The atrium of the Rijksmuseum, which has been restored to its former glory by Seville-based Antonio Cruz and Antonio Ortiz of Cruz y Ortiz

最后，等待结束了。10年后，对阿姆斯特丹著名的国立博物馆进行翻修的巨大任务已经完成-它的大门将于明天(4月13日)重新向公众开放。就职典礼上，女王碧翠丝将用一把超大的、抛光的青铜钥匙和一把由“乔布斯工作室”设计的锁打开改造后的大楼-官方的开幕式将在本月底退位之前在国际上播出，这将是她最后的约会之一。

它由国家和地方政府资助的3.75亿欧元(€)改革，在为新世纪安装现代技术的同时，使国立博物馆恢复了昔日的辉煌。这些年来为适应办公室和储存空间而增加的所有楼层都已被拆除，壁画和地板恢复到原来的状态。

怀姆·皮耶布斯是国立博物馆的年轻导演，他认为自己的任务是创造“新的经验、新的概念、新的思维”。他说：“今天的博物馆是你可以去看一些艺术、遇到一些好人、玩得开心、受到启发的地方；这是一个发生事情的地方。”

这种创新和灵感的观念是国立博物馆新时代的关键。在重建之前，去年11月，艺术博物馆推出了Rijks Studio，这是一个开创性的数字收藏，从博物馆收藏的12.5万件物品，人人都可以免费获得。为了庆祝它的揭幕仪式，博物馆与“墙纸”*合作主办了一场关于数字创新的讨论，由我们自己的主编托尼·钱伯斯主持，为此我们召集了包括克里斯蒂安·博斯泰普这样的杰出演讲者；国立博物馆馆长塔科·迪比；德罗格的雷尼·拉马克和s[版]的联合创始人兼首席执行官罗伯特·诺顿。

新开的博物馆的80个画廊展示了它的世界著名的收藏在一个序列，讲述了800年荷兰艺术史，在一个单一的年代扫描。Dibbits说：“你可以感受到伦勃朗创造艺术的世界。”同时，一个新的结构在7000平方米的花园，周围有一个池塘，容纳亚洲收藏。

塞维利亚的安东尼奥克鲁兹和安东尼奥奥尔蒂斯的克鲁兹y奥尔蒂斯是该项目的首席建筑师。Ortiz说，“每个建筑师都想做这样一个项目，为现有的不朽建筑创造第二个时代。”他们的愿景是提供一座精致的建筑，它与1885年由皮埃尔·凯珀斯(PierreCuypers)设计的原始建筑一样低调，是一座宏伟的建筑。

前博物馆被中央公共通道分成两部分。在其转世中，建筑师挖深，创造了一个巨大的大厅连接两个中庭。大厅地板上的一条微妙的曲线是一种建筑手法，以建立对游客的期望，而一个巨大的中庭则让自然光线涌进。展览空间的每一个细节，从灯光到框架，都是经过仔细考虑的。

灯光在新博物馆的故事中起着重要的作用。多亏了荷兰科技巨头飞利浦，国立博物馆完全被LED点亮。同一照明单元，专门为博物馆开发，由飞利浦的研究人员在硅谷，一直使用。有了五个镜片，两个反光镜和九个LED灯，它产生了一种无色的、清晰的白光，可以精确地微调，以最好的方式展示博物馆的杰作(包括伦勃朗、弗米尔和哈尔斯的作品)。这些LED装置与方形、线状或圆形框架相连，在所有的展厅中都会创造出看起来现代的吊灯。

飞利浦的副总裁兼首席设计官罗吉尔·范德海德(Rogier Van Der Heide)说，照明单元并不是突兀的；它在空间中是看不见的。他曾与演讲主管、守护者、策展人、建筑师和室内设计师合作，为整个博物馆寻找一个简单而复杂的照明系统。在博物馆的杰作上，色彩是复杂的，由许多不同的颜料组成。在卤素灯下，地球色调的颜色可能很难渲染，但全光谱LED显示在高清晰度，赋予物体的深度和增强纹理的油漆。

在一楼的荣誉画廊，人们发现伦勃朗宏伟的“守夜”仍然是中心，就像以前一样。画廊提供一系列的空间-和一个特殊的照明体验。修复后的19世纪壁画被安置在一个更暗的环境中，然后一个人搬进了带有弥散和宁静灯光的小画廊-一种日光和精心策划的LED单元的混合物。最后，你来到这幅名画之前，这幅画沐浴在一个巨大的空间里，里面充满了绚丽而宁静的灯光。

这些陈列柜是由法国室内设计师让-米歇尔·威尔莫特(Jean-Michel Wilmotte)设计和开发的，由无框的无反光玻璃粘合而成，后者的资质包括为卢浮宫(Musée du Louvre)和巴黎奥赛博物馆(Musée d‘Orsay)工作超透明玻璃允许光线直接到达物体.范德海德说，通过技术，你可以看到艺术的真谛，这是整个博物馆的目标。

