Opening next week at Tent London, the twelfth edition of 100% Norway will bring together the best of Norwegian design. Photography: Siren Lauvdal

谈到斯堪的纳维亚的设计，挪威往往是被忽视的中间儿童，与北欧兄弟姐妹瑞典和丹麦争夺关注。但午夜的太阳之地将成为聚光灯下的时刻，伦敦帐篷将主办下一届100%挪威奥运会，并将于下周伦敦设计节期间开幕。

现在已经是第十二年了，100%的挪威都在吹嘘自己最强大的产品线，有33位最优秀的设计师在杜鲁门老啤酒厂展示他们的产品和原型。今年的努力是挪威设计和建筑中心、挪威皇家驻伦敦大使馆和外交部与挪威图标合作。所有展出的东西都是100%的挪威人-无论是设计还是制造都是在挪威的国境内。

100%挪威普通Hallgeir Homstvedt已经与他的平面设计师妹妹Hege Homstvedt合作，创造了一个小而完美的大胆书集。名为“动物群”的每一件作品都是对挪威本土动物(狐狸、海雀、刺猬和大雀)的极简式致敬，是用北欧岩石制作的。

总部位于奥斯陆的设计师克里斯汀·博贾达尔(Kristine Bjaadal)正在展示一组容器的二重奏(“赫涅”、用陶瓷盖子翻成的灰烬或胡桃；“八月”，用实心橡木/灰烬盖子装饰的彩色瓷器)，而设计集体特雷弗约拉则在传统厨房用具上展示当代的风格，用本地再生的木材制作出一套大胆、有图案的切割板。

这不仅仅是一件以挪威为中心的事情，设计师们把目光投向了他们的祖国之外，寻找灵感。穿鞋、穿西装的菲姆布勒(她的服装不是设计工作室，而是更多的律师事务所，我们最近在奥斯陆见到了他们)向伦敦和英国的皮革工艺致敬，用优雅的“金丝雀码头”(Canary Wharf)马毛和胡桃鞋刷。

与此同时，ImkeTschentke甚至在更远的地方寻找灵感。她的“Krakk 2”家具收藏是她在乌兰巴托(UlanBator)为期两个月的研究工作的结果，在那里她沉浸在经常拥挤不堪的蒙古家庭中。也就是说，她设计了一个多用途、节省空间的存储和座位系统，今年已经扩大到包括一个长凳版本。

而克奈普的气象学灵感集“天气”和雕塑系列“帕特第一卷”正向上看。其他需要注意的项目包括最近的壁纸*手工合作者StokkeAustad，拉斯顿

奥斯陆历史悠久的Fuglen酒吧将帮助冲掉所有北欧的新设计，喝咖啡和鸡尾酒。这里是伦敦闪耀的北极光。

The show is boasting its strongest line-up to date, with 33 of the country’s finest designers presenting their products and prototypes at the Old Truman Brewery. Pictured: 'As Long As You Like' table by Sverre Uhnger and Thomas Jenkins. Photography: Siren Lauvdal

Everything on show is truly 100% Norwegian to boot – both designed and manufactured within the country’s borders, such as Andreas Bergsaker's 'Piedistallo' lamp (pictured right). Photography: Siren Lauvdal

100% Norway regular Hallgeir Homstvedt has teamed up with his graphic designer sister, Hege Homstvedt, to create a small but perfectly formed collection of bold bookends. Entitled ‘Fauna’, each piece is a minimalistic tribute to a native Norwegian animal (bullfinch, fox, puffin, and hedgehog) and is crafted from Nordic rock

Fimbul pays tribute to London and British leather craft, with the elegant, limited edition ‘Canary Wharf’ horsehair and walnut shoe brush

Debuting at 100% is StokkeAustad's traditional writing desk, 'Secretaire'. Nodding to art deco, the flame birch desk is finished in a high-gloss lacquer, and contains a felt interior that can be folded away. Photography: Siren Lauvdal

Left: 'Pendini' ceiling lights and 'Birch & Brass o'clock'; Right: 'Blossom' vanity set, all by Andreas Bergsaker

Left: Imke Tschentke's space-saving ‘Krakk2’ storage and seating system is the result of a two-month research stint in Ulan Bator, where she immersed herself in the often-cramped Mongolian homes. Right: Osloform is exhibiting 'Sweep', a silent clock inspired by classic Bauhaus wristwatches

Kneip is looking upwards with its sculpture series, ‘Pat Volume 1’ (pictured) and ‘Weather’. 'Pat Volume 1' explores various techniques through coloured steel, with forest-inspired shapes

Oslo-based designer Kristine Bjaadal is exhibiting a duet of collections of vessels: ‘Hegne’ (pictured), made from turned ash or walnut with a ceramic lid; and ‘August’, coloured porcelain containers with solid oak/ash lids

This year’s endeavour is collaboration between The Norwegian Centre for Design and Architecture (DogA), the Royal Norwegian Embassy in London and Ministry of Foreign Affairs, in partnership with Norwegian Icons. Photography: Siren Lauvdal

Left: 'The Pathics', by design duo Birgitta Ralston and Alexandre Bau, was created in collaboration with ceramics artis Cecilie Haaland. Right: 'The Hoff', by Kiyoshi Yamamoto and Morten Jonas

Left: 'Pan' serving dish, by Gridy; Right: design collective Trefjøla is putting a contemporary spin on a traditional kitchen utensil, dishing up a bold, patterned collection of cutting boards made from local reclaimed wood

keywords:Norway, London Design Festival

关键词：挪威伦敦设计节