the renzo piano pavilion is unveiled at the kimbell art museum in fort worth texas
2013-11-06 11:51
The new Renzo Piano Pavilion for the Kimbell Art Museum is located a few steps away from the existing Louis Kahn-designed building, the museum's original home. Photography: Robert Polidori
当金贝尔艺术博物馆开始在德克萨斯州的路易斯·卡恩设计的现有住宅的基础上进行扩建时,很明显,这位新建筑师会有一个艰难的举动。这座博物馆坐落在沃斯堡,1972年落成,是一座由光滑的混凝土、拱形的屋顶、石灰华和软木细节组成的经典建筑,在这里(用创作者的话说)“光是主题”。这是众所周知的,当然,它的标志性建筑,但也以其规模小,但精心策划的约350件艺术品,跨越大陆和时代,从古代到20世纪。
然而,到了本世纪初,它对新空间的需求变得迫切。金贝尔艺术博物馆馆长埃里克·李(EricLee)说,“每次有一个临时展览,我们都要把大部分藏品存放起来。”虽然展览是博物馆的一个关键部分,原因很明显,但这个项目并不仅仅是这样。这座图书馆以前被安放在这座老建筑的两层楼(顶楼,夹层,一直延伸到标志性的混凝土拱顶),现在接缝里已经爆满了,需要新的教育室和功能室。
委员会前往主要的建筑师和博物馆设计重量级的Renzo钢琴,并在他的腰带下(包括达拉斯附近的NASHER雕塑中心)拥有若干已完成的文化项目----目前在各州有几座博物馆;
他在纽约的新惠特尼的设计一直很慢,而他在西海岸的拉玛的电影博物馆也在发展之中。
相比之下,金贝尔显得谦虚,在大约101,130平方英尺(甚至小于卡恩120,000平方英尺)的范围内。
然而,这是计划的一部分。
“它变得越来越大了,但我们希望它仍然像一个小博物馆,”李解释道。
新展馆内有灯光、低矮和欺骗性宽敞的空间、三间新画廊、教育和多用途客房、一家小咖啡馆、一家商店、一个新图书馆和档案室。地下车库位于连接旧建筑和新建筑的草坪下,后面有一个宽敞的礼堂,最多可容纳298人。展馆是由浅色混凝土制成的,它的混合材料中包括钛,它增加了白色和光泽,与卡恩的深色混凝土混合梁和一团玻璃形成鲜明对比,这个展馆与其年长的兄弟姐妹有着明显的不同。
与此同时,新的结构显然尊重卡恩的杰作,谨慎地与其结构和比例相呼应,尽管有一个当代的转折。这座新结构由两个平行的机翼组成,由玻璃通道连接,跨越两层,巧妙地反映了卡恩的几个设计元素:从地下停车场走上的双层楼梯;将微妙的自然光带入展厅的牧师侧窗;类似拱顶的屋顶结构(这一形式也让人想起纳谢尔雕塑中心(Nasher Sculture Center)的画廊);其精心布置的庭院和灯光门廊;以及两个展厅两侧的展厅。
最重要的是,光仍然是一个关键的主角,淹没了内陆。李说,你确实觉得自己在同一个博物馆里。“它会说自己的语言,但仍然是对旧语言的补充。”
聪明的技术也被纳入其中。例如,“呼吸”地板提供了一种聪明的方式,让新鲜空气在不损害无缝木地板的情况下流通。绿色屋顶覆盖了部分建筑,而其节能设计预计将使用约一半的能源每平方英尺的卡恩大厦。
为迎接11月27日的正式就职典礼,“金钟”正在为激动人心的一年做准备,在仁佐钢琴馆东南画廊展出临时展览,并在其他展厅展出永久收藏的作品(尽管仅在开幕时,展馆将在所有画廊展出其永久收藏)。
博物馆的另一大优点是,展馆为博物馆提供了专门空间,供博物馆珍贵的亚洲、前苏联、非洲和海洋艺术收藏之用,直到现在,这些藏品一直局限于博物馆的储藏室。李说,在新大楼里,非西方的作品看起来更好看。“这些艺术品从未像现在这样好看。”
Inaugurated in 1972, the Kahn building is made from silky smooth concrete, a barrel vaulted roof and travertine and cork details. Photography: Robert LaPrelle
The new building was commissioned to alleviate the space constraints of the original museum. Made from light-coloured concrete (it includes titanium in its blend, which adds a whiteness and shimmer, contrasting Kahn's darker concrete mix), wood beams and a swathe of glass, the pavilion is distinctly different from its older sibling. Photography: Robert Polidori
At the same time, the new structure clearly pays respect to the Kahn masterpiece by discretely echoing its structure and proportions, albeit with a contemporary twist. Composed around two parallel wings connected by glass passageways and spanning two levels, the new structure delicately mirrors the Khan building with its roof structure that resembles vaults. Photography: Robert Polidori
The new Pavilion contains in its light, low and deceptively spacious volume, three new galleries, which will showcase masterpieces from the permanent collection, but also temporary shows. Photography: Robert Polidori
Khan had light as his theme in the existing building and, in Piano's new structure, light is still a key protagonist, flooding the interior. Photography: Robert Polidori
The Renzo Piano Pavilion also includes a generous auditorium that seats up to 298 guests. Photography: Robert Polidori
The pavilion's lobby is flanked by two galleries. Photography: Robert Polidori
The pavilion's third gallery is dedicated to Asian art. Photography: Robert Polidori
Another gallery hosts the African and Pre-Colombian art. 'The non-western pieces actually look better in the new building,' says the museum's director Eric Lee. Photography: Robert Polidori
The generous exhibition space. Photography: Robert Polidori
A 'breathing' floor provides a smart way to allow fresh air to circulate without compromising the seamless timber flooring. Photography: Robert Polidori
Gearing up for its official inauguration on the 27 November, the Kimbell is preparing for an exciting year ahead, with temporary exhibitions on show at the Renzo Piano Pavilion's southeast gallery and several of the collection's permanent collection pieces on display in the others. Photography: Robert Polidori
keywords:Renzo Piano Pavilion, Renzo Piano Building Workshop, Renzo Piano, Kimbell Art Museum, Louis Kahn, Fort Worth architecture, Texas architecture, architecture, design, art, gallery design
关键词:伦佐钢琴馆,伦佐钢琴建筑工作室,伦佐钢琴,金贝尔艺术博物馆,路易卡恩,沃斯堡建筑,德州建筑,设计,艺术,画廊设计
当金贝尔艺术博物馆开始在德克萨斯州的路易斯·卡恩设计的现有住宅的基础上进行扩建时,很明显,这位新建筑师会有一个艰难的举动。该博物馆位于沃斯堡,1972年落成,是.
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