看来这个国家的每一个人才都在博物馆的翻新中发挥了他或她的作用。IrmaBoom设计了一个新的标志。这些制服是由时装设计师亚历山大·范斯洛比设计的。卓格设计(Droog Design)为儿童房间配备了理查德·赫顿(Richard Hutton)设计的吊灯，以及Piet Hein Eek设计的桌子和座位。而经典的荷兰家具，如Wim Rietveld的躺椅和Friso Kramer的‘Revolt’椅，则被用于咖啡馆。

接下来，PJBES计划将两位明星米其林主厨马里奥·里德从鹿特丹带到RijksMuSum。在过去十年里，Pijbes在鹿特丹的Kunsthal举办了慢食节，这是一次著名的仪式，他正在为海外游客提供五种感官来庆祝他的国家文化的使命。

国立博物馆展示了这个国家在真正想要伟大的东西时可以做些什么。工作尚未完成，这只是博物馆新时代的开始。

Located in Amsterdam's Museumstraat, the museum has been brought up to date with new technology for the 21st century

The inauguration ceremony will see Queen Beatrix open the revamped building with a oversized polished-bronze key and lock, designed by Studio Job

The lock and key were created especially for the event

The key has been engraved with the phrase 'Thanks Majesty' in Dutch. The inauguration ceremony will be one of the Queen's last engagements before her abdication at the end of the month

Inside the Rijksmuseum, the galleries offer a sequence of spaces, each with its own lighting experience conceived by Dutch technology giant Philips. Here, restored 19th century murals are seen in a soft, dimmed environment

... then one moves into small galleries with diffused and tranquil lighting - a mixture of daylight and carefully controlled LED units

The small galleries are filled with the best of Vermeer, Hals, Rembrandt and other masterpieces of Holland's Golden Age

Finally, you arrive before the museum's most famous painting - Rembrandt's 'Night Watch' - which basks in an immense space filled with glorious, serene light. Rogier van der Heide, Philips' vice president and chief design officer, worked with the heads of presentation, conservators, curators, the architects and interior designer to find a simple yet sophisticated lighting system for the entire museum

Lighting plays a huge part in the new museum's story. The same lighting unit, developed specifically for the museum by Philips' researchers in Silicon Valley, is used throughout. With five lenses, two reflectors and nine LED lights, it produces a colourless, crisp white light that can be tweaked precisely to showcase the museum's masterpieces in the best way possible. Attached to square, linear or circular frames, these LED units create modern-looking chandeliers in all the galleries

Two newly commissioned site-specific permanent ceiling paintings by the British Turner Prize-winning artist Richard Wright are situated in two antechambers located to the left and right of the museum's Night Watch Gallery. The complex patterns, with more than 47,000 hand-painted black stars, is inspired by the original 19th century decorative wall and ceiling paintings designed by the architect of the Rijksmuseum, Pierre Cuypers

There are many 3-dimensional objects inside the museum. These are illuminated by LED lights with a special filter that produces strong shadows to give objects depth and enhance texture. Pictured is 'Space Circus' by Constant (1956-1961)

The colours of the masterpieces on show are composed of many different pigments. The full-spectrum LED units show every colour in high definition. Pictured is 'The Milkmaid' by Johannes Vermeer (1660)

Daylight is also curated, thanks to the use of a sheer to filter the light coming into the galleries - a very simple concept, but one that unifies the space

Irma Boom has designed a new logo for the museum, replacing the previous one by Studio Dumbar, which had been in use for 32 years

Droog Design furnished the children's Picknick room with a chandelier designed by Richard Hutton and tables and seating by Piet Hein Eek

Classic Dutch furniture is used in the café, such as Wim Rietveld's lounge chair and Friso Kramer's 'Revolt' chair

Alexander van Slobbe designed the uniform in the shades of masterpieces in the museum

The newly added Asian Pavilion, designed by Cruz y Ortiz. People coming from the south can see the Pavilion's concrete-stone exterior from the museum's entrance. 'It is like a little treasure,' Ortiz says

The 10 m-plus hall ceiling is covered by glass and supported by a massive steel structure. A huge chandelier in the shape of the roof unifies the two atriums. It also lets in natural light and provides a serene acoustic experience

The showcases are made from non-reflective glass glued without frames, which were designed and developed by French interior designer Jean-Michel Wilmotte

The ultra-transparent glass allows light to reach the objects directly

Armchair for Til Brugman by Gerrit Rietveld

This white variant was commissioned in 1923 by writer Til Brugman for the music room in her house in The Hague

'Eight Stacked Beams' by Carel Visser (1928)

Self-portrait of Dutch iconic magical realism painter Pyke Koch (1936)

Cover art of the Dutch avant-garde periodical Wendingen in 1920s Netherlands, created by different contemporary artists

Philips has devised an intelligent, protective cover that keeps works like Rembrandt's magnificent and monumental Night Watch safe from damage by shocks, fluctuations in temperature, and atmospheric humidity

The Rijksmuseum is a showcase of what the Netherlands can do when it really wants something great. Work is not yet finished; this is merely the beginning of a new era for the museum

keywords:Rijksmuseum, rijks studio, art, architecture, Cruz y Ortiz

关键词：国立博物馆，里克斯工作室，艺术，建筑，克鲁兹和奥尔蒂斯