juxtaposition exhibition at see studio london
2012-08-16 11:30
'Lower Lea Valley', from the series 'Olympic Visions' by Alessandra Chilá, 2007, shows the site of London's Olympic park before the stadiums began to be built
现在,伦敦2012奥林匹克公园的闪亮的建筑已经牢牢记住了我们的思想,这个网站的过去一直都被遗忘了。
但是,伦敦的一个团体在伦敦的看到工作室把它放回聚光灯下,在工作开始于公园并记录它的激进转变之前,看着这个贫瘠的低莱亚山谷。
名为“并置”的作品不仅揭示了哈克尼威克地区的历史,还考虑了奥运会对伦敦作为一个城市的影响。
展览结合了18位当地和国际艺术家的照片、绘画、视频和雕塑,其中包括驻伦敦的摄影师Alessandra Chilá的“奥林匹克视野”,其中她用视觉捕捉了处于变革边缘的地区。
与此同时,出生在德国但总部位于纽约的格切·威费尔(Gesche Würfel)正在推出一部名为“黄金之路”(Go For Gold)的连续剧,描绘了奥运会在下利亚山谷的经济和城市转型。
其他作品包括艺术家吉姆·伍德尔(JimWoodall)广为宣传的镜头,他在一间临时的“控制室”里住了两周,里面安装了闭路电视摄像机,俯瞰着奥林匹克公园的建设。
变化和对比,作品提供了一个贫瘠的土地,下里亚山谷曾经是,连同空中拍摄Giles Price,展示了大规模的城市更新项目,它已经成为。有些是怪诞的,大气的,像David George的哈克尼沼泽的照片,而另一些则带有怀旧之情,比如Jessie Brennan的“切割”:一幅五米长的铅笔画,灵感来源于当地的故事和运河沿岸生活的记忆。γ
'River Lea Navigation, near Hackney Wick', from the series 'Olympic Visions', by Alessandra Chilá, 2007
'Herts Union, 1999-2011', from the 'Re-Shoots' series, by Chris Dorley-Brown. For this series, Brown, who has been photographing London's East End since the 1980s, deploys a classic before-and-after format
'Platinum 8', from the 'Dissolution Series', by David George. George's atmospheric images are a documentation of the photographer's affection fo Hackney Marshes
'Media and Press Centre' from the series 'Go for Gold!', by Gresche Würfel, 2006. Würfel's series depicts the transformation of London's landscape in preparation for the 2012 Olympics
'Olympic Stadium' from the series 'Go for Gold!', by Gresche Würfel, 2006
'Amber Alert 2', from the series 'Macroscopic Olympiad', by Giles Price,
Jim Woodall's makeshift 'control room' in which he took up a two-week residency for his video project, 'Olympic State'
Video footage from Jim Woodall's video project, 'Olympic State', in which he turned Olympic viewing inside out, watching it through the wrong side of the CCTV cameras
'Aquatics Centre', by Jeanette Barns, 2011. Barns' large charcoal drawings are built up from information that is constantly being revised
'The Cut', by Jessie Brennan, 2011. The artwork is a five metre long pencil drawing inspired by local stories and memories originated along the canal
An image from the series 'Hackney Wick', by Stephen Gill
keywords:Art, modern art, photography
现在,伦敦2012奥林匹克公园闪闪发光的建筑已经牢牢地铭刻在我们的脑海中,这个地方的过去几乎被遗忘了。但在伦敦的一场集体表演中,看了看贫瘠的罗湖,把它重新置于聚光灯下.
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