The leather- and cloth-bound History of the Saatchi Gallery, published by Booth-Clibborn Editions

没有人像夏尔斯-萨奇那样影响当代艺术变化的面貌。厚重的皮革和布面装订的书读起来就像过去25年里艺术界的名流。

为此，每一页的文本保持在最低限度。

‘The man who made us look at contemporary art' insert on Charles Saatchi by Norman Rosenthal

'Red Painting' by Cy Twombly, 1961

'Olson' by Richard Serra, 1985-86

Spread introducing the chapter entitled ‘Art of our time', featuring the work of Julian Schnabel, Eva Hesse and Malcolm Morley (pictured)

‘Joe' by Chuck Close, 1969

‘Welcome Shaking Hands' by Bruce Nauman, 1985

An installation view of the Robert Mangold and Bruce Nauman exhibition that took place at the Saatchi Gallery from April to October 1989. From left: 'Untitled' by Bruce Nauman, 1978; '4 Colour Frame Painting No.3' by Robert Mangold, 1983; 'Untitled' by Bruce Nauman, 1978

‘A Thousand Years' by Damien Hirst 1990, from the chapter on the Young British Artists, which features works seen at the gallery from March 1992 to August 2001

From left: ‘Vicious' by Gary Hume, 1994; ‘Memento Mori: the YBA Generation' insert by art critic Richard Cork

Installation view of 'Tourists II' by Duane Hanson, 1988

‘Grosse Geister' (Big Ghosts) by Thomas Schütte, 1996

‘Engadin' by Andreas Gursky, 1995

From left: ‘Odessa, Ukrain, August 4, 1993' and ‘Dubrovnik, Croatia, July 13, 1996' by Rineke Dijkstra

‘Cold War' by Aleksandra Mir, 2005

Installation view of ‘Kurtoplac Kurve' by Kristin Baker, 2004

Installation view of ‘Ghost' by Kader Attia, 2007

keywords:Book, Art, Saatchi, Design, Designer, Artist, Gallery, Exhibitions

关键词：书籍，艺术，萨奇，设计师，艺术家，画廊，展览