Interiors designer Rose Uniacke’s delightful Pimlico shop recently became the discreet background for a show of 'Humble' tables and marble cuffs

对工艺和制造技术的热爱，最初将室内设计师罗斯·尤尼克和珠宝制造商斯蒂芬妮·西蒙联系在一起。Uniacke的令人愉快的Pimlico商店最近成为了“低矮”桌和大理石袖口展览的谨慎背景，这些作品在规模、技术和材料上形成了很大的反差，但其基本概念在杰出的工匠复杂程度上找到了共同点。

Uniacke收藏了19世纪末和20世纪初木制的“低矮”桌，灵感来源于18世纪末维多利亚河上发现的两幅乡村生活图片。

在西蒙的大理石袖口中也发现了同样诚实的设计：由黑色比利时人、白色卡拉拉和卡拉卡塔弹珠精心制作而成，这些雕塑作品中充满了微妙的黄金和钻石的触感。与意大利专业大理石雕塑家合作，并在两年多的时间里发展她的设计，西蒙赋予了材料一种新的生命，并在这个简单的姿态中加强了它珍贵的、华丽的方面。

这两个项目并驾齐驱，大声地讲述了设计在时间上的想象力，以及超越材料和技术的无限的独创性。

The exhibition includes two sets of pieces that contrast greatly in scale, technique and material, but whose underlying concept finds a common ground in exceptional artisan sophistication

Uniacke’s collection of late 19th century and early 20th century wooden ‘Humble’ tables was inspired by two images of late 18th century rural life found at the Victoria & Albert Museum. Both pictures feature a ‘Cricket’ table (pictured), a basic wooden tripod table style

This pair of Windsor Elbow chairs, probably of Welsh origin, were also included in the exhibition

Stephanie Simon’s marble cuffs are exquisitely crafted out of black Belgian, white Carrara and Calacatta marbles, enriched with subtle gold and diamond touches

A late 18th century tripod table, with a sycamore top and turned ash legs

Two further examples of Uniacke's table collection: a low table made of ash wood from the 1930s and a slab-top stool from continental Europe

Working with Italian specialist marble sculptors and developing her designs over two years, Simon has given a new life to the material and enhanced its precious, opulent aspects in this simple gesture

keywords:Marble, Furniture design

关键词：大理石，家具设计