The Schirn Kunsthalle in Frankfurt presents artist Tobias Rehberger's first major exhibition in his hometown, entitled 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

德国艺术家托拜厄斯·雷伯格是一位环境保护艺术家，他创造的空间让人眼花缭乱。他的新节目，“家与外”，今天在雷贝格的家乡法兰克福的Schirn Kunshalle开幕，追溯了20年来令人眼花缭乱和迷失方向的职业生涯。

展览由马蒂亚斯·乌尔里希策划，汇集了60件作品，包括雕塑、装置和绘画。它以一部新的作品“Who Du Liebst，Neingt Dich Auch zum Weinen”为开头，这幅作品为他赢得了2009年威尼斯双年展最佳艺术家金狮奖。墙壁，地板，天花板，雕塑物体，都被第一次世界大战中令人眼花缭乱的战舰所用的令人眼花缭乱的伪装所覆盖，这是一个奇怪的诱惑力而不是敌对的空间。

Rehberger一如既往地推拉着艺术、建筑与设计、美术与应用艺术、功能与无用之间的细线。在1994年创作的“星期日”系列中，雷贝格(Rehbeer)-记忆中的作品，技术上的精确性-描绘了20世纪设计的图标，包括马塞尔·布鲁尔(Marcel Breuer)、阿尔瓦·阿尔托(Alvar Aalto)和格瑞特·里特维尔德(Ger@@然后，他把他们带到喀麦隆，并与当地艺术家帕斯卡尔·马廷·塔尤合作，雇用喀麦隆工匠根据这些图纸制作复制品。它质疑肖像和权威，品味的文化特性和家具的巨大吸引力，迫使我们质疑这种吸引力的本质，以及我们构建它的方式。

展览的第三部分是由旧霓虹灯管、游乐场灯光和广告制作而成的大型悬挂式灯光雕塑。雕塑上方的聚光灯把一个影子投射到下面的一个圆形底座上，并说出了一个词：遗憾。黑暗在光下。

Curated by Matthias Ulrich, the exhibition assembles 60 works including sculptures, installations and paintings © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

The exhibition is distributed over three gallery spaces, and opens with a new take on 'Was du liebst, bringt dich auch zum Weinen', the work that earned him the best artist Golden Lion at the 2009 Venice Biennale © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

Walls, floors, ceilings, sculptural objects, are all covered with the eye-boggling camouflage used by the dazzle ships in World War I. Pictured centre is 'Mother spiral (stairs)', 2011 © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

'Large Cuckoo Clock', 2009 (left) and 'Small Cuckoo Clock', 2009 (right) © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

In stark contrast, the second part of the exhibition is staged against a minimalist all-white backdrop that pushes and pulls at the thin line between art, architecture and design, fine art and applied art, functionality and uselessness © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

For one series, We Never Work on Sundays (1994), the artist drew from memory icons of 20th century design, before taking them to Cameroon and employing local craftsmen to make replicas based on the drawings © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

'Cuckoo M.J.IV.', 2012 © Tobias Rehberger, courtesy Galerie Bärbel Grässlin, Frankfurt. Photography: Wolfgang Günzel

The third part of the exhibition, housed in the Schirn Rotunda, at the entrance to the Kunsthalle, is a huge hanging light sculpture created from old neon tubes, fairground lights and advertising. A spotlight above the sculpture casts a shadow onto a round pedestal underneath and spells out a single word: regret © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

'Untitled', 2012 © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

'Michel Majerus', 1995 © Tobias Rehberger, courtesy Galerie Bärbel Grässlin, Frankfurt. Photography: Wolfgang Günzel

'Smoking, listening, for himself - I care about you because you do', 2009 © Galerie Bärbel Grässlin, Frankfurt. Photography: Wolfgang Günzel

'Der lange Weg zur Anerkennung', 2011 © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014. Photography: Norbert Miguletz

keywords:Tobias Rehberger, exhibition, contemporary art, Schirn Kunsthalle Frankfurt, op art, Home and Away and Outside

关键词：TobiasRehberger，展览，当代艺术，SchirnKunsThalle法兰克福，OP艺术，家庭和外出和外部