architecture news letter from turkey
2011-10-11 09:20
Raif Dinckok Yalova Cultural Centre, Yalova, by Emre Arolat Architects Yalova has a prized natural environment but also a harsh industrial landscape, and those two sides of its character meet in Emre Arolat's design. The internal spaces - including a 600-capacity multipurpose meeting place, a workshop, wedding and exhibition rooms, a library, office and cafeteria - boast unique geometries that can just be made out through the metallic façade. Inside, the building is surprisingly transparent, reminding one of David Chipperfield's Des Moines public library, as you follow the ramp that connects the masses to each other and creates a sheltered inner street www.emrearolat.com Photography: Cemal Emden
为了摆脱过去半个世纪以来主导建筑景观的现代主义模板,土耳其建筑师已经开始从不同的来源获得灵感:安装艺术、唐纳德·贾德和树木艺术。这些事态的发展与外国建筑师最近与当地公司合作的数量增加相吻合。除此之外,在上个世纪肆无忌惮地破坏许多重要建筑之后,工业界普遍对该国雄伟的奥斯曼帝国遗产和哀悼运动产生了极大的赞赏。在土耳其的结果是一个快速发展的建筑场景-不是一个给定的,而是一个快乐的后果,在2011中国第一季度,包括20国集团在内的任何国家的经济增长最快的国家。
Raif Dinckok Yalova Cultural Centre, Yalova, by Emre Arolat Architects
Raif Dinckok Yalova Cultural Centre, Yalova, by Emre Arolat Architects
Raif Dinckok Yalova Cultural Centre, Yalova, by Emre Arolat Architects
Raif Dinckok Yalova Cultural Centre, Yalova, by Emre Arolat Architects
Asmaçati Shopping and Meeting Point, Izmir, by Tabanlioğlu Architects Asmaçati follows the practice's earlier shopping complexes, Kanyon and Flyinn, both in Istanbul, which explored a similar theme of connecting with the urban fabric, rather than putting shoppers in an artificially lit box cut off from the rest of the city. The warm climate and the tradition, here on the Aegean coast, of spending time outdoors has allowed the architects to go a step further and create a semi-open space canopied by metal mesh, inspired by ivy www.tabanlioglu.com Photographer: Thomas Mayer
Asmaçati Shopping and Meeting Point, Izmir, by Tabanlioğlu Architects
Asmaçati Shopping and Meeting Point, Izmir, by Tabanlioğlu Architects
Asmaçati Shopping and Meeting Point, Izmir, by Tabanlioğlu Architects
Asmaçati Shopping and Meeting Point, Izmir, by Tabanlioğlu Architects
Beşiktaş Fish Market, Istanbul, by Global Architectural Development (GAD) This new marketplace embraces its location, between three bustling streets in an old neighbourhood in Istanbul. And since construction began, the brief has been expanded, so that the space can be used for art installations and events taking place in the adjacent buildings. Believed by some to resemble a piece of cloth lifted from the corners, and by others to mimic a seashell, the high form, which maintains visual links with the surrounding fish restaurants, seems more like an aardvark or something out of 'Star Wars'. This ambiguity seems appropriate for the multifaceted programme of events it'll star in. www.gadarchitecture.com Photography: Özlem Avcioğlu and Ozan Ertuğ
Beşiktaş Fish Market, Istanbul, by Global Architectural Development (GAD)
Beşiktaş Fish Market, Istanbul, by Global Architectural Development (GAD)
Beşiktaş Fish Market, Istanbul, by Global Architectural Development (GAD)
Beşiktaş Fish Market, Istanbul, by Global Architectural Development (GAD)
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH The architect set himself an almost impossible task: to create an 'invisible' building that would not detract from the views of the Bosphorous, which flows close by. Nevertheless, the most striking element of the exterior is the Gabion wall, a structural system that was also used by Herzog & de Meuron in their 1998 Dominus winery in California. Beyond that, Sayin respected the building's original fabric: the old terrace, stone walls and trees - in fact, one tree grows through the long outdoor terrace that runs parallel to the river. When you enter you're greeted by a vast construction-equipment-yellow bubble that forms the outer walls of the 'seed' auditorium; you'll have to descend a level to access it, though. The incline of the auditorium, containing an array of differently coloured seats, and the size of the stage can be adjusted www.nsmh.com Photography: Cemal Emden, NSMH
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH
The Seed concert hall, Emirgan, Istanbul by Nevzat Sayin, NSMH
