'Welsh Landscape', 1936, part of a collection of works by Graham Sutherland, on show at Modern Art Oxford Private Collection, London

牛津现代艺术展希望改变这一切。这是一个非常合适的，因为肖，谁画他的家乡考文垂，也是一位大师的黯淡的英国景观。“我对完成的事情，艺术家的宏伟姿态都没那么感兴趣。”萨瑟兰的研究充满了活力。后者的画像太离谱了，以至于被家人烧掉了。肖说，在这方面，他是他那个时代的达米恩·赫斯特(DamienHirst)。他的工作是尖端的，令人震惊的是，它被摧毁了。然而，人们从未听说过他。萨瑟兰于1980年去世，自1960年代以来，该剧中的许多作品都没有见过光明。肖补充道：“他只是没有被人注意到，但他完全是康特

'Mountain Landscape', 1936 Courtesy of Amgueddfa Cymru - National Museum Wales

'Sun Setting Between Hills', 1937 Private Collection

Study for 'Blasted Oak', 1937 Courtesy of Amgueddfa Cymru - National Museum Wales

'Gypsy Tent', 1939 Courtesy of Amgueddfa Cymru - National Museum Wales

'Tree Forms in Estuary', 1939 Courtesy of Doncaster Museum Service, Doncaster Metropolitan Borough Council

'Trees Under Mynedd Pen Cyrm', 1939 Trustees of the Cecil Higgins Art Gallery, Bedford

'The Wanderer', 1940 Courtesy of The Victoria and Albert Museum

'Dark Hill - Landscape with Hedges and Fields', 1940 Courtesy of Swindon Museum & Art Gallery

'Devastation or The City: Twisted Girders', 1941 Courtesy of The Royal Pavilion & Museums, Brighton & Hove

'Landscape Study of Cairns', 1944 Courtesy of Pallant House Gallery (Kearley Bequest through the Art Fund, 1989)

'Twisted Tree Form', 1944 Courtesy of Laing Art Gallery, Tyne & Wear Archives & Museums

'The Setting Sun', 1944 Courtesy of The British Council Collection

'Thorns', 1945 Courtesy of The British Council Collection

'Thorn Head', 1945 Courtesy of Ashmolean Museum, Oxford (Bequeathed by Paul Clark, 2010)

'Two Trees', 1947 Courtesy of Pallant House Gallery

'Road Mounting between Hedges: Sunrise', 1949 Presented by the Contemporary Art Society in 1955, Kirklees Collection

'Landscape', 1969 Courtesy of Harry Moore-Gwyn (Moore-Gwyn Fine Art)

keywords:Art, modern art, Francis Bacon, Picasso

关键词：艺术，现代艺术，弗朗西斯培根，毕加索