York, reclaimed wood, design gallery

关键词：室内纽约，Nicolás Aracena Müller，高线，纽约，再生木材，设计画廊