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM) The mosque and courtyard form a city square at the junction of two major roads. The complex consists of a 300-person prayer area, a meeting hall, library and social activity spaces. Following in the tradition of monumental Ottoman stone structures, forms are sculpted out of the main volumes - two half-domes of different size - to create a gathering place, the entrance, mihrab and windows. The exterior's ubiquitous Marmara marble provides a strong contrast with the highrise concrete structures that have risen all around www.adnankazmaoglu.com Photography: Studio Majo: Engin Gerçek / Aras Kazmaoğlu
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM)
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM)
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM)
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM)
Yeşil Vadi Mosque, Istanbul, by Adnan Kazmaoğlu/Mimarlik Araştirma Merkezi (MAM)
Sur Yapi office, Istanbul, by Tago Architects This particular site - the summit of a hill surrounded by highrise developments - inspired the architects to create an unusual design for this Sur Yapi office on the Asian side of Istanbul. The wooden elements of the facades are angled in various directions to catch the eye. The panels on the south façade help to deflect sunlight and noise, yet also create open terraces. The building is currently a sales office for the residential units nearby, but will become the developer's headquarters www.tagoarchitects.com Photography: Gürkan Akay
Sur Yapi office, Istanbul, by Tago Architects
Sur Yapi office, Istanbul, by Tago Architects
Sur Yapi office, Istanbul, by Tago Architects
Sur Yapi office, Istanbul, by Tago Architects
AVLU 138, Istanbul, by Muum Architects Avlu 138 is the latest development in a gentrifying corner of Istanbul. The courtyard garden and wooden screens on the street façade together offer residents and guests a respite from the traffic and urban environment surrounding the project. The block is a mixed-use development, with commercial premises on the ground floor and apartments, including four duplexes, above. The plan is for the new plantings to eventually coat the walls of the courtyard, creating a private, anti-urban landscape. Photography: Gürkan Akay www.muum.com.tr
AVLU 138, Istanbul, by Muum Architects
AVLU 138, Istanbul, by Muum Architects
AVLU 138, Istanbul, by Muum Architects
AVLU 138, Istanbul, by Muum Architects
Medina Turgul DDB office, Istanbul, by Erginoğlu & Çalışlar Architects The modest, painted-plaster exterior gives no hint of the monumental structure within this 170-year-old former salt repository, which won the New and Old Award at last year's World Architecture Festival. Inside, steel and glass mezzanines and polished floors create beautiful contrast with the aged-stone walls. The industrial-style mezzanines provide new links between the four main galleries bordered by the 10m stone walls www.ecarch.com
Medina Turgul DDB office, Istanbul, by Erginoğlu & Çalışlar Architects
Medina Turgul DDB office, Istanbul, by Erginoğlu & Çalışlar Architects
Medina Turgul DDB office, Istanbul, by Erginoğlu & Çalışlar Architects
Medina Turgul DDB office, Istanbul, by Erginoğlu & Çalışlar Architects
Lüleburgaz Yildizlari football academy (LYFA), Lüleburgaz, by DDRLP This football-training centre for children barely registers on the radar; the multipurpose indoor arena, with classrooms and changing rooms between playing fields, hugs the flat landscape. Rather than blindly follow today's fashion for iconic buildings, DDRLP had wider ambitions: to provide greater opportunity for social interaction in the town. An elliptical plaza and pedestrian bridge connect the academy to a public park. People's knowledge and craft are utilised to put the locally sourced materials together in the construction process and to give the building more 'soul'. Excavated soil forms the base of the grandstands www.ddrlp.com
Lüleburgaz Yildizlari football academy (LYFA), Lüleburgaz, by DDRLP
keywords:Architecture, Turkey
关键词:建筑,土耳其
为了摆脱过去半个世纪以来主导建筑景观的现代主义模板,土耳其建筑师已经开始从不同的来源获得灵感:安装艺术、唐纳德·贾德和艺术水产养殖,以命名一个Fe...
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