Studio 65 is the subject of a celebratory exhibition at GAM in Turin, the city where their design adventure started. Pictured: their 'Capitello' series, an oversized interpretation of a classic Greek column turned into a seating collection. It was designed in 1971 and produced by Gufram

演播室65转50！这个激进组织塑造了世界的设计想象力，它是在都灵举行的加莱里亚德阿尔特现代那(GAM)庆祝展览的主题。都灵是他们的设计冒险活动开始的城市。这是一场庆祝工作室半个世纪的展览，也是第一场完全专注于工作室作品的展览，名为“云供应商”(Il Mercante Di Nuvole)，由玛丽亚·克里斯蒂娜·迪德罗(Maria Cristina Didero)策划，她精心策划了一部充满活力、但却是百科全书式的工作室作品概览。迪德罗与工作室创始人佛朗哥·奥德里托(Franco Audrito)、65工作室(Studio 65)的其他成员以及全球学者和设计鉴赏家网络密切合作，为过去50年的设计贡献轶事和想法。

参与工作室设计制作早期阶段的公司也参与进来，Gufram在他们的档案中发掘出一些罕见的早期原创作品，这些原创作品来自奥德里托出色的创意作品。该集团最著名的作品，唇形的“宝卡”沙发(最初是为米兰美容院生产的)重新发行的黄金版本的公司，在展览上展出。届时，原来的红色沙发版本也将安装在都灵的一些火车站-激进的设计运动微妙地接管了这座城市三个月的展览。

工作室诞生于一个动荡的政治时代，最初形成于都灵理工大学。该工作室的12名成员于1967年毕业，他们发表了一篇题为“SiC传输科学家”的小组论文(这是对宗教“SiC Transfer Gloria mundi”的改编，表明了世界的短暂性；其内容是对理工学院生活的明确批评)。在展览上展出的这篇论文是一份宣言，它是用粉笔色的描画纸画出来的，呈现给他们的讲师、设计师卡洛·莫利诺(Carlo Mollino)，作为一卷连续的纸，上面挂着衣架。

它更著名的设计作品只是庞大产品中的一小部分，而这些作品往往具有批判的姿态。迪德罗说：“无论是大的还是小的，工作室总是采用一个单一的标准：跳出框框去思考。”每件物品或一件家具都是根据它所居住的空间设计的，工作室的内部设计创造了想象中的宇宙，融合了过去和未来，并试图改变家里的世界。“建筑师能够设计和实现每个人的梦想，把水、石头、混凝土和粘土转化成物体，帮助我们生活，”奥德里托说。他的作品经常将梦想和现实结合在一起。

“我们欠他们的是未来”，这是激进的设计收藏家达基斯·乔安努对该小组工作的看法，迪德罗的策划巧妙地审视了这个设计工作室的过去，同时清楚地展示了为什么他们的想法对未来很重要。他们富有灵感的聪明才智创造了上个世纪最具传奇色彩的设计作品，但他们的作品也为更广泛的创造性对话奠定了基础，将对形状和色彩的有趣运用与对日常生活的批判性讨论结合起来。

Gufram was also the manufacturing wizard behind the 'Bocca' sofa. For the occasion of the exhibition, the piece was remastered in a golden version

The original red lips sofa was designed in 1970 for a Milanese beauty salon

One of the first products designed by studio founder Franco Audrito and his wife Nana was the 'Leonardo' sofa, a modular set of blocks bearing the American flag, that the pair created for their home

Designed for the waiting room of a dentist's studio, the 'Mela Morsicata' ('bitten apple') seat was inspired by the story of Adam and Eve and created with usual Studio 65 humour

One of the studio's most important works is the 'Baby-lonia' set of coloured playing blocks from 1973, also produced by Gufram. The project was inspired by Audrito and his wife's daughter Valentina, born that year: a series of building blocks in various shapes and colours, suggesting the construction of a fantasy city 

A view of the exhibition at GAM: in the middle is the 'Altare di Venere' ('Venus' altar') bed, created by the studio for the Eurodomus furniture fair in 1972

Later design works by Audrito and his studio include the 'Money Money' seat from 2013

The exhibition also includes an enlightening selection of original drawings from the studio

A collage by the studio, published by Domus magazine in 1974

The 'Bruco Tentatore' ('tempting caterpillar') – an intentionally unfomfortable bench for a health bar

The 'Baby-lonia' set was reproduced by Gufram and displayed at the exhibition, where children were also able to play with the blocks

At the back of the exhibition, a room was filled with clouds and visitors encouraged to sit on the 'Alì e Aladino' poufs from 1973

Some of the more surprising pieces on display include more minimal ceramics experiments

One of the oldest artifacts on display is the group's final thesis from their Polytechnic University of Turin days. It was a manifesto of sorts, drawn on tracing paper with pastel colours, presented to their lecturer, designer Carlo Mollino, as a continuous roll of paper hung with clothes pegs; its aesthetic style was developed by Audrito and his colleagues throughout the next few decades to illustrate their projects

keywords:Italy, Gufram

关键词：意大利