book club chromes explores william egglestons love affair with colour

2011-12-15 11:49
'Chromes' looks at William Eggleston's early experimentation with colour and composition between 1969 and 1974, at a time when 'black and white' was still the byword for art photography
在摄影过程中,威廉·埃格尔斯顿有一个自我约束的规则——他只局限于一张照片。这一点斯巴达点和拍摄方法和他后来的世俗化的荣耀影响了每个人从Juergen Teller和Wolfgang Tillmans到马丁·帕尔和墙纸*贡献者Nigel Shafran。一本名叫“Chrmis”的新巨著围绕着他在1969到1974年间对色彩和构图的早期实验,当时“黑白”仍然是艺术摄影的代名词。
Steidl的肉量在三个布的部分,由策展人Thomas Weski的文本,提出Eggleston的早期孟菲斯形象。这反映了他在20世纪70年代对美国南部的刻画,这仍然促使许多粉丝前往美国公路旅行,试图捕捉他们自己的“美国画派”。
由Gerhard Steidl和Eggleston设计,并在他的儿子,William Eggleston III和温斯顿的帮助下,该出版物汇集了超过5000科达克罗姆斯和Ektachromes(透明度电影,曾是标准在20世纪60年代和70年代)。
从埃格尔斯顿艺术信托档案中出土的大多数这些版画以前从未出版过。
看得较少的是他的夜景,这本书提供了一个令人不寒而栗的一瞥。
“色度”的重要性是深远的。
埃格斯顿从来没有看过他的照片,甚至还没有发现他的照片,“色度”毫不费力地追踪了成为埃格莱斯顿的签名的主题和主题,而不会在时间顺序上增加太多的权重。
最终,它指向他的眼睛在更广泛的范围内看到图像的方式,这导致了他无可比拟的诀窍在于在所有照片中从看似随机的未连接对象中创建平衡的组合。
Steidl's meaty volume in three cloth-bound parts, with text by curator Thomas Weski, presents Eggleston's early Memphis imagery and shows his stellar depiction of 1970s Southern America
Designed by Gerhard Steidl and Eggleston and put together with the help of his sons, William Eggleston III and Winston, the publication brings together over 5,000 Kodachromes and Ektachromes (the transparency films that used to be the standard in the 1960s and 1970s)
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 1, 1969-1974, from 'Chromes' by William Eggleston. Courtesy of Steidl
Volume 1, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston. Courtesy of Steidl
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston. Courtesy of Steidl
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 2, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston. Courtesy of Steidl
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston. Courtesy of Steidl
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
Volume 3, 1969-1974, from 'Chromes' by William Eggleston
keywords:book, william eggleston, photographer, american photographer, photography, americana
关键词:书籍,威廉·埃格尔斯顿,摄影师,美国摄影师,摄影,美国
这种有点斯巴达式的点射方式和他随后对穆恩的赞美.

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