parrish art museum by herzog de meuron new york
2012-11-12 14:42
The new 34,400-sq-ft Parrish Art Museum is essentially a double-barrelled, extruded version of the classic, house-shaped artist's studio. Photography: Matthu Placek
新赫索格画廊的一堵墙
赫佐格人阿斯肯·梅根塔勒(Ascan Mergenhaler)说,你有一种感觉,这里的天空总比其他地方大。
这座34,400平方英尺的博物馆本质上是一座由双桶挤压而成的经典房子型艺术家工作室,北面的天窗控制着这座建筑的布置-在一个前苗圃的场地上,角度很好。
这座有着115年历史的博物馆,植根于乡土建筑和当地建筑方法,四周环绕着乡土植物,它带来了一种扭曲:混凝土墙,建筑师们在当地的地下室里寻找合适的例子。
“这座建筑的坚固性对我们来说很重要,因为在美国,一切都是木制的,不知怎么的,而且感觉有些空洞,”梅根塔勒说。在长面积的混凝土中加入一个人的比例,是沿着底部的一个连续的长凳,肯定会成为一个很受欢迎的社交场所。
在里面,单层博物馆非常简单,西边有公共功能(如接待、商店和咖啡厅),东面有行政办公室和艺术处理处,中间有画廊,排列在两个双杠上。
从游客穿过变黑的木门的那一刻起,帮助游客对空间进行直观的导航,这是康斯坦丁·格里西克(Konstantin Grcic)的作品,他的家具和塞尔日·穆尔(Serge Mouille)相遇-亚历山大·考尔德(Alexander Calder)的灯光装置,似乎漂浮在被回收的松树
Grcic说,这是一座简单的建筑,它应该让人感觉非常简单和自然。这就是我们试图用家具做的。我们试着为它找一个非常简单的语法。“
咖啡厅和附近的室外露台上摆着Grcic为博物馆设计的椅子,由Emeco制作,Emeco将在米兰Sone Del Mobile正式推出“Parish椅”。这把椅子的设计是为了占用最少的空间。“这就像画椅子一样,”Grcic补充说,“只是线条、管子和座位。”
当然,占据舞台的中心是艺术。新的帕里什博物馆的展览空间增加了三倍,不仅展示了一些临时展览,比如探索纸张在马尔科姆·莫利(Malcolm Morley)艺术创作过程中所扮演角色的首次展览,还展示了永久藏品中首次安装的作品,包括与威廉·梅里特·蔡斯(William Merritt Chase)和费尔菲尔德·波特(Fairfield Porter)相邻的画廊。
所有的画廊都被日光照射,白天逐渐变化,随季节的变化而变化。
黄昏时发出荧光。
“这使我们能够以精确的方式来体验艺术品,”帕里什博物馆馆长TerrySultan说。
“光明是长岛东端创造遗产的关键,这正是我们所庆祝的。”
Opened on Saturday in Water Mill, on New York's Long Island, the museum was designed by Herzog & de Meuron. Photography: Matthu Placek
'It's because of the special landscape and light that so many artists have their studios in this place', says Ascan Mergenthaler, the Herzog & de Meuron senior partner who was in charge of the $26.2 million Parrish project. Photography: Matthu Placek
Inside, the single-floor museum is wonderfully simple, with public functions (such as reception, store, and café) to the west, administrative offices and art handling to the east. Photography: Matthu Placek
Aiding visitors' intuitive navigation of the space is the work of Konstantin Grcic, whose furnishings and Serge Mouille-meets-Alexander Calder light fixtures appear to float amidst the pale paneling of reclaimed pine. Photography: Matthu Placek
Galleries are clustered in the middle, arrayed in two parallel bars. Photography: Matthu Placek
The 115-year-old museum's new home is rooted in vernacular architecture and local construction methods and surrounded by native plants. Photography: Matthu Placek
The café and adjacent outdoor terrace are stocked with chairs designed by Grcic especially for the museum and produced by Emeco, who will officially launch the 'Parrish Chair' at Salone Del Mobile 2013 in Milan
North-facing skylights governed the placement of the building - at a jaunty angle on the site of a former tree nursery. Photography: Matthu Placek
Ross Bleckner's painting 'Architecture of the Sky' - a mesmerising constellation of dots in cloudy hues that echo the museum's palette of bright white and bruised concrete - is a title that could also describe the building in which in now hangs. Courtesy: Christopher French/Parrish Art Museum
Taking centre stage is, of course, the art, with three times the exhibition space of the previous museum. Pictured, far right, is 'Tambourinefrappe' by John Chamberlain, 2010. Courtesy: Christopher French/Parrish Art Museum
In addition to a first-ever installation of works from the permanent collection, the new Parrish showcases temporary exhibitions, such as the inaugural show exploring the role of paper in the art-making process of Malcolm Morley (pictured) Courtesy: Christopher French/Parrish Art Museum
An installation view of some of the recent recent acquisitions at Parrish Art Museum. Courtesy: Christopher French/Parrish Art Museum
The new space comes with a twist: concrete walls, for which the architects scouted local basements to find suitably rugged examples. Photography: Matthu Placek
All of the galleries are illuminated by daylight that shifts gradually throughout the day and changes with the seasons, but fluorescents take over at dusk. Photography: Matthu Placek
'This allows us to experience the artwork in exactly the way in which it was made,' says Parrish Museum director Terrie Sultan. 'Light is key to the creative legacy of the East End of Long Island.' Photography: Matthu Placek
keywords:Parrish Art Museum, Art, artists, architect, Herzog & de Meuron, New York, Long Island
关键词:帕里什美术馆,艺术家,建筑师,赫尔佐格
新赫索格画廊的一堵墙
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