Hedi Slimane's new photographic exhibition 'Sonic' delves into the polymath's musical archive from the past fifteen years, capturing both the intricate detail and drama of life on the road and under the bright lights. Photography: Hedi Slimane

赫迪·斯利曼(Hedi Slimane)可能因担任奢侈品巨头圣洛朗(St Laurent)创意总监的角色而再次登上新闻头条，但他对摄影的喜爱是巴黎皮埃尔·贝热-伊夫·圣罗兰基金会(Fonation Pierre Bergé-Yves St Laurent)新展览的主题。

名为“Sonic”的黑白摄影文章深入研究了斯利曼过去15年的档案。在亲密的肖像和报告文学系列中，他以错综复杂的细节捕捉了道路上和明亮灯光下生活的戏剧性。

这场展览未经数字修饰，“墙纸”*在我们当前的一期(见W*187)中作了预演。展览在后台展示了摇滚乐的坚硬世界，从猫王的格雷斯兰豪宅(但别指望那些著名的大门)到杰瑞·李·刘易斯(Jerry Lee Lewis)的牧场(他称他为“历史上第一位朋克摇滚乐家”)。沿途是亲密的坐在舞台传奇卢里德，基思理查兹和艾米怀恩豪斯。

这不仅仅是一个展览，这是Slimane对一个目前被数字世界粗暴处理的行业的模拟方法。“Sonic”考察了这种类型是如何在过去的几年里吸引了创造性的人，同时分析了它的主要角色。

事实证明，斯利曼对讲岩石故事的兴趣最初是在他十几岁的时候被一本天才的鲍伊的“大卫现场”专辑点燃的-这位明星穿着一套方形的双排扣蓝色弗雷迪布列蒂西装在唱片袖子上炫耀。但不仅仅是服装，正是这种摄影形式的创造性协同作用吸引了斯利曼：灯光，构图，能量。因此，从那时起，这位教授就一直在通过他的镜头记录生活(更具体地说，是音乐场景)。

在迪奥·霍姆，设计师斯利曼将目光扩展到为摇滚的下一代量身定做。自由军、杀戮派、贝克家、弗兰兹·费迪南德、杰克·怀特和米克·贾格尔都以穿着细长的线而闻名。在这段时间里，他也是菲尼克斯字母专辑的幕后人物。

音乐世界也是如此，斯利曼在那里度过了他五年的时装休假-相当愉快地拍了一张照片。即使在今天，为圣洛朗设计的音乐仍然是他的起源-一首歌往往提供了这个季节的性格、比例和头发方向。

这次展览横跨伦敦、纽约和洛杉矶，特别强调斯利曼的加州时期。这一时期始于2007年，2011年在洛杉矶当代艺术博物馆举办了“加利福尼亚之歌”展览。在2015年1月之前，“Sonic”是一个视频装置的补充，它将伦敦(2003-2007年)和加利福尼亚(2007-2014年)的音乐周期并列在一起。这是一部纪录片式的序列，它与两代表演者和他们的歌迷形成了鲜明的对比.

This raw and unretouched, portrait and reportage series extends a backstage pass into the gritty world of rock 'n' roll, ranging in subject matter from Elvis' Graceland mansion to Jerry Lee Lewis' ranch, along with intimate sittings with stage legends Lou Reed, Keith Richards and Amy Winehouse. Photography: Hedi Slimane

The project is complemented by a video installation (pictured) juxtaposing the musical cycles of London (2003-2007) and California (2007-2014) documentary-style, poignantly contrasting two generations of performers and their fans. Photography: Hedi Slimane

More than an exhibition, this is Slimane's analogue approach to an industry that's currently being manhandled by the digital world. 'Sonic' provides an examination of how this genre has engaged Slimane over the years, erstwhile profiling its key players. Photography: Hedi Slimane

Slimane's interest in musical storytelling was originally ignited during his teens by a gifted copy of Bowie's David Live album - the music legend peacocking on its record sleeve in a boxy, double-breasted blue Freddie Burretti suit. Photography: Hedi Slimane

But more than the costume-hyped clothes, it was the creative synergy of this form of photography that drew Slimane in - the lighting, the composition, the energy. The creative has been recording life (and more specifically the music scene) through his lens ever since. Photography: Hedi Slimane

At Dior Homme, Slimane the designer, tailored the look of rock's generation next. The Libertines, The Kills, Beck, Franz Ferdinand, Jack White and Mick Jagger all famously suited up in his slim-line threads. Photography: Hedi Slimane

The music world was also where Slimane spent much of his five year sabbatical from fashion - snapping. Even today, designing for Saint Laurent, music remains his genesis - a single track often providing the season's character, proportion and hair direction. Photography: Hedi Slimane

A spread from our October Guest Editors' Issue (W* 187) features the creative director's exclusive edit of his 'Sonic' pictures for Wallpaper*. Photography: Hedi Slimane

In addition to the exhibition's rock legends, for this portfolio Slimane chose photographs bereft of stars, guitars and bouffants. Photography: Hedi Slimane

Here, Slimane displays his eye for the grubby side of storytelling. These images capture a legandary LA punk rock venue (left) and the ranch doors of Jerry Lee Lewis' Mississippi property (right). Photography: Hedi Slimane

keywords:Sonic, photography exhibition, Hedi Slimane, Paris' Fondation Pierre Bergé

关键词：声波、摄影展览、海迪·斯利曼、巴黎皮埃尔·贝热伊基金会