The ICA has enlisted design studio Julia to help it stage a friendly take-over of Dover Street Market's London space, working with the archive material from the Institute's almost 20-year residence in the same building, as well as its current space on The Mall. Installation photography: Mark Blower

伦敦当代艺术学院于1946年成立于伦敦，作为展览场所和谈话场所，这是皇家学院的一个激进和最初巡回的对立面。1950年，它搬进了位于多佛街(Dover Street)17号-18号的第一栋永久住所-现在是Gar on时尚中心多佛街市场(Comme Des Gar On)的时尚商场多佛街市场(Dover Street Market)，曾经是霍雷肖·纳尔逊(Horatio Nelson)的所在地。直到1968年，它才搬到购物中心的

本月，该机构准备举办一场多元化的庆祝活动，举办一系列活动和展览，向其历史和参与其中的人们致敬。这方面的催化剂是本周出版的一本书，它回顾了ICA最初的20年(和一点点)。“当代艺术学院：1946-1968”是由艺术历史学家安妮·梅西和国际艺术学院执行主任Gregor Muir收集的图像、原始文件和轶事的回顾展。

探索该机构的历史，也激发了它在其原始的美公平总部的展览。
基于伦敦的设计工作室（和墙纸*协作者），朱莉娅被征集到了一个友好的接管建筑，与来自ICA的多佛街Stint的档案材料合作，开发了一个通过商店的6层扭曲的视觉历史。
海报、笔记和艺术品分散在商店的显示器周围，楼梯的特点是在建筑中多年的展览和活动的排印时间线。

该书和展览讲述了一个令人振奋的时间在该机构的历史：现代主义建筑师Jane Drew，在Eduardo Paolozzi和他的学生Terence Conran的一点点帮助，设计了成员的房间，并成为OpTART，波普艺术，独立小组和Bruta的孕妇套房。列出其他方面的体系结构。艺术家、建筑师和作家在太空中相遇，并主持了Jackson Pollock的第一次伦敦展和弗朗西斯·培根作品的第一次独奏。

一个关键的角色重新出现在ICA的历史是英国艺术家理查德汉密尔顿，一个重要的人物在成立初期和英国艺术全景。汉密尔顿是这本书创作的原动力，自1950年以来，他以一种包罗万象的方式参与了ICA的创作，他的贡献从举办展览到策划展览，他与ICA及其成员的关系是他的艺术生涯的关键。

一位年轻的理查德·汉密尔顿(Richard Hamilton)曾在多佛街(Dover Street)进行第一次安装，他后来在多佛街(Dover Street)安装了两套设备，“人、机器和运动”(Man，Machine and Motion)(1955年)和“展览”(An Ex档)(1957年)正在ICA展出，与泰特现代(也是ICA的理查德·汉密尔顿档案(Richard Hamilton档案馆)所在地)的主要回顾展相吻合。

The entrance to Dover Street Market has been pasted with a private view card for the 1948 '40 years of modern art' show and a cover from the ICA's Bulletin No. 99, June 1959

Julia and the ICA have developed a visual history that twists through the store's six floors. On the floor of the main entrance is the cover of an early ICA membership brochure, fronted by the words 'the arts appeal for your help', designed by FHK Henrion, with typography by Anthony Froshaug

Left: a black and white photograph of the controversial exhibition 'Parallel of Life and Art', held at the Dover Street gallery in 1953. Right: an image from Richard Hamilton's 'An Exhibit' installation from 1957 lines the walls. The Perspex panel in the foreground mimics the layering in the installation

Archive images of the 'An Exhibit' installation (produced in association with Victor Pasmore and Lawrence Alloway). © Richard Hamilton Studio

Left: an artfully placed poster for a Victor Pasmore show. Right: even doors and floors at Dover Street Market have been given the ICA-treatment. Here, they are lined with pages from the ICA Bulletin, 175 - the map on the floor indicating the move from Dover Street to The Mall

Private view cards from the 1940s and 60s, as well as exhibition posters are incorporated into the shelving system

Visuals for William Turnbull and Francis Bacon shows

In the foreground is a detail of the front cover from the ICA bulletin, No. 161, August/September 1966. Behind this is the private view card for the Man Ray retrospective in 1959

Left: the cover of the catalogue for 'The Obsessive Image 1960-1968' show at Carlton House Terrace in 1968. Right: an installation photograph from the 1952 exhibition 'Tomorrow's Furniture'

A typographic timeline of ICA exhibitions lines the stairwell

The private view card for the 1956 Willi Baumeister Memorial exhibition

On the screen is an installation photograph from the 'Forty Years of Modern Art: 1907-1947' exhibition

A spread from the catalogue for the 1968 show 'Cybernetic serendipity: The computer and the Arts'

The Dover Street Market take-over coincides with the launch of a new book, Institute of Contemporary Arts: 1946 - 1968, which is also a retrospective gathering of images, original documents and anecdotes by art historian Anne Massey and the ICA executive director Gregor Muir  

A spread from the book, featuring Richard Hamilton's 1955 show, 'Man, Machine and Motion'

Featured in the book: The private view card for 'Fifty Drawings and Watercolours by Paul Klee' in 1953. © Tate, London 2013

Also in the book is this installation photograph of the 1951 'Paintings from Haiti' exhibition. © Tate, London 2013

A spread showing the An Exhibit catalogue

Installation view of 'Tomorrow's Furniture' in 1952. © Tate, London 2013

Private view card for 'Picasso Drawings and Watercolours - an exhibition in honour of the artists' at the ICA in the same year. © Tate, London 2013

Installation view of the 1951 Growth & Form exhibition, featuring the work of Nigel Henderson. © Tate, London 2013

keywords:ICA, London, Dover Street Market, exhibition, history, Institute of Contemporary Arts

关键词：ICA，伦敦，多佛街市场，展览，历史，当代艺术学院